Sentences with phrase «york institutional solo»

The Jamaican - born artist just celebrated his first New York institutional solo show Nari Ward: G.O.A.T., again, a new series of outdoor sculptures at the Socrates Sculpture Park in Queens; installed a recent commission of his project We The People (2011) at the New York Historical Society on the Upper West Side; and sees his travelling survey, Nari Ward: Sun Splashed, move to the ICA in Boston, on view through September 4, 2017.

Not exact matches

The solo exhibition at MoMA PS1 — her first institutional outing in New York — is organized in conjunction with the Maria Lassnig Prize, of which Wilkes is the first recipient.

Torbjørn Rødland (b. 1970, Stavanger, Norway, lives and works in Los Angeles and Oslo) has been the subject of a number of institutional solo exhibitions, including shows at Henie - Onstad, Oslo, Norway (2015); Kunsthall Stavanger, Stavanger, Norway (2014); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2010); Contemporary Art Museum, St. Louis, United States (2010) and P.S. 1 Contemporary Art Center, New York, United States (2006).

Swiss Institute is pleased to present the first institutional solo exhibition in the United States of New York - based artist Andrea Crespo, centered on a new video, virocrypsis (2015), which develops the artist's ongoing inquiry into posthuman desire.

In her first institutional solo exhibition Spring, on view at New York Swiss Institute until July 23, New York - based, Croatian artist Dora Budor presents sculptures that wrap around architectural miniatures originally featured in the blockbuster films The Fifth Element, Batman Returns and Johnny Mnemonic.

For Sam Lewitt's first institutional solo exhibition in New York, «Less Light Warm Words,» the artist employs a similar tactic.

But this summer, Niele Toroni, a Swiss painter born in Muralto (the Italian - speaking border region nestled in the high peaks of Locarno), lands at the Swiss Institute for his first - ever solo institutional show in New York.

White has had solo gallery exhibitions at the Andrea Rosen Gallery, New York; FA Projects, London; Loock Gallery, Berlin; Brandstrom Gallery, Stockholm; as well as solo institutional exhibitions at The Santa Barabara Contemporary Arts Forum; Domus Artium in Salamanca, Spain; Oslo Kunstforening in Oslo, Norway; and the Aldrich Museum of Contemporary Art, in Ridgefield, CT..

Swiss Institute is pleased to present Spring, the first institutional solo exhibition of New York - based Croatian artist Dora Budor (b. 1984).

For Sam Lewitt's first institutional solo exhibition in New York, entitled Less Light Warm Words, the artist has removed all of the fluorescent lights from the ceiling rig in Swiss Institute's main gallery and redirected the total available electricity into custom - designed flexible copper heating circuits.

Her first solo exhibition occurred at the Stable Gallery in New York in 1952 and she presented almost annually at numerous institutional and commercial galleries throughout the United States.

Paul Chan's institutional solo exhibitions include Schaulager, Basel, The Renaissance Society at the University of Chicago, Chicago, New Museum, New York, Serpentine Gallery, London, Stedelijk Museum, Amsterdam, Portikus, Frankfurt, and Institute of Contemporary Art, Boston.

His work is included in numerous prestigious institutional collections including the Museum of Modern Art, New York, the Philadelphia Museum of Art, the Art Institute of Chicago, the Menil Collection, Houston, the Tate, London, the Musée d'Art Moderne de la Ville de Paris, and Israel Museum, Jerusalem, and has been recognized by recent solo exhibitions at Centre Georges Pompidou, Paris, and the Fundación Proa, Buenos Aires.

His work has been most recently featured in a comprehensive solo exhibition at the Josef Albers Museum Quadrat in Bottrop, Germany, and is part of prestigious permanent institutional collections including the Whitney Museum of American Art, the Museum of Modern Art, New York, and The Museum of Contemporary Art, Los Angeles.

