Sentences with phrase «york presents a generation»

An exhibition entitled Refraction: New Photography of Africa and its Diaspora and currently on view at Steven Kasher Gallery in New York presents a generation of photographic artists of African...

An exhibition entitled Refraction: New Photography of Africa and its Diaspora and currently on view at Steven Kasher Gallery in New York presents a generation of photographic artists of African descent born in the 1970s, 1980s and 1990s.

Not exact matches

Rabbi Maurice Davis of White Plains, New York, points out that the present generation of Jewish young people, those born here in the «60s, is the first one that can not reasonably expect to surpass its parents» achievements, as those parents did their parents».

New York (May 14, 2015)-- De Nolet presented by Ketel One ® Vodka made its debut in New York City with an immersive experience to discover the 11 generations of craftsmanship behind Ketel One ® Vodka.

In a study presented last week at the Biology of Genomes meeting in Cold Spring Harbor, New York, researchers reported some intriguing insights into the changing DNA of a dozen generations of the Florida scrub jay.

The ng Connect Program (led by telecommunications provider Alcatel — Lucent) presented its vision of the so - called «connected car» on Tuesday in New York City — a white Toyota Prius hybrid tricked out with access to a 4G («fourth generation») broadband wireless network.

Two studies presented at the Biology of Genomes meeting in Cold Spring Harbor, New York, last week show how human genomes have changed over centuries or decades, charting how since Roman times the British have evolved to be taller and fairer, and how just in the last generation a gene that favors cigarette smoking led to early death in some groups.

Presenting this year at revitalize is New York Times best - selling author and ESPN journalist Kate Fagan, who will speak about harrowing, ubiquitous dangers to mental health that coming generations will face.

For the journalists at The New York Times, the election of Donald Trump presented a once in a generation challenge in how the press would cover a president who has declared the majority of the nation's major news outlets «the enemy of the people.»

The fifth - generation model, which has been revealed near Land Rover's Coventry headquarters in Warwickshire and will be shown at the Paris Motor Show, adopts many styling cues from the influential Discovery Vision concept presented by design boss Gerry McGovern at the 2014 New York motor show.

Now, to share his remarkable story with new generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and New York Times best - selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Whole).

Samsung lit up IFA two days prior to the official opening with a simultaneous unveiling in Berlin and in New York's Times Square, where it presented the Galaxy Note 3, the third generation of its successful phablet.

Leonard Hutton Galleries is pleased to present an exhibition of artworks by renowned first generation «Irascible» and New York School artists James Brooks, Willem de Kooning, Jimmy Ernst, Sam Francis, Adolph Gottlieb, Hans Hofmann, Lee Krasner, Robert Motherwell, Jackson Pollock, Richard Pousette - Dart, Theodore Roszak, David Smith and Jack Tworkov.

New York poets from several generations respond to the atmosphere of camaraderie among artists and poets downtown from 1955 to the present.

His work has been presented in both national and international exhibitions including Rendez - vous / 14th Lyon Biennale, Institut d'Art Contemporain, Villeurbanne / Rhône - Alpes, France (2017); Artists of Color, The Underground Museum, Los Angeles (2017); Future Generation Art Prize, 57th Venice Biennale, Venice, Italy (2017); The Necessary Reconditioning of the Highly Deserving, Commonwealth & Council, Los Angeles (2017); and Tenses: Artists in Residence 2015 - 16, The Studio Museum in Harlem, New York (2016).

«Greater New York» deals best with past and present when it makes the parallels explicit, through pairings across generations.

In Generation (2016), a two - channel 45 - minute video installation first shown at Participant Inc. in New York and presented here in the Sert Gallery, Keegan interviews his own family members, calling out familiar yet potentially loaded words, such as feminine, masculine, love, race and immigrant.

Representing the new generation of photographers and video artists, «Recent Histories» presented the results of an exhibition series, held at The Walther Collection Project Space in New York from September 2015 through January 2017.

Centered on the renowned New York Academy of Art — where many of the featured artists are alumni or instructors — this collection reflects the institution's mission to instill the rigorous training of past generations within the lively dialogue of the present day.

