Sentences with phrase «york film culture»

For going on a quarter of a century, he's been New York film culture's indispensable man.»

Not exact matches

The show — which was filmed last month at New York's Lexington Avenue Armory and featured performers Selena Gomez and The Weeknd, as well as Kendall Jenner and Gigi Haddid on the runway — is an important part of L Brands» (LB) efforts to keep its Victoria's Secret brand at the center of pop culture.

The film stars Keanu Reeves as a former hitman that has left his profession for a happier, mainstream, life, but an unfortunate turn of events force him to return to the seedy underbelly of New York City's hitman culture.

Kiki is an update of sorts on Jennie Livingston's Paris Is Burning, a canonical portrait of New York ball culture in the 1980s that endures, though not without complications, as an essential investigation of queerness, race, class, and stardom — and a work that noticeably goes unmentioned in Jordenö's film.

Its 30 - plus contributors have gone from being new voices in the New York film criticism scene to part of established film culture.

Since GATW's departure, he's programmed for the Alamo Drafthouse, Fantastic Fest, Rooftop Films and the Sundance Film Festival, worked in film distribution for Cinedigm in New York, and his reviews, interviews, and editorials have been featured on websites including Twitch, Film.com, MTV, Film Threat, Indiewire's The Playlist, We Got This Covered, Latino Review, Dallas Observer, Culture Map, Central Track, Hammer to Nail, Denton Record - Chronicle, and the Dallas Morning News.

Jennie Livingston, who moved to New York after graduating from Yale to work in film, and who spent six years [4] making Paris Is Burning, concentrated on interviews with key figures in the ball world, many of whom contribute monologues that shed light on the ball culture as well as on their own personalities.

MaryAnn Johanson is a freelance writer on film, TV, DVD, and pop culture from New York City and now based in London.

Via year - round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.'s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.

He also writes about film, pop and geek culture, gaming, books and the arts for The New York Times, BoingBoing, wired.com, Salon.com, PsychologyToday.com, WBUR's «Cognoscenti,» and GeekDad, and has also contributed to Playboy, National Geographic Traveler, Christian Science Monitor, Psychology Today, San Francisco Chronicle, USA Today, and Washington Post, Time Out and Fodor's, among dozens of other magazines, newspapers, websites and guidebooks worldwide.

While the 2016 - 2017 season didn't see any new show rise to Hamilton - like popularity — it's hard for any TV show, film or stage production to reach that level of pop culture zeitgeist — there are plenty of standout showcases of what fans have come to know and love about the New York City theater scene.

Since GATW's departure, he's programmed for the Alamo Drafthouse, Fantastic Fest, Rooftop Film and the Sundance Film Festival, worked in film distribution for Cinedigm in New York, and his reviews, interviews, and editorials have been featured on websites including ScreenAnarchy, Film.com, MTV's Next Movie, Film Threat, Indiewire's The Playlist, We Got This Covered, Latino Review, Dallas Observer, Culture Map and Central Track.

The Docks of New York (1928), the simplest, most delicately visualized and most perfect film of the set, is the turn - of - the - century bowery answer to Sunrise, with a romantic idealism fighting its way out of hard - scrabble lives and resigned characters of the waterfront culture.

To ensure that her students were engaged, New York teacher Lauren Leigh Kelly also designed a Hip - Hop Literature and Culture class, «to engage students in the study of hip - hop texts, including songs, films, and music videos, as a means to develop media literacy and critical - analysis skills.»

Culture vultures among you should be sure to check out the Brooklyn Academy of Music, which houses one of New York's best theatres, as well as putting on films, music and other cultural events.

One of the very best films on view in New York right now is «Fly Paper,» a lyrical 23 - minute tribute to life and culture in Harlem by Kahlil Joseph, a filmmaker who directed some of Beyoncé's «Lemonade» while also becoming known for his own lush, impressionistic short works.

New York and Mexico City based artist John Menick makes digital films, visual art, and the occasional essay on art and culture.

In 2015, at New York Museum of Modern Art Erizku represented his «visual manifesto», a film named Serendipity in which he uses a sledgehammer to break the bust of David, replacing it with the one of Egyptian queen Nefertiti as an expression of the idea that the American culture doesn't value enough the work of black people.

The film provides a view into the life of an artist who splits his time between the contrasting cultures of London, New York, and Seoul.

Dr James Boaden, Lecturer in History of Art at the University of York, talks about the language of film, exploring the relationship between art and moving image, experimental film culture and visual communications.

2002 Illustraded Catalog, Big Girl Paintings, Gagosian Gallery, Beverly Hills, CA 2001 Included in exhibition, Mythic Proportions: Painting in the 1980's, Museum of Contemporary Art, Miami 2000 Included in exhibitions: The International Festival of Contemporary Sculpture: Contemporary American Sculpture, Monaco; The Lenore and Burton Gold Collection of 20th Century Art, High Museum of Art, Atlanta 1999 Included in exhibitions: The American Century: Art and Culture 1950 - 2000, the Whitney Museum of American Art, New York; The Virginia and Bagley Wright Collection of Modern Art, Seattle Art Museum, Washington; Bad - Bad: That is a Good Excuse, Staatliche Kunsthalle, Baden - Baden, Germany 1997 Included in exhibitions: The Hirshhorn Collects: Recent Acquisitions 1992 - 1996, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; La Biennale de Venezia: Future, Present, Past, XLVII International Arts Exhibition, Venice 1996 Release of film, Basquiat, directed and produced by Schnabel 1994 Julian Schnabel: Retrospective, at the Museo de Monterrey, Mexico; included in exhibition, U.S. Painting of the 1980s, at the Irish Museum of Modern Art, Dublin, Ireland 1993 Included in Drawing the Line Against AIDS, exhibition in conjunction with Art Against AIDS Venezia, under the aegis of the 45th Venice Biennale, Peggy Guggenheim Colletion, Venice 1992 Included in exhibitions: Le Portrait Dans L'Art Contemporain, at the Musée d'art moderne et d'art contemporain, Nice, France; Manifeste, at the Musée national d'art moderne, Centre Georges Pompidou, Paris, France 1991 Solo exhibition, Julian Schnabel, at the Nelson - Atkins Museum of Art, Kansas City; included in exhibitions: The 1980's: Selections from the Permanent Collection, at the Whitney Museum of American Art, New York; Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985 - 1991, San Francisco Museum of Modern Art, California 1989 Traveling solo exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery, New York