Sentences with phrase «york gallery system»

November 2016 basically dynamited any lingering interest for me in working within the New York gallery system, at least as it's organized now — with the 50/50 split, cyclical show expectations, social climbing, etc..

Not exact matches

Cronin's works has also been featured in numerous group exhibitions, including Global Positioning Systems, Perez Art Museum Miami, FL (2014 - 15); 1993: Experimental, Jet Set, Trash and No Star, New Museum, New York, NY (2013); Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013); Watch Your Step, The FLAG Art Foundation, New York, NY (2012); Because We Are, Station Museum of Contemporary Art, Houston, TX (2010); and Sh (out): Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland (2009).

Following his years as a student at Cal Arts and teaching in Nova Scotia, he describes his early years in New York with the artist April Gornik, just as Wall Street money begins to encroach on the old gallery system and change the economics of the art world.

In New York, Haring found a thriving alternative art community that was developing outside the gallery and museum system, in the downtown streets, the subways and spaces in clubs and former dance halls.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

2014 The Chosen, Jewish Museum, Miami Beach, FL MIA - ATL, Curated by William Cordoba; Saltworks Gallery, Atlanta, GA Dialog — Monolog, Syker Vorwerk Zentrum für Zeitgenössische Kunst, Bremen, Germany Overview Galleries / Global Positioning Systems, Pérez Art Museum Miami, Miami, FL The past is more infinite than the future, Curated by William Cordova, MDCC North Campus Gallery, Miami, FL MIA - BER, Curated by William Cordova, Verein Berliner Künstler, Berlin, Germany Perder la forma humana, Una imagen sísmica de los anos ochenta en America Latina, Curated by Red Conseptualismos del Sur at MUNTREF, Buenos Aires, Argentina Radio Miami Rosell Meseguer, Curated by Glexis Novoa, Art Center of South Florida, Miami, FL Caribbean: Crossroads of the World, Pérez Art Museum Miami, Miami, FL Lost in Landscape, Cuarated by Gerardo Mosquera at Museo di arte moderna e contemporanea di Trento e Rovereto, Trento, Italy Cuban America, Curated by Yuneikys Villalonga & Susan Hoeltzel, Lehman College Art Gallery, New York, NY

BERNSTEIN After Yale I went to New York and wanted to be part of the gallery system.

But there are surely echoes and affinities between the writing and thinking promoted by Alfred H. Barr Jr. at the Museum of Modern Art, by Albert Gallatin with the publications of his Gallery of Living Art at New York University, by Duncan Phillips through the Phillips Collection and books such as his 1937 The Leadership of Giorgione, and by John Graham (who exhibited at the Phillips Collection) with his eccentric underground classic, System and Dialectics of Art.

Creator spatial dynamic hydro - cybernetic systems for 42d International Exhibition Art - La Biennale di Venezia, 1986, Digital Visions - Computers and Art, Everson Museum of Art, 1987, Contemporary Arts Center Cincinnati, 1987, International Business Machines Corporation Gallery of Science and Art, New York City, 1988, Phenomena Art Expo, Fukuoka, Japan, 1989, Wonderland of Science - Art Kanagawa International Art Science Exhibition, Kawasaki, Japan, 1989, Vienna Messe - Wiener Festwochen, 1989, Kanagawa International Art & Science Exhibition, Kawasaki, Japan, 1989, Artec 91, International Biennale in Nagoya, Japan, 1991 (Artec Grand Prix winner), Homage à Denise Rene - Cybernetic Arts, Musée National d'art Modern Center Georges Pompidon, 2001, Shanghai International Biennale for Contemporary Arts, Shanghai Art Museum, 2004.

Recent and upcoming exhibitions include: Systems Now, Elvehjem Museum of Art, University of Madison, WI; Microwave, Sicardi Gallery, Houston TX; Almost replicating, Cristinerose Josee Bienvenu Gallery, New York.

