«Beatriz Santiago Muñoz: Song, Strategy, Sign» is the first New
York museum solo exhibition of Puerto Rican artist Beatriz Santiago Muñoz (b. 1972, San Juan, Puerto Rico).
Not exact matches
On the same day, the
Museum of the City of New
York will open its second
solo exhibition of Webb's work, entitled A City Seen: Todd Webb's Postwar New
York, 1945 - 1960; that show will run till September 4.
Newhall set up Webb the same year with his first
solo exhibition, at the
Museum of the City of New
York, entitled I See a City.
He was the first German artist to be given a
solo exhibition at the Guggenheim
Museum in New
York whilst at home in Germany his work was often still derided as the «most expensive trash of all time».
The first ever American artist to receive a
solo exhibition invitation from H.R. Giger, the Oscar - winning artist behind the design of Alien, to his H.R. Giger
Museum Gallery, Castiglia is bringing his work to his native city of New
York for the
solo exhibition Resurrection, opening at Sacred Gallery NYC on October 4th.
He has exhibited his work in
solo exhibitions at Marx & Zavattero, San Francisco; Steve Turner Contemporary, Hayworth Gallery, and Hammer
Museum, UCLA in Los Angeles; Kravets Wehby, New
York; and The Sheppard Fine Arts Gallery, University of Nevada, Reno.
Additional select
solo exhibitions include
Museum Ludwig, Cologne, Germany (2013); and Galerie Neue Meister, Albertinum, Dresden (2012); Wexner Center, Columbus, Ohio (2006); and Dia: Beacon, Beacon, New
York (2005).
Oursler has mounted
solo exhibitions at prestigious
exhibitions including PinchukArtCentre, Kiev, Ukraine; Tate Modern, London; ARoS Aarhus Kunstmuseum, Denmark; Kunsthaus Bregenz, Austria; Metropolitan
Museum of Art, New
York; Whitney
Museum of American Art, New
York; Centre Georges Pompidou, Paris; Institute of Contemporary Art, Philadelphia; MASS MoCA, Massachusetts; Kunstverein Hannover, Germany; Aspen Art
Museum, Colorado;
Museum of Contemporary Art San Diego, California; Centre d'Art Contemporain, Geneva, Switzerland; Honolulu
Museum of Art, Hawaii;
Museum fur Gegenwartskunst, Basel, Switzerland; P.S. 1, New
York; Musée d'Art Contemporain de Bordeaux, France; Museo D'Arte Contemporanea Rome, Italy; Sao Paulo
Museum of Modern Art, Brazil; Jeu de Paume, Paris; Musee d'Orsay, Paris; Kunstforeningen GL Strand, Kobenhavn, Denmark; Helsinki City Art
Museum, Finland; Institut Valencia D'Art Modern, Valencia, Spain; Fridericianum, Kassel, Germany.
Recent
solo exhibitions include Lever House, New
York (2013); Anton Kern Gallery, New
York (2013); David Kordansky Gallery, Los Angeles (2012); Patrick de Brock, Belgium (2011); and Hammer
Museum, Los Angeles (2010).
Solo exhibitions of his work have taken place at CAPC Musée d'Art Contemporain de Bordeaux, France; the Rubell Family Collection, Miami; Lincoln Center for the Performing Arts, New
York; and the High
Museum of Art, Atlanta.
He has had
solo exhibitions at the Tate Gallery, London (1986); the Whitney
Museum of American Art, New
York (1992); Whitechapel Art Gallery, London (1998); the Kunsthalle Basel (2000); The Metropolitan
Museum of Art (2001); and the Irish
Museum of Modern Art, Dublin (2009).
He has had a number of
solo exhibitions, including at the
Museum of Modern Art, New
York.
NEW
YORK — Albert Oehlen's
solo exhibition at the New
Museum was recently reviewed by Roberta Smith of the New
York Times.
The Whitney
Museum in New York is currently showcasing the first solo museum exhibition by our very own artist and alumna Toyin Ojih Od
Museum in New
York is currently showcasing the first
solo museum exhibition by our very own artist and alumna Toyin Ojih Od
museum exhibition by our very own artist and alumna Toyin Ojih Odutola.
His
solo exhibitions include The Masturbators at Foxy Production, New
York (2009), Supermax 2008 at the
Museum of Contemporary Art, Los Angeles (2008), CHRON at the Drawing Center, New
York (2008) and Grid Ripper, Galleria d'arte Moderna e Contemporanea, Bergamo, Italy (2008).
