Sentences with phrase «york moved a painting»

Lucien Smith — having entered the auction field just last November when Phillips New York moved a painting from his 2011 senior thesis show at Cooper Union for $ 389,000 (est. $ 100,000 to $ 150,000)-- saw his Tuesday evening entry at Phillips London more than triple its high estimate at $ 320,000.

Not exact matches

Seated beneath a painting of a reclining nude, Park spoke of many of the changes in his life since he was traded to Boston by the New York Rangers 13 months ago, but he studiously left it to George to fill in some of the happier details of the move.

«I'm pleased to see that the MTA is moving forward with painting and repairing 7 train line infrastructure,» said New York City Councilman Jimmy Van Bramer (D - Sunnyside, Woodside, Long Island City, Astoria, Dutch Kills).

The film concludes with Lady Bird moving out of her parents» house, painting over Kyle's sharpie - scrawled name on her childhood bedroom wall, and heading to college in New York.

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Chayka writes: «New York's frenetic milieu allowed Whitten to refine his practice, moving from derivative Abstract Expressionism to an automatic form of painting informed by manufacturing, speed, and minimalism.

Returning to the years immediately following his move to New York City in 1958, the exhibition illustrates the ways Dine incorporated household objects ---- often loaded with autobiographical import ---- into his paintings and sculptures as extensions of and metaphors for the human body.

Still stayed in New York for the rest of the 1950s, and then in 1961 he moved to rural Maryland, where he would live out the rest of his life, painting prolifically but largely out of public view.

In 1948, he moved to Paris, where he met Jean Dubuffet, Alberto Giacometti, Hans Hartung, and the poet Henri Michaux — travelling widely to look at painting across Europe — and later visited and worked in New York, as well, where he became friends with Abstract Expressionist painters such as Franz Kline and Hans Hofmann and gained the support of important American dealers, collectors, and museums.

Brant moved permanently to New York City in 1966 and her work was included several years later in the Whitney Museum of American Art's Painting Annual in 1972.

Born in 1929 in Matsumoto, Japan, she briefly studied painting in Kyoto before moving to New York City in the late 1950s.

She had moved to New York in 1967, still in her twenties, and she was working alongside artists like Brice Marden and Robert Ryman who kept painting alive through Minimalism and beyond, when right - thinking people deemed it dead.

She attended the Skowhegan School of Painting and Sculpture where she met her second husband, Rackstraw Downes, and moved to New York City in 1976.

After spending time in California and gaining notice for his increasingly abstract paintings, he moved to the hub of the American art world: New York.

Moving on to 1954 and the low - keyed eighth painting in the series (now in the Museum of Modern Art, New York)-- greys, blues, muffled yellows on a surface just over six feet high by three and a half feet wide, a motor metropolis of tightly curving ramps with headlight beams spreading like stains suggest a vision, slightly smudged, as if seen through the thick glass window of a skyscraper; at any rate remote from the scene of automotive nightmare.

Whitten moved to New York in 1960 and remained there following graduation from Cooper Union in 1964, studying the collection of African art owned by his first art dealer, Allan Stone, and embedding himself both in the downtown NYC painting scene, and in the uptown circles of Black artists like Romare Bearden.

In 1986 he moved to New York and studied painting at Pratt Institute.

A number of paintings from this phase in California — exemplified by PH - 613, 1942 — establish Still's early move into an Abstract Expressionist style well in advance of other artists in New York City.

Sept. 12 — Oct. 25, 2014 NORMAN LEWIS at Bill Hodges Gallery New York Bill Hodges recently moved from midtown to Chelsea and this week opens a show of small paintings and drawings by highly regarded Abstractionists Norman Lewis.

Early Mondrian: Painting 1900 - 1905 (W1, to 23 Jan) looks at the work that came before the Dutch artist's conception of the De Stijl style's pared - down abstraction, and prior to the move to New York that facilitated his fascination with the grid as a form.

When he moved to New York, Stella was still painting houses to pay rent, and continued to use the house painter's brush and enamel when making his Black Paintings (1958 - 60).

Upon graduation, he moved to New York where he worked as an editor and art critic, and, with no formal training, began painting.

The work on view begins, chronologically, with hard - edged abstraction, which yields to the more gestural «shimmer» paintings that succeeded it before moving on to the dense, messy (in a charming way) expressiveness of the present (Williams works in New York and Connecticut).

A mid-career, full time artist, Christie Scheele has been painting devotedly since receiving her BFA, and started painting her atmospheric, minimalist landscapes just before moving to the Catskills from New York City a decade later.

Bickerton moved to New York in 1982 and after working as a painting assistant to Jack Goldstein, he emerged as a key figure on the newly exploding East Village art scene.

After studying painting at Wesleyan, Ligon moved to New York and, as the curator Scott Rothkopf has it, «churned out belated Abstract Expressionist canvases» (a smattering of these pictures can be seen in America).

