Sentences with phrase «york drew its material»

Not exact matches

Neeson, now a big enough draw for the material, makes a poor first impression, unconvincingly aged down with a different hairstyle and goatee while saddled with a terrible New York accent that's all over the place.

Best U.S. Edition of International Material Abelard, by Régis Hautiere and Renaud Dillies (NBM) Athos in America, by Jason (Fantagraphics) Blacksad: Silent Hell, by Juan Diaz Canales and Juanjo Guarnido (Dark Horse) The Making of, by Brecht Evens (Drawn & Quarterly) Monsieur Jean: The Singles Theory, by Philippe Dupuy and Charles Berberian (Humanoids) New York Mon Amour, by Benjamin LeGrand, Dominique Grange, and Jacques Tardi (Fantagraphics)

Process and Materials, 1960 - 1990,» Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA «Artificial Nature,» curated by Jeffrey Deitch, Deste Foundation for Art, The House of Cyprus, Athens, Greece «Stendahl Syndrome: The Cure,» Andrea Rosen Gallery, New York, NY «Mind Over Matter: Concept and Object,» Whitney Museum of American Art, New York, NY, October 3 — January 6, 1991 Galerie Sophia Ungers, Cologne, Germany, with L.C. Armstrong, Gretchen Faust, Eva Hesse, Rebecca Horn, Robin Kahn, Jutta Koether, Patty Martori, and Rosemarie Trockel «Liz Larner, Rosemarie Trockel, Meg Webster,» Stuart Regen Gallery, Los Angeles, CA 1989 «Whitney Biennial 1989,» Whitney Museum of American Art, New York, NY «The Desire of the Museum,» Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, NY Galerie Ryszard Varisella, Frankfurt, Germany «David Cabrera, Larry Johnson, Liz Larner,» 303 Gallery, New York, NY «Archaeology II,» Roy Boyd Gallery, Los Angeles, CA «Specific Metaphysics,» organized by Pat McCoy, Sandra Gering Gallery, New York, NY 1988 «Nayland Blake, Liz Larner, Richard Morrison, Charles Ray,» 303 Gallery, New York, NY «A Drawing Show,» curated by Jerry Saltz, Cable Gallery, New York, NY «Re: Placement,» L.A.C.E., Los Angeles, CA «Life Like,» curated by Marvin Heiferman, Lorence Monk Gallery, New York, NY Stadtmuseum, Graz, Austria, curated by Peter Pakesch; represented the U.S. along with Jennifer Bolande, Jon Kessler, Mike Kelley DAG, Los Angeles, CA 1987 «Room 9,» Tropicana Hotel, Los Angeles, CA «Nothing Sacred,» Margo Leavin Gallery, Los Angeles, CA «1987 Annuale,» L.A.C.E., Los Angeles, CA Jeffrey Linden Gallery, Los Angeles, CA; curated by John Baldessari «Reworks: Recent Sculpture,» New Langton Arts, San Francisco, CA «L.A. Hot and Cool,» M.I.T. Visual Arts Center, Cambridge, MA

Fred Tomaselli (New York, NY) draws upon art historical sources and Eastern and Western decorative traditions to create works that explode with mesmerizing patterns through the layering of resin, pharmaceuticals, and organic materials.

Along with the interplay between the artist's process and nature's, she draws on the contrast between ancient writing and transitory materials, China and New York.

, both on view through December 17 — engage that complicated relationship in indirect but interesting ways: Betbeze is a Georgia native who continues to make work here despite now living in New York, and Detroit artist Harrison's show draws much of its source material from Atlanta - based collections of African art.

As a student at Pratt Institute in Brooklyn, he worked with found materials from muscle magazines and religious imagery drawn from his Catholic upbringing in Queens, New York, to create two - and three - dimensional pieces.

Each of the museum's two current headline exhibitions — Anna Betbeze's Venus and Matthew Angelo Harrison's Dark Povera Part 1, both on view through December 17 — engage that complicated relationship in indirect but interesting ways: Betbeze is a Georgia native who continues to make work here despite now living in New York, and Detroit artist Harrison's show draws much of its source material from Atlanta - based collections of African art.

Yayoi Kusama's oeuvre is presented by a rich selection of paintings, drawings and sculptures, along with large - scale spatial installations and material from her happenings and performances in New York in the «60s.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

In two concurrent New York exhibitions, South African artist Robin Rhode blurs the boundary between drawing and performance, using such unwieldy materials as giant crayons and a bicycle made of chalk.