He has had
solo exhibitions at D'Amelio Terras, New
York; Postmasters, New
York; Krannert Art
Museum, Champaign, IL; Fawbush Gallery, New
York; Hirschl & Adler Modern, New
York and more.
Solo exhibitions include Stedelijk
Museum, the Metropolitan
Museum of Art, New
York, Nationalgalerie, Berlin, Villa Medici, Rome and Gemeentemuseum Den Haag, The Hague.
She is the recipient of the 2012/2103 MOCA GA Working Artist Project fellowship award, and has had
solo exhibitions at American Contemporary and Rivington Arms in New
York,
Museum 52 in London, and Mikael Anderson in Copenhagen and Berlin.
He has had
solo exhibitions at Tate Gallery, London (1986); the Whitney
Museum of American Art, New
York (1992); Whitechapel Art Gallery, London (1998); the Kunsthalle Basel (2000); The Metropolitan
Museum of Art, New
York (2001); and the Irish
Museum of Modern Art, Dublin (2009).
Recent
solo exhibitions include the National
Museum of Women in the Arts, Washington, D.C. (2013); Pérez Art
Museum Miami (2011 — 2012); John Jay College, New
York (2011); and Neuberger Berman
Museum, New
York (2010).
Recent
solo exhibitions include Shrine For Girls, Venice, Chiesa di San Gallo, Solo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among oth
solo exhibitions include Shrine For Girls, Venice, Chiesa di San Gallo,
Solo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among oth
Solo Collateral Event of the 56th International Art
Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New
York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn
Museum, Brooklyn, NY (2009 - 10); among others.
Overlapping with his first
solo museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery
museum exhibition in New
York, which opens at the Studio
Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery
Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery style.
Recent
solo exhibitions include The Drawing Center, New
York (2015); the
Museum of Contemporary Art, Denver (2014); Ballroom Marfa, Texas (2013); High
Museum of Art, Atlanta (2013); Kemper Art
Museum, St. Louis (2013); Miami Art
Museum (2012);
Museum of Contemporary Art, Chicago (2012); and South London Gallery (2012).
Torbjørn Rødland (b. 1970, Stavanger, Norway, lives and works in Los Angeles and Oslo) has been the subject of a number of institutional
solo exhibitions, including shows at Henie - Onstad, Oslo, Norway (2015); Kunsthall Stavanger, Stavanger, Norway (2014); Hiroshima City
Museum of Contemporary Art, Hiroshima, Japan (2010); Contemporary Art
Museum, St. Louis, United States (2010) and P.S. 1 Contemporary Art Center, New
York, United States (2006).
The selection includes major
solo museum exhibitions such as Kerry James Marshall at MCA Chicago; Simone Leigh at the New Museum in New York; Norman Lewis at the Amon Carter Museum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in H
museum exhibitions such as Kerry James Marshall at MCA Chicago; Simone Leigh at the New
Museum in New York; Norman Lewis at the Amon Carter Museum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in H
Museum in New
York; Norman Lewis at the Amon Carter
Museum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in H
Museum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art
Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in H
Museum in Colorado; Kehinde Wiley at the Virginia
Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in H
Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio
Museum in H
Museum in Harlem.
The artist had his first
solo exhibition at the Betty Parsons Gallery, New
York, in 1951 and his first retrospective at the Jewish
Museum, New
York, in 1963.
Since then Marden has been the subject of numerous
solo exhibitions at venues such as the Dia Center for the Arts, New
York and the Fogg Art
Museum, Cambridge, MA.
His work has been the subject of recent
solo exhibitions at the University of Maine
Museum of Art, University of Notre Dame, and The Painting Center in New
York.
EXHIBITION > Opening Sept. 3, New York University's Grey Art Gallery presents «Ernest Cole: Photographer,» the first solo museum exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented
EXHIBITION > Opening Sept. 3, New
York University's Grey Art Gallery presents «Ernest Cole: Photographer,» the first
solo museum exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented
exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented apartheid.
In his lifetime, Kelley held
solo exhibitions at numerous institutions worldwide, including the Musée du Louvre, Paris; Institute of Contemporary Art, London; Tate Liverpool;
Museum Moderner Kunst, Vienna; Los Angeles County
Museum of Art; Whitney
Museum of American Art, New
York; and Hirshhorn
Museum and Sculpture Garden, Washington, D.C, among many others.