His work is appears in prestigious institutional collections throughout Europe and the United States, including the Museum of Modern Art, New York, Moderna Museet, Stockholm, Centre Georges Pompidou, Paris, the Royal Museums of Fine Arts of Belgium, Brussels, and the Tate, London, and was recently recognized by comprehensive solo exhibitions at the Museum of Modern Art, New York, the Menil Collection, Houston, and the Art Institute of Chicago, beginning in 2013.

His work has been featured in solo exhibitions throughout Europe, including retrospectives at the Musée d'Art Moderne de la Ville de Paris, the Serpentine Gallery, London, and the Museo d'Arte Contemporanea Donnaregina, Naples, and appears in established institutional collections including the Tate Modern, London, the Museum of Modern Art, New York, Stedelijk Museum, Amsterdam, and Galleria Civica d'Arte Moderna e Contemporanea, Turin.

In More Heat than Light and Less Light Warm Words (2015 - 16), installed in solo exhibitions at the CCA Wattis Institute for Contemporary Arts, San Francisco and Kunsthalle Basel, Basel, Switzerland, and the Swiss Institute, New York, respectively, Lewitt engineered specially manufactured heating circuits used for the regulation of internal temperatures in environmentally sensitive media systems and redirected all available energy that flowed through the institutional lighting grids in the exhibition spaces.

Major solo presentations of the artist's work have been staged at institutional venues including Schirn Kunsthalle, Frankfurt (2015); Nam June Paik Art Center, South Korea (2013); Seattle Art Museum (2013); Tate Liverpool (2012); LUMA Foundation, Arles, France (2012); Deste Foundation, Hydra, Greece (2011); Cincinnati Art Museum, Cincinnati (2010); Museo d'Art Contemporanea Roma, Rome (2009); Museum of Modern Art, New York (2007); Aspen Art Museum (2006); Musée d'Art Moderne de la Ville de Paris (2005); The Fabric Museum and Workshop, Philadelphia (2002) and Serpentine Gallery, London (2001).

Although his work has routinely formed part of just about every major exhibition on light and moving - image art of the postwar era, he has somewhat shockingly never been granted a solo institutional exhibition in New York until now.

He has been the subject of a number of institutional solo exhibitions, including the current show Torbjørn Rødland: Back in Touch at C / O Berlin and Torbjørn Rødland: The Touch That Made You at Serpentine Sackler Gallery (Fall 2017), as well as shows at Henie - Onstad, Oslo, Norway (2015); Kunsthall Stavanger, Stavanger, Norway (2014); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2010); Contemporary Art Museum, St. Louis, United States (2010) and P.S. 1 Contemporary Art Center, New York, United States (2006).

Swiss Institute is pleased to present * Spring *, the first institutional solo exhibition of New York - based Croatian artist Dora Budor.

Torbjørn Rødland (b. 1970, Stavanger, Norway, lives and works in Los Angeles and Oslo) has been the subject of a number of institutional solo exhibitions, including shows at C / O Berlin (2017); Serpentine Sackler Gallery (2017); Henie - Onstad, Oslo, Norway (2015); Kunsthall Stavanger, Stavanger, Norway (2014); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2010); Contemporary Art Museum, St. Louis, United States (2010) and P.S. 1 Contemporary Art Center, New York, United States (2006).

In addition to his solo work, Mr. Milan has participated in numerous significant institutional group exhibitions including; George Grosz: Politics and His Influence at David Nolan Gallery in 2016, Black: Color, Material, Concept at the Studio Museum in Harlem in 2015, Greater New York curated by Klaus Biesenbach at MoMA PS1 in 2015 and 2005, The Confident Line: George Grosz, Wardell Milan, Andy Warhol at David Nolan Gallery in 2015, Glitter & Folds at the Institute of Contemporary Art in Philadelphia in 2013, and Three Thousand Times, each hour, a different terrain: Titus Kaphar, Wardell Milan, Demetrius Oliver at Inman Gallery in Houston in 2014.