The exhibition includes Subhankar Banerjee's epic photographs of migratory caribou in northern Alaska, Fernando Palma Rodríguez's animatronic Monarch butterflies, restoring life to a threatened species, Abel Rodriquez's exquisite drawings of plants, recording indigenous environmental knowledge passed down through generations, and Paulo Nazareth's delicate installations of materials collected during his journey, on foot, between Belo Horizonte and New York City.

Overview: In conjunction with the exhibition Los Angeles to New York: Dwan Gallery, 1959 — 1971, the National Gallery of Art Library will present documentary material drawn from the library collection as well as the Dwan Gallery Archives and Virginia Dwan Archives.

Rauschenberg's style derived from his ability to marry Schwitters's magpie sensibility with a sense of scale, and of the grand gesture, that he'd learned from the Abstract Expressionist painters whose work he had gotten to know after arriving in New York in 1949: artists like Jack Tworkov (a fervent early supporter), Franz Kline, and, of course, Willem de Kooning, whose own art would become raw material for Rauschenberg's famous Erased de Kooning Drawing (1953).

Red Grooms, Claes Oldenburg, and Allan Kaprow — all of whom drew both inspiration and materials from New York City — played a central role in the creation and rapid growth of these often short - lived spaces, which were conceived as part studio, part gallery, part laboratory.

From exacting works created with traditional media to pieces that employ more experimental approaches and materials, New Work: Drawings Today presents a survey of contemporary drawings by 27 artists based primarily in New York, Los Angeles, and San FrDrawings Today presents a survey of contemporary drawings by 27 artists based primarily in New York, Los Angeles, and San Frdrawings by 27 artists based primarily in New York, Los Angeles, and San Francisco.

Simultaneously epic and intimate, and operating somewhere between sculpture, drawing, scientific models and fantasy machines, Sze's orchestrations of newspapers, toothpicks, cotton buds, office furniture and table lamps — to name just a few of her myriad materials — have won the 45 - year - old New York artist international acclaim, a slew of global shows, a 2003 McArthur Fellowship (AKA «Genius Grant») and the American pavilion at the last Venice Biennale.

Kusama's original artistic output is represented by a rich selection of paintings, drawings and sculpture, along with large spatial installations and material from her happenings and performances in 1960s New York.

Since the artworld has become relatively borderless, and recently fashion has also swung towards Cianciolo's rough - edged mix - and - match style, she's been included in Greater New York (2015), participated in this year's Whitney Biennial and, after showing with Bridget Donahue (Fluxus - like boxes containing her archival materials), has another gallery show, in London, with Modern Art — whose director, Stuart Shave, began his career as a dealer in the 1990s by showing work that drew on skater, graffiti and fashion subcultures: a perfect circle.

I, Musac, León, Spain Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Reykjavik, Iceland The Black Byrne Collection, MOCA, Los Angeles, Cailfornia, USA Before the Sun Rises (Walter A. Bechtler Stiftung), JRP - Ringier, Zurich, Switzerland Drawing from the Modern, 1975 - 2005, MOMA, New York, USA Colleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Diputación Provincial de Zaragoza, Zaragoza, Spain Nuit blanche 2004, Paris - Musées, Paris, France Fonds d'art contemporain de la ville Genève, collection 1991 - 2003, Fonds d'art contemporain de la ville Genève, Geneva, Switzerland Prêts à prêter, acquisitions et rapport d'activités 2000/2004, Frac Provence - Alpes - Côte d'Azur, Frac Provence - Alpes - Côte d'Azur, France

Philadelphia Museum of Art, Philadelphia, USA Hannah Arendt Denkraum, International art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaje.

For On The Edge: Ha Gamle Pretegarde and Stavanger, Egeroya Lighthouse, Egersund, Norway Material Culture, Fort Worth Contemporary Arts, TCU, Fort Worth, Texas Des Coiffes, De Coiffent, Galerie Gabrielle Maubrie, Paris, France The Florence & Daniel Guerlain Collection — Select Drawings, French Embassy, New York, New York

Panero continues: «Concentrating on the rural hills, fields, streams, and vegetation of upstate New York, [Tom] Goldenberg employs a wide range of perspective, materials, and techniques — charcoal, walnut ink, pastels — that clearly draws on those classical collections.

For Um - basax - bilua «Where They Make The Noise,» Red Star's first solo exhibition in New York, the artist eschews much of the satire of her earlier work, showing a large - scale installation drawn from a mix of autobiographical and archived material.