Dara Birnbaum, Tiananmen Square: Break - In Transmission, 1990 Five - channel color video, four - channel stereo sound, surveillance switcher and custom - designed support system, Dimensions variable Installation view at S.M.A.K. - Stedelijk Museum voor Actuele Kunst, Ghent, 2009 Courtesy of the Artist and Marian Goodman Gallery, New York / Paris / London Photo credit and Copyright: Dara Birnbaum

The Warehouse Gallery March 9 — May 29, 2010 Stiles, an emerging new media artist, musician, and designer of electronic systems based in DeRuyter, New York, realized a computer based installation for his first solo - museum exhibition at The Warehouse Gallery.

Traveled to: Hirshorn Museum and Sculpture Garden and the Corcoran Gallery of Art, Washington, D.C. (jointly), October 1 - November 27; Toledo Museum of Art, Toledo, Ohio, January - February 26, 1978 1982 Visual Arts Museum, New York (handmade paper works) 1983 Duke University Museum of Art, Durham, North Carolina (handmade paper works) Museo de Arte Moderno, Mexico, D.F. 1984 University Art Museum, University of California, Berkeley 1985 Museo de Bella Artes, Bilbao, Spain, September 1986 The Butler Institute of American Art, June 20 - August 31 Hunter Museum of Art, Chattanooga, Tennessee, November 9 - January 4 1987 Artist - in - Residence, Pratt Institute, New York, September 1986-1987 1990 Edmonton Art Gallery, Edmonton, Alberta, Canada November 17 - January 6, 1991 1994 The Museum of Art, Houston, «Kenneth Noland: The Circle Paintings» The Museum of Fine Arts, Ft. Lauderdale, Florida, «Kenneth Noland: The Circle Paintings» 1995 Leo Castelli Gallery, New York, «Kenneth Noland: A Selection of Paintings» Gana Art Gallery, Seoul, South Korea 1996 Mosaic mural at the new Rome, Italy subway system located at central Colosseum station.

Stiles, an emerging new media artist, musician, and designer of electronic systems based in DeRuyter, New York, realized a computer based installation for his first solo - museum exhibition at The Warehouse Gallery.

1977 35th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington, DC Pattern, Grid and System Art, Wilson Gallery, Lehigh University, Bethlehem, PA Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Summit Gallery, New York, NY Pattern, Grid and System Art, Ralph Wilson Gallery, Lehigh University, Bethlehem, PA

Ten exhibitions on through October you don't want to miss: Prospect.3, New Orleans; Mariana Castillo Deball at Hamburger Bahnhof, Berlin; Tony Conrad at Inverleith House, Edinburgh; David Altmejd at Musée d'Art Moderne de la Ville de Paris; Puddle, Pothole, Portal at SculptureCenter, New York; Martin Soto Climent at T293, Rome; Stephen Shore at 303 Gallery, New York; Korakrit Arunanondchai at Carlos / Ishikawa, London; Will Boone at Jonathan Viner, London; One Million Years — System and Symptom at Kunstmuseum Basel.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Other notable solo presentations include a selection of Tony Smith's sculptural maquettes, presented by Pace Gallery (New York, London, Palo Alto, Beijing, Hong Kong, Paris, Seoul), which highlight the artist's modular system of formal and spatial organization.

Douglas is one of a group of classically trained New York based artists who have chosen the street as the primary place to exhibit their work, finding the immediacy of doing so more liberating than the confines of the traditional gallery system.