Thanks to her wide and inclusive view, she is able to fulfill the role of artistic director in different realities such as an institutional pavilion like Expo Gate, for Milano Expo in 2015, and IL CREPACCIO project, a showcase in Milan for young artists and not just them, (recently on Instagram with IL CREPACCIO INSTAGRAM SHOW @ilcrepaccio), she is a curator of exhibitions — such as the latest solo exhibition of Thomas Braida at Palazzo Nani Bernardo for the Venice Biennale 2017 — and of public projects for companies and international institutions like Moderna Museet in Stockholm and Performa in New York.

With a recent solo exhibition at the Harvey B. Gantt Center, Charlotte, NC (2017), Casteel has participated in exhibitions at institutional venues such as Crystal Bridges Museum of American Art, Bentonville, AR (2018); The Studio Museum in Harlem, New York, NY (2017 and 2016); MASS MoCA, North Adams, MA (2017); Boston University Art Galleries, Boston, MA (2017); HOME, Manchester, UK (2016); University of Denver School of Art (2016); and Kenyon College, Gund Gallery, Gambier, OH (2015).

New York - based Jennifer Packer, a 2012 - 2013 artist - in - residence at the Studio Museum in Harlem, is presenting her first solo institutional exhibition.

Between 2015 - 2016 Lewitt had institutional solo exhibitions at the Wattis Institute of Contemporary Art San Francisco; [3] Kunsthalle Basel Switzerland; [4] and Swiss Institute New York.

Recent major solo exhibitions of the artist's work have been staged at institutional venues including Fondation Beyeler, Basel, touring to the Louisiana Museum of Modern Art, Humblebaek (2014 — 2015); National Galleries of Scotland, Edinburgh, touring to Musée des Beaux - Arts de Montreal (2013 — 2014); Gallery Met at the Metropolitan Opera, New York, touring to Musée d'Art Moderne de la Ville de Paris, Paris (2011); Tate Britain, London, touring to Musée d'Art moderne de la Ville de Paris (2008); Schirn Kunsthalle Frankfurt (2008); Museum der Bildenden Kunste, Leipzig (2006); and Dallas Museum of Art, Texas, touring to The Gallery at Windsor, Florida, and Art Gallery of Ontario (2005 — 2006).

On the occasion of Lévy Gorvy's first solo exhibition with Adrian Piper, on view at the New York gallery between September 14th and October 21st, this catalogue examines themes the artist has explored throughout her career — the intersubjective and institutional formation of identity, including the categories of race and gender; racism as a type of xenophobia; and conceptions of political responsibility.

Socrates Sculpture Park is pleased to present New York's first institutional solo exhibition of Nari Ward (b. Jamaica; lives in New York).

Following the Zabludowicz Collection show and solo outings at Matt's Gallery in London and Seventeen in New York, Simnett is experiencing a groundswell in institutional support, with forthcoming solo exhibitions at the New Museum in New York and at Glasgow's Gallery of Modern Art.

The collaboration will result in three solo exhibitions, all of which will take place at the New Museum, and will focus on artists who have not yet had major institutional exhibitions in New York.

The largest - ever and first major institutional solo exhibition devoted to James «Son Ford» Thomas (1926 - 1993), a self - taught Mississippi artist and blues musician, was on view at New York University's 80WSE Gallery in 2015.

The Intervals exhibition and the Public Art Fund program mark Gander's first solo institutional presentations in New York.

Selected institutional solo exhibitions include: Campaign: An Exhibition in Four Moments, Museu Serralves, Porto (2016); What's What in A Mirror, Dublin City Gallery — The Hugh Lane, Dublin (2016); All - Intimate - Act, Stedelijk Museum and Holland Festival, Amsterdam (2015); From 199C to 199D, Le Magasin, Grenoble (2014); From 199A to 199B: Liam Gillick, Hessel Museum of Art, Bard College, New York (2012); A Game of War Structure (site - specific work), Irish Museum of Modern Art, Dublin (2011); One long walk... two short piers, KAH, Bonn (2010); Three Perspectives and a Short Scenario, Kunsthalle Zürich (2008); McNamara Motel, CAC Centro de Arte Contemporáneo, Malága (2005), and Projects 79: Liam Gillick: Literally, MoMA QNS, New York (2003).