In his obituary in 2012, Roberta Smith of The New York Times wrote that while working as a private dealer selling prints, drawings and multiples, Mr. Leiber «bought 21 boxes of ephemera relating to the performance - oriented Fluxus art movement of the early 1960s, the Beat and Concrete poetry movements and the 1960s counterculture,» and «after a year of sorting and organizing the material, he had a new field of expertise: the ephemeral.»

I will return with more info shortly..., (GuytonWalker), curated by Howie Chen and Tim Saltarelli, IMO, Copenhagen, Denmark Good Friends, (GuytonWalker), Asia Song Society, New York, NY Street Trash, (GuytonWalker), 1 -800-GO-PENSKE, Brooklyn, NY Catalogue of the Exhibition, curated by Bob Nickas, Triple V, Paris, France After Images, curated by Fionn Meade, Musée Juif de Belgique, Brussels, Belgium That's The Way We Do It, Kunsthaus Bregenz, Bregenz, Austria A Painting Show, (GuytonWalker), Autocenter, Berlin, Germany The Luminous Interval, (GuytonWalker), Guggenheim Museum Bilbao, Bilbao, Spain Keeping It Real: Act 4, Material Intelligence, Whitechapel Gallery, London, UK Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, Martin - Gropius - Bau, Berlin, Germany Image Transfer, Richard E. Peeler Art Center, DePauw University, Greencastle, Indiana, traveling to Center for Art, Design and Visual Culture.

2009, «The Polymorphic characteristics of disciplinary education» CITY COLLEGE OF NEW YORK, New York, NY 2009, «Mimetic Depth: from the Greek through the proscenium into the black box» PARSONS SCHOOL OF DESIGN, New York, NY 2009, «Drawing is thinking» CITY COLLEGE OF NEW YORK, New York, NY 2008, «Hunting Life; A Forever house» PARSONS SCHOOL OF DESIGN, New York, NY 2008, «Empathy; Material and Spatial» INSTITUTE DE RECHERCHÉ EN ARCHITECTURE, Montreal, Canada Canadian Center for Architecture / McGill University Symposium, 2007 (September) Reconciling Poetics and Ethics in Architecture: «No More Shall We Part» CITY COLLEGE OF NEW YORK, New York, NY Symposium 2007 (November) «Ineffable»; «Globe Double: Mimetic Capital; Technology», Ames, Iowa ON THE BEGINNING DESIGN STUDENT 2006 (April), Panelist.

In partnership with Harlem Needle Arts, this exhibition interprets New York's African - American material history through contemporary pieces of needle and fiber arts which draw on centuries - old traditions.

Since the early 1970s Billy Sullivan has accompanied New York's underground, art and fashion scenes with his camera, using the resultant photographic material as templates for oil paintings, pastel drawings and elaborate multi-part slideshow installations, according to Edition Patrick Frey.

[12] In 1954, Nevelson's street in New York's Kips Bay was among those slated for demolition and redevelopment, and her increasing use of scrap materials in the years ahead drew upon on refuse left on the streets by her evicted neighbors.

, Serralves Museu, Porto, Portugal The Smithson Effect, Utah Museum of Fine Arts, Salt Lake City, UT Locations, Paula Cooper Gallery, New York, NY Keeping it Real: Act 4, Material Intelligence, Whitechapel Gallery, London, UK Drawing from Photography, The Drawing Center, New York, NY Stargazers, Elizabeth Catlett in Conversation with 21 Contemporary Artists, Bronx Museum, Bronx, NY

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

Taking its cue (and deriving its name) from l'heure bleue, that fleeting moment of atmospheric ambivalence at dawn and dusk when daylight has not yet begun (or has just finished) drawing a world of legibility and clear distinction, Nathaniel Robinson's New York solo debut, «Civil Twilight,» operated within a territory of formal, conceptual, and material indeterminacy.

Roni Horn has spent much of the last quarter - century commuting between her native New York and Iceland - a country she uses as both her studio and as material for an art that slips between genres and combines sculpture, drawing, photography, installation and making books.

