Sentences with phrase «york out of newspaper»

Not exact matches

A Forbes profile of the billionaire says that years later, after dropping out of the City College of New York, Adelson «built a fortune running vending machines, selling newspaper ads, helping small businesses go public, developing condos, and hosting trade shows.»

Other moments of abstraction leap out from the blue - tinted office backdrop: on a New York street corner, when Bradlee and his staff seize on the first, fateful Pentagon Papers leak published in the Times, the camera lingers as the wind whips their hair and ties into the blustering air, and they grasp the newspapers thrown into shock.

He also writes about film, pop and geek culture, gaming, books and the arts for The New York Times, BoingBoing, wired.com, Salon.com, PsychologyToday.com, WBUR's «Cognoscenti,» and GeekDad, and has also contributed to Playboy, National Geographic Traveler, Christian Science Monitor, Psychology Today, San Francisco Chronicle, USA Today, and Washington Post, Time Out and Fodor's, among dozens of other magazines, newspapers, websites and guidebooks worldwide.

The Orlando - based Family Rights Committee Inc. took out a full - page ad, in the form of a cartoon, in 11 Florida newspapers and in The New York Times.

Paige, responding to a story about the report in The New York Times, said the newspaper «made no distinction between students falling behind and students climbing out of the hole in which they found themselves.»

Images in newspapers and on TV of angry teachers in the streets of Chicago and New York with placards demanding higher wages while their students are locked out of their schoolrooms for days stand in stark contrast to the well - dressed, soft - spoken teachers of our childhood.

Over the last year, critical news articles from national newspapers like the New York Times and Washington Post have questioned the quality of education the company offers, pointing out overbilling for ineligible students in Colorado and a Pennsylvania school where virtual students performed significantly worse than their public school peers.

The newspaper reported that in Mahopac, New York 50 percent of eligible students were opted out of the Common Core tests.

He noted that just as The New York Times figured out how to survive with a combination of digital and print as the «last man standing» of quality daily national newspapers, Barnes & Noble would prevail as well, with or without a larger Nook presence.

A forerunner of the modern agent / impresario, he secured Spencer a New York publisher, Appleton and Co.; pressed for - and won - royalties on a par with native authors» at a time when most American houses ignored international copyrights; churned out scores of reviews and notices with publication of each new volume, which he placed in newspapers and magazines across the country; pressed other reviewers into service; helped Spencer organize and popularize his most arcane thoughts; and cultivated literary clubs, college professors, editors, ministers, politicians, tycoons, and labor councils.

Every major population centre in the English language world had paying markets: magazines weren't all run out of London or New York, newspapers were local, and the book publishing industry was considerably more diversified and spread.

Slim: Just over 1/3 of an inch, as thin as most magazines Lightweight: At 10.2 ounces, lighter than a typical paperback Wireless: 3G wireless lets you download books right from your Kindle, anytime, anywhere; no monthly fees, service plans, or hunting for Wi - Fi hotspots Books in Under 60 Seconds: Get books delivered in less than 60 seconds; no PC required Improved Display: Reads like real paper; now boasts 16 shades of gray for clear text and even crisper images Longer Battery Life: 25 % longer battery life; read for days without recharging More Storage: Take your library with you; holds over 1,500 books Faster Page Turns: 20 % faster page turns Read - to - Me: With the new Text - to - Speech feature, Kindle can read every book, blog, magazine, and newspaper out loud to you Large Selection: Over 230,000 books plus U.S. and international newspapers, magazines, and blogs available Low Book Prices: New York Times Best Sellers and New Releases $ 9.99, unless marked otherwise

She sought the help of friends to adopt, took out ads in major newspapers such as The New York Times and Philadelphia Inquirer, and she hand - wrote thank you notes to all supporters.

What I use is what I've used from the very beginning — a newspaper ad which I clipped out of The New York Times back in 1963.

22, No. 1, pp. 54 - 56 Passariello, Micol, Gangsta E Gentiluomo, L'espresso, 17 July, p. 158 Fels, Sophie, Paint it Black, Time Out New York, 10 - 16 July Jackson, Brian Keith, Native Son, Giant Magazine, June / July What's Up, The Studio Museum in Harlem Magazine, Summer, pp. 2 - 5 + cover Evans, Ali, A Portrait of an Artist by an Artist, Studio: The Studio Museum in Harlem Magazine, Spring Fortune, Brandon, Brame, Frank H. Goodyear III and Jobyl A. Boone, Recognize: Hip Hop and Contemporary Portraiture, Washington D.C., Smithsonian Institute Claiborne, Barron, Black is Beautiful, Paper Magazine, March Fortune, Brandon, Hip Hop Baroque, Art World, February / March, p. 20 Bentley, Kyle, Previews: Kehinde Wiley, Studio Museum in Harlem, Artforum, May, p. 161 The Associated Press, Portrait Gallery Opens First Hip - Hop exhibit with LL Cool J, Ice - T, International Herald Tribune, 8 February Stoilas, Helen, Toppling the Ivory Tower, The Art Newspaper, 7 February Jankauskas, Jennifer, Greg Tate and Paul Miller (DJ Spooky), Kehinde Wiley: The World Stage - China, Sheboygan: The John Michael Kohler Arts Center, Los Angeles: Roberts & Tilton, Chicago: Rhona Hoffman Gallery, New York, Deitch Project

Their work has been written about in publications such as ARTFORUM.COM, Whitewall Magazine, World of Interiors, City Weekend Beijing, The Independent Newspaper in London, Global Times Beijing, Yatzer.com, Time Out New York, and Intersection Magazine.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Her work has been included in a variety of publications like The New York Times, Seattle Times, Time Out New York, ARTnews, Art in America, The Art Newspaper, Drawing Papers, The Stranger, and others.