2015 Walks and displacements, Andrew Kreps Gallery, New York, USA The Pump, curated by Jennifer Teets, Royal College of Art Dyson Building, London, UK Nature, Art and Ecology, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Italy Le Souffleur, Schürmann trifft Ludwig, Ludwig Forum Aachen, Aachen, Germany A Walk, Tripoli Gallery of Contemporary Art, East Hampton, New York, USA Multi-Channel: Currents in Contemporary Video Art, West Texas A&M University, Canyon, USA System of a Down, Ellis King, Dublin, Ireland Être Chose, Treignac Projet, Treignac, France Albert the kid is ghosting, David Roberts Art Foundation, London, UK Anagramma, curated by CURA, Basement Roma, Rome, Italy The Noing Uv It, Bergen Kunsthall, Bergen, Norway

Ruperto has exhibited his work internationally at numerous venues, including: Geomancies, at REDCAT Gallery, Los Angeles (2017); What We Know that We Don't Know, Kadist, San Francisco (2017); Afterwork, ILHAM Gallery, Kuala Lumpur (2016) and Para-Site, Hong Kong (2016); Nervous Systems, Haus der Kulturen der Welt, Berlin (2016); The As - if Principle, Magazin4 Bregenzer Kunstverein, Austria (2015); 2014 Whitney Biennial, Whitney Museum of American Art, New York; Janus, Dunlop Art Gallery, Regina Public Library, Saskatchewan, Canada; Made in L.A., Hammer Museum.

He has also exhibited in group shows including After Party: Collective Dance and Individual Gymnastics, Blindspot Gallery, Hong Kong (2017); New voices: a dslcollection story, Klein Sun Gallery, New York, NY (2016); We - A Community of Chinese Contemporary Artists, K11 Art Museum, Shanghai, China (2016); 28 ° 00 ′ N 120 ° 42 ′ E, How Art Museum, Wenzhou, China (2015); The System of Objects, Mingsheng Art Museum, Shanghai, China (2015); Cinematheque, K11 Art Museum, Shanghai, China (2015); Performance and Imagination: Chinese Photography 1911 - 2014, Stavanger Art Museum, Stavanger, Norway (2014); My Generation: Young Chinese Artists, Tampa Museum of Art & Museum of Fine arts, St. Petersburg, FL (2014); 28 Chinese, Rubell Family Collection / Contemporary Arts Foundation, Miami, FL (2013); Rising Dragon: Contemporary Chinese Photography, San Jose Museum of Art, San Jose, CA (2013); ON / OFF: China's Young Artists in Concept & Practice, Ullens Center for Contemporary Art, Beijing, China (2013); The First «CAFAM Future» exhibition, CAFA Art Museum, Beijing, China (2012); and Reflection of Mind: MoCA Shanghai Envisage III, Museum of Contemporary Art, Shanghai, China (2010).

Ruperto has exhibited his work internationally at numerous venues, including Geomancies, REDCAT Gallery, Los Angeles (2017); What We Know that We Don't Know, Kadist, San Francisco (2017); Afterwork, ILHAM Gallery, Kuala Lumpur (2016 — 17) and Para-Site, Hong Kong (2016); Nervous Systems, Haus der Kulturen der Welt, Berlin (2016); The As - if Principle, Magazin4 Bregenzer Kunstverein, Austria (2015); 2014 Whitney Biennial, Whitney Museum of American Art, New York; Janus, Dunlop Art Gallery, Regina Public Library, Saskatchewan, Canada (2014); Made in L.A., Hammer Museum (2012).

Drifter, development 2008 - 2016, realization 2017, mixed media with concrete, robotics, tracking system courtesy Pace Gallery, New York.

Notable galleries for 2014 include: Kevin Kavanagh (Dublin), presenting a storytelling series by Sonia Shiel, current ISCP NY artist - in - residence and recipient of Ireland's 2014 Arts Council Project Award; Laura Bulian Gallery (Milan), highlighting career Conceptualist Vyacheslav Akhunov, whose cultural investigations were featured in dOCUMENTA (13) and the 2013 Venice Biennale's Central Asian Pavilion; contemporary Bahamanian art hub Popopstudios (Nassau), spotlighting «everyday» assemblages and mixed - media works by founder John Cox; Frederieke Taylor Gallery (New York), revealing environmental concerns of downtown stalwart Christy Rupp, whose seminal public art projects factored into the 2012 exhibition Come Closer: Art Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMITH.