May 1, 2014 — May 1, 2015 American Abstract Artists 75th Anniversary Print Portfolio Exhibitions in Colleges and Museums, 2012 - 2015 Painting Center, «Wit», Curated by Joanne Freeman, New York, NY, 2013 Sideshow Gallery, Brooklyn, NY, 2013 - 2008 (Annual Exhibition) Paris CONCRET, «American Abstract Artists International», Paris, France, 2012 Parc Floral De Paris, «Le Salon des Realties Nouvelles», Invitational, Paris, France, 2012 The Ice Box, Crane Arts, «Abstraction to the Power of Infinity», Curated by Janet Kurnatowski, Philadelphia, PA, 2011 OK Harris Gallery, «American Abstract Artists 75 Anniversary», New York, NY, 2011 Galerie oqbo Deutche Kunstlerbund, «75th Anniversary American Abstract Artists International», Berlin, Germany, 2011 Herbert F. Johnson Museum of Art, Cornell University, «75h Anniversary of the American Abstract Artists», Ithaca, NY, 2011 Sideshow Gallery, «Material Matters»: American Abstract Artists, Curated by Kat Griefen, Director AIR Gallery, Brooklyn, NY, 2007 Florence Lynch Gallery, «Material Sign» (four person exhibition), Curated by Stephen Westfall New York, NY, 2006 RB Stevenson Gallery, «New Year Gallery Selections», San Diego, CA, 2003 2002, 2000 Art Resources Transfer, «A Conversation Exhibition», New York, NY, 2003 The Affordable Art Fair, «Rosenberg + Kaufman Fine Art», Pier 92, New York, NY, 2002 Klein Art Works, «Blotto» (four person exhibition), Chicago, Ill, 2000 Condesa Lawler Gallery, «Abstract Index», New York, New York, 1999 Art Initiatives, «Dealer's Choice», New York, NY, 1999 Allan Stone Gallery, New York, NY, 1992, 1985 The Gallery at Hastings - on - Hudson, «The Legacy of the Abstract Expressionists», Hastings - on - Hudson, 1990 0scarsson Siegeltuch Gallery, New York, NY, 1987, 1985 Goldie Paley Gallery, Moore College, Philadelphia, PA, 1986 Ruggiero Henis Gallery, «Mixed Media», a sculpture exhibition Curated by Fredericke Taylor, New York, NY, 1989 John Davis Gallery, New York, NY, 1988 San Francisco Art Institute, «Four Painters», San Francisco, CA, 1981 «Art Today USA II» (organized by David Galloway, Teheran, Iran, 1976 Newport Harbor Art Museum, «Market Street Program», Los Angeles, CA, 1973 San Francisco Art Institute, «Drawing Invitational», San Francisco, CA, 1973

Born 1972, Baltimore, Maryland / Lives and works in Brooklyn, New York Drawing from cast - off materials that litter the urban landscape, Shinique Smith's sculptures compress the lives of the objects she ties together»» clothing, textiles, shoes and stuffed toys; with twine, ribbon and the like.

Greene Street Mural will be on view at Gagosian Gallery at 555 West 24th Street in New York from September 10th to October 17th, 2015, along with related source material such as drawings sketches and studies.

Drawing inspiration from the materials she found in an abandoned textile factory in Kettwig, she made her first three - dimensional artworks, and when she returned to New York she devoted herself exclusively to sculpture, creating fragile works in unconventional materials such as polyester, fiberglass and latex.

2002 - 03 From Blast To Frieze: A Century of British Art, Kunstmuseum Wolfsburg; Les Abattoirs, Toulouse 2002 Face / Off, Kettle's Yard, Cambridge XXIV Bienal de São Paulo 2001 Out of line: Drawings from the Arts Council Collection, Hayward Gallery, London; York City Art Gallery, York La Otra Britania, Centro Cultural Tecla Sala, Barcelona 2000 British Art Show 5, Edinburgh; Cardiff; Birmingham; Southampton Diary, Cornerhouse Gallery, Manchester Purile 69, Living Art Museum, Reykjavik 1999 Waste Management, Art Gallery of Ontario, Toronto Trace and Art Lovers, The Liverpool Biennial of Contemporary Art 1997 Sensation: Young British artists from The Saatchi Collection, Royal Academy of Arts, London; Hamburger Bahnhof - Museum für Gegenwart, Berlin; Brooklyn Museum of Art, NY Material Culture: The Object in British Art of the 1980s and 90s», Hayward Gallery, London 1996 Ace!

A prolific artist who lived in both New York and London, Cantor combined ready - made materials with diaristic notes and drawings to probe her perceptions and experiences of personal desire and institutional violence.

Initially conceived as a personal project on the walls of Sorrenti's New York loft, the material in Draw Blood for Proof eventually found its way onto gallery walls as a large - scale installation piece in 2004.

He is currently on the faculty of The Art Students League of New York, where he teaches Life Drawing and Artistic Anatomy, the Seminar in the Literature of Art and numerous workshops in various aspects of painting, drawing and matDrawing and Artistic Anatomy, the Seminar in the Literature of Art and numerous workshops in various aspects of painting, drawing and matdrawing and materials.