Her extensive
exhibition history includes
solo and group
exhibitions at Blumenbar Verlag, Berlin (2008); Victoria & Albert
Museum, London (2010); Blanton
Museum of Art, Austin (2010); a major survey
exhibition Love Is What You Want at the Hayward Gallery, London (2011); Turner Contemporary, Margate (2012); Malba — Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery
solo show at Lehmann Maupin, New
York (2013).
Solo exhibitions have taken place at Pioneer Works, New
York, NY; Staatliche Kunsthalle Baden - Baden; Berlin Botanical
Museum; and School of Visual Arts Gallery, New
York, NY.
His work may be found in the collections of
Museum of Modern Art, New
York, the Los Angeles County
Museum of Art, the Contemporary Arts
Museum Houston — which hosted a
solo show of the artist in 1977 — and the Hirshhorn
Museum and Sculpture Garden in Washington, D.C., which staged a retrospective
exhibition in 2014 — 15.
Recently, Alÿs was the subject of
solo exhibitions at Portikus, Frankfurt, Germany, MALBA, Buenos Aires, Argentina (2006); Kunstmuseum Wolfsburg, Wolfsburg, Germany [traveled to Musée des Beaux - Arts, Nantes, France and Museo d'Art Contemporani de Barcelona, Barcelona, Spain, and Museo de San Idelfonso, Mexico City, Mexico](all 2005 - 2006); Musée d'Art Contemporain, Avignon, France (2004); Centro nazionale per le arti contemporanee, Rome, Italy [traveled to Kunsthaus Zürich, Zürich, Switzerland and Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain](all 2003); and
Museum of Modern Art, New
York, NY (2002).
He is represented by the Berta Walker Gallery in Provincetown and the Thomas Dean Fine Art, Atlanta GA He has had selected
solo exhibitions at the A Gallery in Provincetown, MA, Moira Walsh Gallery, Kittery Maine,
Museum School Provincetown Art Association and
Museum, Center For Arts In Natick, Natick, MA, the Berta Walker Gallery, Provincetown, MA and the Prince Street Gallery, New
York, NY.
Solo exhibitions of her work have been held at Museo Tamayo (2016); Espace Louis Vuitton Munich (2016); Statens
Museum for Kunst, Copenhagen, Denmark (2014); The Fabric Workshop and
Museum, Philadelphia (2013); Australian Centre for Contemporary Art, Melbourne (2013); the Botín Foundation, Santander (2013); the New
Museum, New
York (2012); the Turbine Hall, Tate Modern, London (2011) and the
Museum Moderner Kunst Stiftung Ludwig, Vienna (2011), among others.
BOOKSHELF «Thornton Dial: Image of the Tiger» is the
exhibition catalog for Dial's first
solo museum show which opened at the New Museum in New York in
museum show which opened at the New
Museum in New York in
Museum in New
York in 1993.
His most important
solo museum exhibitions were mounted by the Metropolitan Museum, New York in 1975, and the New Tretyakov Gallery in Moscow in 1988, where he had the distinction of being the first living Western artist to show in a Soviet m
museum exhibitions were mounted by the Metropolitan
Museum, New York in 1975, and the New Tretyakov Gallery in Moscow in 1988, where he had the distinction of being the first living Western artist to show in a Soviet m
Museum, New
York in 1975, and the New Tretyakov Gallery in Moscow in 1988, where he had the distinction of being the first living Western artist to show in a Soviet
museummuseum.
His work has been the subject of
solo exhibitions at The Brooklyn
Museum of Art, NY; The New Orleans
Museum of Art, LA; No Longer Empty Project, New
York, NY; The Phoenix, New Orleans, LA; and Western Projects, Los Angeles, CA.
His most recent
solo exhibitions include: Lovers, Le Consortium, l'Académie Conti, Vosne - Romanée, France (2015 - 16); Masks (Pentagon), Rockefeller Plaza, New
York (2015); Thomas Houseago: Studies «98 — «14, Gemeentemuseum Den Haag, The Hague (2014); Striding Figure / Standing Figure, Galleria Borghese, Rome, Italy (2014); As I Went Out One Morning, Storm King Art Center, Mountainville, NY (2014); Thomas Houseago: Where the Wild Things Are, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, UK (2012) and What Went Down, Centre International d'art et du paysage, île de vassivière, Vassivière, France (2012, travelled to
Museum Abteiberg, Mönchengladbach, Germany; Modern Art Oxford and The Ashmolean
Museum, Oxford).