But in a survey of prominent New York galleries, Heartney found that women artists represented a maximum of 25 percent of solo shows around the time of her book's publication, raising the question of what structural factors winnow out so many female artists in the transition from school to gallery system.

Castelli introduced an innovative stipend system into the New York gallery world, putting the artists he represented on an international stage.

The commercial gallery system that we know today emerged in the late»60s and»70s in New York, and in the»80s in Los Angeles.

Between Crisis and Possibility (The Kitchen, New York, 2011; with ISP fellows Jennifer Burris, Sofía Olascoaga, Sadia Shirazi); Nervous System (James Taylor Gallery, London, 2009); Every Story is a Travel Story (Candid Arts Trust, London.

In a new body of work on view at Marian Goodman Gallery in New York, it is equally her desire to understand systems and their disintegration that becomes the subject of her art.

, Galería Javier López, Madrid; curated by Fer Francés Joyride, Marlborough, New York G I R L, Galerie Emmanuel Perrotin, París; curated by Pharrel Williams If you're accidentally not included, don't worry about it, Galerie Zürcher, New York; curated by Peter Saul Wall to Wall, Hang - Up Gallery, London This is Not a Toy, Design Exchange, Toronto; curated by John Wee Tom, Sara Nickleson and Pharrell Williams Making Links: 25 Years, SCAI The Bathhouse, Tokio 2013 Happy Birthday Galerie Perrotin / 25ans, Tri Postal, Lille The System of Objects, Deste Foundation, Athens Pictoplasma White Noise, La Casa Encendida Madrid At Home I'm a Tourist.

2002 Center of Attraction, The 8th Baltlic Triennial of International Art, Contemporary Art Centre, Vilnius, Lithuania Overt Operation, Joseph Helman Gallery, New York, USA Strategy, La Plage, Neuchatel, Switzerland Libres Echanges / Material World, Centre d'Art Contemporain Genève, Geneva, Switzerland Terra Incognita: Contemporary Artist's Maps and Other Visual Organizing Systems, Contemporary Art Museum, St. Louis, USA Empire / State: Artists Engaging Globalization, Graduate Center of the City University of New York, USA,

Virginia Dwan, founder of leading avant - garde galleries in Los Angeles and New York, was a force in a nation made mobile by commercial airlines and the interstate highway system.

«The system today — put in place by galleries, auction houses, and art critiques — has nothing to do with talent, development of skill, or maturation of the art world,» said Cenedella, a teacher at the Art Students League of New York known for satirical works that have included a painting of Santa Claus on a crucifix.

«I try to construct systems that let all different scenarios play out,» says Glynn, who mounted a show of her Rodin sculptures at New York's Paula Cooper Gallery earlier this winter and is preparing for a fall solo exhibition at the Massachusetts Museum of Contemporary Art.

«On a mundane level, Mike was one of the early CalArts artists who chose not to go to New York and prostrate themselves in front of an uncaring gallery system,» noted Lawson.

Network Sponsors: Hunter College MFA Thesis Exhibit 2012 — May 17 — June 16 Brooklyn College MFA Thesis Show 2012 — June 9 — 17 Lumen Festival — International video art and projection festival in Staten Island, Saturday, June 23 Storefront Bushwick — Bushwick gallery currently featuring artists Adbolreza Aminlari and Drew Shiflett New York Studio School — Summer Intensives from June 4 — July 20 Claremont Graduate University MFA — A highly focused graduate - only studio - art program Art Systems — Professional art gallery, antiques and collections management software Capricious Magazine — Platform to feature the work of emerging and underrepresented fine art photographers Richard Minsky --» The Book Art of Richard Minsky ``

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

GRIMM is pleased to announce the presentation of Complex Systems (2017) by Desiree Dolron (NL, 1963) at our New York gallery...

The piece, which has one of the best titles for a sculpture in recent memory, was the centerpiece of «Systems of Escape Velocity,» the New York — based artist's fifth show in this gallery.