The Wall Street Journal reviewed composer Matthew Mitchell's (2012) new jazz album A Pouting Grimace, writing that Mitchell «makes some of the most interesting and complex music on the New
York jazz scene.»
Museums, Broadway and the New
York jazz scene are some of my favorite past times.
Not exact matches
The main theme running through «Jimmy's Hall» is established in the credits, which feature Depression - era archival footage of New
York City set to classic
jazz; it's here that Gralton spent a decade enjoying the cultural
scene before returning to his home town to share it with curious locals.
Jack Tworkov: Rhythm, 1955 - 1970 will feature works inspired by the evolving New
York jazz and music
scene of the 1950s and 60s.
With the burgeoning group of Beat writers, Abstract Expressionist painters and
jazz scene musicians, the 1950s and early 1960s were an explosive time period for Tworkov and his New
York School colleagues.
With the exception of one 1963 drawing by Peter Passuntino, all were created in the late 1950s: George Nelson Preston's charcoal sketch of a
jazz performance on Cooper Square, Red Grooms» frenetic ink drawing of a uniformed figure surrounded by scrawled text, and Mimi Gross's vibrant street
scene, are each inspired by life in New
York.
He soon found New
York's
jazz scene to be a far more compelling environment, and he began skipping classes to frequent the Harlem
jazz clubs near campus.
Part of a group of pioneering artists and
jazz musicians ensconced in LA's black arts
scene, Hammons soon began transitioning to New
York where the urban surround bolstered his concepts and performances.
A six - hour, experimentally sequenced
jazz film set in 1974 at the the renowned CBS 30th Street Studio, «Luanda - Kinshasa» explores the emergence of a globally minded black consciousness and its influence on the New
York music
scene.
The catalog includes essays from poet Christian Campbell on SAMO ©; curator Carlo McCormick on New
York / New Wave; writer Glenn O'Brien on the downtown
scene; academic Jordana Moore Saggese on Basquiat's relationship to film and television; and music scholar Francesco Martinelli on Basquiat's obsession with
jazz.