Recent
solo exhibitions include «We'll Not Carry Coals,» Kunsthaus Bregenz, Austria (2003); «Recent Sculptures», Lincoln Center, New
York (2004); Vancouver Art Gallery (2005); MAK, Vienna (2008); and «To Build A House You Start with the Roof: Work, 1972 - 2008», Baltimore
Museum of Art (2008 - 2009, traveled to Los Angeles County
Museum of Art and the Foundation Beyeler in 2009); and «Franz West: Autotheater» the
Museum Ludwig, Cologne (2010, travelled to MADRE, Naples and the Universalmuseum, Graz, Austria in 2011).
Her
solo exhibition «American People, Black Light: Faith Ringgold's Paintings of the 1960s» was on view in 2013 at the National
Museum of Women in the Arts in Washington, D.C., and last year her work «Groovin High» was featured on a billboard along New
York City's High Line park.
Recent
solo and group
exhibitions inclulde Hamburger Bahnhof, Castillo Corrales, Paris; Berlinische Galerie, Kunsthalle Nürnberg; Kunstverein Hamburg, Bergen Kunsthall, ICA, London, the Carnegie
Museum of Art, Pittsburgh; the Australian Centre for Contemporary Art, Melbourne; Kunsthalle Baden Baden, Pro Choice, Vienna, Bundeskunsthalle Bonn; the Seattle Art
Museum; ArtPace, San Antonio; Portikus Frankfurt am Main, Tokyo Wonder Site, Cubitt, London, Witte de With, Rotterdam; and White Columns, New
York.
Recent
solo exhibitions include 2TRAPS at The Pace Gallery, New
York (2010), Robert Mapplethorpe / Sterling Ruby at Xavier Hufkens, Brussels (2009), The Masturbators at Foxy Production, New
York (2009), Supermax 2008 at the
Museum of Contemporary Art, Los Angeles (2008), CHRON at the Drawing Center, New
York (2008) and Grid Ripper, Galleria d'arte Moderna e Contemporanea, Bergamo, Italy (2008).
As well as participating in several group
exhibitions in the United States and abroad, she has held
solo exhibitions at the Contemporary Art
Museum St. Louis, the
Museum of the African Diaspora (San Francisco), and, most recently, the Whitney
Museum of American Art (New
York).
In 1959 she had a major
solo exhibition at the Dilexi Gallery in San Francisco and her art was included in Dorothy Miller's momentous
exhibition Sixteen Americans at the
Museum of Modern Art in New
York.
«STANLEY WHITNEY: Dance the Orange» @ Studio
Museum in Harlem New York The Studio Museum is presenting Stanley Whitney «s first solo museum exhibition in New York City — a selection of 29 paintings and works on paper created between 2008 and
Museum in Harlem New
York The Studio
Museum is presenting Stanley Whitney «s first solo museum exhibition in New York City — a selection of 29 paintings and works on paper created between 2008 and
Museum is presenting Stanley Whitney «s first
solo museum exhibition in New York City — a selection of 29 paintings and works on paper created between 2008 and
museum exhibition in New
York City — a selection of 29 paintings and works on paper created between 2008 and 2015.
Her work has been exhibited internationally and featured in numerous
solo and group
exhibitions, including at the National
Museum of Modern and Contemporary Art, Seoul (2016); Centre Pompidou - Metz (2015); Reina Sophia, Madrid (2006); MoMA PS1, New
York (2001); 24th São Paulo Biennial (1998); the 48th, 49th, 51st and 52nd Venice Biennales.
Notable
solo exhibitions include the Whitney
Museum of American Art, New
York (1996); the Hara
Museum of Contemporary Art, Tokyo (1992); the Stedelijk
Museum, Amsterdam (1992); and The
Museum of Modern Art, New
York (1980), among others.
EXHIBITION «Night and Day,» British artist Chris Ofili «s first major solo museum exhibition in the United States opens at the New Museum in New York o
EXHIBITION «Night and Day,» British artist Chris Ofili «s first major
solo museum exhibition in the United States opens at the New Museum in New York on Oc
museum exhibition in the United States opens at the New Museum in New York o
exhibition in the United States opens at the New
Museum in New York on Oc
Museum in New
York on Oct. 29.