In a move that has annoyed those people who take art fairs extremely seriously, Larry Gagosian decided to devote his entire booth at Frieze New York to Richard Prince's Instagram paintings, ``

Upon moving to New York City, he reacted against the expressive use of paint by most painters of the abstract expressionist movement, instead finding himself drawn towards the «flatter» surfaces of Barnett Newman's work and the «target» paintings of Jasper Johns.

In a move that has annoyed those people who take art fairs extremely seriously, Larry Gagosian decided to devote his entire booth at Frieze New York to Richard Prince's Instagram paintings, «New Portraits.»

She enrolled in the Hans Hofmann School shortly after moving to New York in 1942, but the famous teacher's influence seems to have been limited; she had already gravitated towards the simplified, intensely hued landscapes, still lifes, and figure paintings that typify her lifework.

After receiving his B.A. from the University of Nebraska (1922) and his B.F.A. from the University of Kansas (1923), Aaron Douglas moved to New York City, where he studied art with German modernist Winold Reiss, who encouraged him to celebrate his heritage by introducing African motifs and themes into his paintings.

While these highly complex and laborious constructions (she often called them «three - dimensional paintings») moved her well beyond the vocabulary of the improvisatory, so - called «action painting» usually associated with American abstract expressionism, they also had virtually nothing to do with the pop art and minimalism which were then the rage of the 1960s New York art scene.

Following her marriage to art historian Robert Goldwater in 1938, the couple moved to New York, where she would study painting at the Art Students League, exhibit with artists including Adolph Gottlieb, Robert Motherwell and Jackson Pollock, and live until her death in 2010.

He showed at Willard Gallery with Susan Rothenberg, Robert Loeb, and Ralph Humphrey in the late»70s and early»80s then moved to Connecticut, finally settling back in New York three years ago, in self - imposed exile in Carroll Gardens, painting.

Martin moved back to New York City and established an art studio on the Lower East Side, returning to painting as a means of creative expression.

She studied at the Music Academy of Stockholm and got her Certificate of Painting at the Nyckelviks School of Art in Stockholm before moving to New York and receiving her BFA at the Parsons School of Design.

Moving from art - school grad to accomplished young artist - his shows include Kavi Gupta gallery, Chicago's Museum of Contemporary Art, a recent attention grabbing appearance at Art Basel Miami Beach as well as an upcoming solo at New York's Lehmann Maupin Gallery - Otero quickly became a virtuoso of the newfangled mash up of abstract and figurative painting that constitutes today's new Nouveau Realisme (think Mark Bradford sans the racial essentialism).

With cultural epicenters like Paris and London in ruins after the war, New York City moved into the limelight as the new center of the art world, fortified by the establishment of The Museum of Modern Art and the Museum of Non-Objective Painting (later known as the Solomon R. Guggenheim Museum.)

Now that twenty years have elapsed since Minimalist artists broke with the older generation of Abstract Expressionists, it is evident that the younger artists found their roots within the less gestural branch of the New York School - in the simplified but profoundly moving paintings of Ad Reinhardt, Barnett Newman and Mark Rothko, rather than in European geometric painting.

He moved to New York in 1968 and created three - dimensional, two - sided, and architecturally adaptable paintings.

As such, Untitled, «is a constant effort to remember each step of the process of moving through life... each painting is in one way or another a souvenir of a motionless journey across the land of memory» (Francesco Bonami, Rudolf Stingel, Gagosian Gallery, New York, 2011, p. 8).

When Kahn and Mason moved back to New York in the fall of 1958, Kahn brought his evolving visual vocabulary with him to paint the landscapes of Martha's Vineyard and Maine, trying, as he recalls, to find «new ways of dealing with monotone.»

Between 1973 and 1984 he taught painting and drawing at the Maryland Institute College of Art in Baltimore and also briefly taught at the New York Academy of Art before moving to Israel in 1984.

Since leaving London for New York in 1975, Scully has moved from colorful, plaid, shaped canvases, to narrow - striped paintings in single and multi-panels, to the present monumental, irregularly banded and constructed paintings.

Moving to New York in 1985, Bill Jacklin has concentrated on painting «Urban Portraits» of «the city» in all its guises; from large scale canvases of crowds in flux to intimate moments in Seurat - like etchings.

He has always painted with a very hard edge, and with very flat colors, but after graduation and moving to New York, he gradually began eschewing both form and color, aside from black and white.

Having moved from New York where he spent 13 years, to Vienna 4 years ago; having had a son and becoming a father, Butler has gone from working within a totally new environment, to producing paintings which are a uniquely personal expression, made at a time of ideal balance between his private and studio lives.

With an M.F.A. in Illustration as Visual Journalism, Okamura moved to Brooklyn, New York, where he continues to reside and paint.

Born in Matsumoto City, Japan in 1929, she studied painting in Kyoto before moving to New York in the late 1950s, and by the mid-1960s had become well known in the avant - garde world for her provocative happenings and exhibitions.

Born in Cuba in 1915, she studied painting and sculpture in Havana and Paris before moving to New York City in 1939.