Not exact matches
In 1948, he moved to Paris, where he met Jean Dubuffet, Alberto Giacometti, Hans Hartung, and the
poet Henri Michaux — travelling widely to look at painting across Europe — and later visited and worked in New
York, as well, where he became
friends with Abstract Expressionist painters such as Franz Kline and Hans Hofmann and gained the support of important American dealers, collectors, and museums.
A
poet, curator, art critic, and leading member of the New
York school, O'Hara was also a close
friend to Mitchell.
In this previously unpublished extract, they discuss Katz's memories of the New
York School and his love of poetry, especially the work of his
friend Frank O'Hara (1926 — 66), the
poet, art critic and MoMA curator.
In this review of the exhibition Bob Rauschenberg at Charles Egan Gallery, New
York (December 1954 — January 1955), Frank O'Hara, a
poet and a
friend of Rauschenberg's, expresses buoyant enthusiasm for the artist's work.
The series Rimbaud in New
York (1978 - 79), his first serious body of work, comprises twenty - four black - and - white photographs of
friends holding up a mask of the
poet Arthur Rimbaud in a variety of underground settings in New
York City.
ArtInfo August 4, 2010 Top Ten Shows to See in New
York «Matisse: Radical Invention, 1913 - 1917» at the Museum of Modern Art, 11 West 53rd Street, through January 24, moma.org During this tumultuous period, when the artist's
friends — including André Derain and the
poet Apollinaire — were fighting on the front lines of the first World War, Matisse was working in the south of France on what would become the hardened core of his later oeuvre.
Since that time, the figures depicted in this ongoing series portray the ever - changing artistic milieu of New
York's painters,
poets and critics, as well as
friends and acquaintances of the artist himself.
Pride of place among the portraits goes to the
poets and writers, many from the New
York School, who made up the artist's circle of
friends and whose names constitute a veritable who's who of New
York cultural life.
The exhibition presents many of his celebrated portraits, including those of his family — his wife and lifelong muse, Ada, and his son Vincent — and of his distinguished circle of
friends, including
poets, writers and artists, many shown against the backdrop of New
York City.
Along with an essay and interview, New
York includes an extraordinary selection of poems from
friends of the artist, including some of the most important American
poets of the late twentieth century, among them Frank O'Hara, Kenneth Koch, John Ashbery and Robert Creeley.
Like the work of his
friend, the artist and art critic Fairfield Porter, and the New
York School
poets with whom he maintained lifelong friendships, Dash's subjects were drawn from everyday life.
Jane enjoyed a prolific and accomplished career until her death in 2014, in the company of her
poet friends from the New
York School as well as artists from the Second Generation New
York School.
Taking the same approach as the gallery's prior «Painters and
Poets» exhibition, this show looks at the work of New
York School painter Jane Freilicher, who was both
friend and muse to renowned writers like Frank O'Hara and John Ashbery.
Ms. Freilicher became
friends with O'Hara, and other young
poets of the New
York School, like Kenneth Koch, Mr. Ashbery and James Schuyler.
In 1963 when I turned 16 my English teacher the
poet Daisy Alden introduced us to the New
York School of Poetry and our class was visited by her
friend, the writer Anaïs Nin.