Back in New York in 1953, he made paintings out of substances as varied as gold and dirt, returning to paint to work, this time, primarily in red on canvas enriched with fabric swatches, newspaper, and bits of wood.

For example, in the book that accompanied her painting Aqueous Flesh (2009), Pundyk reveals that her reference for the human figure was clipped from a newspaper, tree branches from a photo taken out of her family - in - law's New York apartment, facial features from a candid photo of a friend on vacation in Paris, and an abstracted version of two women sourced from an image in a waiting room magazine.

2011 «Billboard Magazine» September 8, 2012, Cover 2010 «Huffington Post.com, January 2010, Never Can Say Goodbye, Kerri MacDonald 2010 «New York Post», January 2010, A Tower - ing Work of Art, Larry Getlen 2010 «Time Out NY», The Art World Takes You Back to Tower Records, Tony blog 2010 «NY Times, Urban Eye, Music», January 2010, Never Say Goodbye 2010 «Ready Made», Reflection: Windows to Your Own Adventure, Interview, Caitlin Thornton 2010 «Varsity» (The Independent Cambridge University Student Newspaper), Review, Cottia Thorowgood, Lydia Crudge, 2009 «Daily Serving International Contemporary Art Forum» March 09, Interview, Sasha Lee 2009 «Daily Serving International Contemporary Art Forum» Feb. 09, Review, Sasha Lee 2008 «Beautiful Decay Magazine» Jan. 2008, Anthology, Website Interview, Sasha Lee 2007 «NY Times» July 1st.

After this year's edition of the Frieze Art Fair, which took place on Randall's Island in New York, the fair's organizers will give out «some compensation» to its exhibitors for putting up with the heat wave — which Frieze was unprepared for — that created unbearable «sauna - like conditions» at the event, writes Anny Shaw of the Art Newspaper.

2001 B. Schwabsky, Review, Artforum, New York, February M. Coomer, «Rachel Howard», Review, Time Out, no. 1633, December L. Buck, «Choice of Contemporary Galleries» The Art Newspaper, November C. Knight, «Torben Giehler, Yeardley Leonard and Rachel Howard», LA Times R. Aidin, «The Art Issue», Evening Standard Magazine B. Schwabsky, «Painting: a minor art?»

2002 M.Anderson,» Artist Tinkers with Notions of Sculpture», The Korea Times, p. 30 M.Kerr, «Michael Joo at Anton Kern Gallery», Tema Celeste, no. 94, December A.Church «Michael Joo at Anton Kern Gallery», Flash Art, v. 35, no. 227, November / December N.Princenthal, «Michael Joo at Anton Kern», Art in America, v. 90, no. 11, November, p. 153 City Edition, no. 16193, November, p. 16 «Michael Joo», The New Yorker, 30 September M.Schwendener, «Michael Joo — Anton Kern Gallery», Time Out New York, no. 364, 19 - 26 September «The Mind is a Horse», Time Out London, 18 September, p. 55 A.Dannat, «Michael Joo — Anton Kern Gallery», The Art Newspaper, no. 128, September M.Meneguzzo, «Michael Joo at Paolo Curti & Co», Artforum, v. 40, no. 10, Summer, p. 184 E.Heartney, «Import / Export: The Body East», Art in America, v. 90, no. 4, April, pp. 44 - 7, 49 H.Cotter, «Calligraphy, Cavorting Pigs and Other Body - Minded Happenings», New York Times, 25 January, Late Edition — Final, Section E, Column 1, p. 45

For Cutting Out The New York Times (1977/2015), O'Grady reticulates snippets of the newspaper into Dadaist poems.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

As Anthony Watts has pointed out, a third newspaper article is cited by the IPCC (as the sole reason to believe an idea is true) when it writes: «Unreliable electric power, as in minority neighbourhoods during the New York heatwave of 1999, can amplify concerns about health and environmental justice (Wilgoren and Roane, 1999).»

Quoted out of context in a New York Times Op - Ed, Michael Mann asks why the newspaper is turning to misleading voices.

Represented a nonprofit firm, a major national newspaper and others in a libel suit in New York arising out of the content of an advertisement published in the newspaper and on the Internet.

Facebook took out the ads in New York Times, Wall Street Journal, Washington Post in the US and in UK the list of newspapers includes The Sunday Times, Mail on Sunday, Sunday Mirror, Sunday Express, The Observer and Sunday Telegraph.

Nov. 6 Read all about it: News Corp's acquisition of Move Inc. was the lead story at the conference, with «newsies» passing out copies of company - owned newspapers The Wall Street Journal and the New York Post.