The Intervals exhibition marks Futurefarmers» first solo institutional presentation in New York.

His works are represented worldwide in prestigious private and institutional collections, among them the Guggenheim Museum, New York, Banco Espirito Santo Photography Collection, Lisbon, MUMOK, Vienna, Kunsthalle Zurich, Fotomuseum Winterthur, Städel Museum, Frankfurt am Main, as well as and having been exhibited in numerous international group and solo shows.

BOOK: The largest - ever and first major institutional solo exhibition devoted to James «Son Ford» Thomas (1926 - 1993), a self - taught Mississippi artist and blues musician, was on view at New York University's 80WSE Gallery in 2015.

Lemsalu is included in this year's Performa New York and will have an institutional solo exhibition at Goldsmith's Centre for Contemporary Art gallery when it opens in London next year.

He has been the subject of a number of institutional solo exhibitions, including shows at Henie - Onstad, Oslo, Norway (2015); Kunsthall Stavanger, Stavanger, Norway (2014); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2010); Contemporary Art Museum, St. Louis, United States (2010) and P.S. 1 Contemporary Art Center, New York, United States (2006).

With a recent solo exhibition at the Harvey B. Gantt Center, Charlotte, NC (2017), Casteel has participated in exhibitions at institutional venues such as The Studio Museum in Harlem, New York, NY (2017 and 2016); MASS MoCA, North Adams, MA (2017); Boston University Art Galleries, Boston, MA (2017); HOME, Manchester, UK (2016); University of Denver School of Art (2016); and Kenyon College, Gund Gallery, Gambier, OH (2015).

Previous institutional venues for solo shows have recently included the Museum of Fine Arts, Houston (2016); SITE Santa Fe (2016]; the Nasher Museum of Art at Duke University, North Carolina (2013), touring to the Brooklyn Museum of Art, New York (2013), the Museum of Contemporary Art, North Miami (2014), and the Mary and Leigh Block Museum, Northwestern University, Illinois (2014); the Sydney Museum of Contemporary Art, Sydney, Australia, touring to Orange County Museum, California (both 2013); Musée d'art contemporain de Montréal, Montreal (2012); Staatliche Kunsthalle Baden - Baden, Baden - Baden, (2012); Deutsche Guggenheim, Berlin (2010); Art Gallery of Ontario, Ontario (2010); Museum of Contemporary Art, San Diego (2009); and Kunsthalle Wien, Vienna (2008).

Recent major solo exhibitions of the artist's work have been staged at institutional venues including Fondazione Bevilacqua La Masa - Palazzetto Tito, Venice (2015); Fondation Beyeler, Basel, touring to the Louisiana Museum of Modern Art, Humblebaek (2014 - 2015); National Galleries of Scotland, Edinburgh, touring to Musée des Beaux - Arts de Montreal (2013 - 2014); Gallery Met at the Metropolitan Opera, New York, touring to Musée d'Art Moderne de la Ville de Paris, Paris (2011); Tate Britain, London, touring to Musée d'Art moderne de la Ville de Paris (2008); Schirn Kunsthalle Frankfurt (2008); Museum der Bildenden Kunste, Leipzig (2006); and Dallas Museum of Art, Texas, touring to The Gallery at Windsor, Florida, and Art Gallery of Ontario (2005 - 2006).

Esteemed for both her solo artistic production and her maverick efforts to champion creative forms that are «vulnerable due to institutional neglect, their ephemeral nature, or politically unpopular content,» she has been described by New York Times critic Holland Cotter as one of «the half - dozen most important people for art in downtown Manhattan in the 1970s.»