1994 The Art of Betye Saar and John Otterbridge, 22nd Biennial of Sao Paulo, Museum of Modern Art, Sao Paulo, Brazil Urban Paradise: Gardens in the City, Paine Webber Art Gallery, New York, NY The Sacred and the Profane, Jan Baum Gallery, Los Angeles, CA The US Delegation Fifth Biennial of Havana, Wilfredo Lam Center, Havana, Cuba Generation of Mentors, National Museum for Women in the Arts, Washington, DC 25 Years of African - American Art, The Studio Museum in Harlem, New York, NY; The Wood Street Galleries, Pittsburgh, PA; The Art Museum, Rhode Island School of Design, Providence, RI; The Scottsdale Art Center, Scottsdale, AZ; Munson - Williams - Proctor Institute, Utica, NY; Modern Art Museum of Fort Worth, Fort Worth, TX; The New York State Museum, Albany, NY; The Mexican Museum, San Francisco, CA; Tufts University Art Gallery, Medford, MA; Heckscher Museum, Huntington Long Island, NY; The Lowe Art Gallery, University of Miami, Miami, FL Passionate Visions of the American South: Self - Taught Artists from 1940 — the Present, University Art Museum & Pacific Film Archive, Berkeley, CA; New Orleans Museum of Art, New Orleans, LA; San Diego Museum of Art, San Diego, CA; Corcoran Gallery of Art, Washington, DC; North Carolina Museum of Art, Raleigh, NC Relatively Speaking: Mother and Daughters in Art, Sweet Briar College Art Gallery, Sweet Briar, VA; Rahr West Museum, Manitowock, WI; Snug Harbor Cultural Center, Staten Island, NY; Rockford Museum of Art, Rockford, IL, Hofstra University Museum, Hempstead, NY African American Women Prints, Brandywine Workshop's Printed Image Gallery, Philadelphia, PA

A founder of the Young British Artists Movement, that presented to the art scene of 90 - es a new generation of world established artists, Damien Hirst has created a new page of the art history, showing his works in such institutions as Tate Gallery (London), Museum of Modern Art (New York), Stedelijk Museum (Amsterdam), Fondazione Prada (Milan), Israel Museum (Jerusalem), The Broad (Los Angeles).

Petzel took a revelatory look at the late, great Austrian painter Maria Lassnig's years in New York, from 1968 to 1980, Matthew Marks offered a treatise on the ultra-controlled, wildly underrated Peter Cain, Galerie Lelong presented a display of Ana Mendieta's vital films, Metro Pictures showed deep cuts by Bas Jan Ader, Craig F. Starr delivered a master class on Sylvia Plimack Mangold's early paintings of floors and rulers, Hauser & Wirth hosted not one but two incredible Philip Guston shows (the second, of Nixon drawings, is still on view, offering psychic balm in these dark times), Questroyal organized a jam - packed assemblage of paintings by the indefinable American mystic Ralph Albert Blakelock, and Jeffrey Deitch brought the traveling retrospective of the Pictures Generation original Walter Robinson to Robinson's hometown.

Group exhibitions include: Languages and Experimentations, Mart, Rovereto (2010), Richard Prince and the Revolution (curated by Jonathan Monk), ProjecteSD, Barcelona, The Associates, Dundee Contemporary Arts, Dundee (both 2009), Contemporary Scottish Art: New Acquistitions & Loans, Scottish National Gallery of Modern Art, Edinburgh, On Interchange / Interludes of a Collection, Museum Kurhaus Kleve, Kleve (both 2008), Tate Triennial: New British Art, Tate Britain, London (2006), The Last Generation, Apex Art, New York, Solo Show Solo Soul, FRAC Haute - Normandie, Rouen, Herald Street & The Modern Institute present, GBE, New York, Theorema, Collection Lambert: Musèe d'art d'Avignon, Avignon (all 2005), Genesis Sculpture, Domaine Pommery, Reims (2004), Context, Form, Troy (Young Scene 03), Secession, Vienna (2003).

Featuring artists within Guggenheim's circle, the exhibition combine worzk by successive generations of practitioners from the 1940s to the present day.Taking cues from the transitional moment when Surrealism and Abstract Expressionism co-existed in 1940s New York, two thematic threads are traced.

The New York edition will present a wide range of artistic voices including established and celebrated artists who have paved the way for future artistic generations, and a fast - growing number of promising emerging talent.

Fried loathed the minimalists - Donald Judd, Robert Morris, Carl Andre - artists who emerged in New York in the 1960s, wanting to do something different from the generation of Pollock and Rothko, and who simply presented «objects» to the viewer, brutally shorn of traditional aesthetic values.

Commissioned by the Future Generation Art Prize, an award New York City - based Carlos Motta won in 2014, his Patrions, Citizens, Lovers... can be seen as part of his larger oeuvre that unearths queer histories and activism while refusing to present them as separate from other discourses, in this case Ukrainian nationalism.

Organised by The Drawing Center in New York, where it received the Best Show Award from the International Critics» Association, it presents some 90 rarely - seen works by three artists from different generations who pioneered the development of modern abstraction — Hilma af Klint, Emma Kunz and Agnes Martin.

Tibor de Nagy Gallery presents exhibitions of such contemporary artists as Sarah McEneaney, Trevor Winkfield and Jen Mazza, as well artists from the Post War second generation New York School.

Tibor de Nagy Gallery presents exhibitions of such contemporary artists as Kathy Butterly, Sarah McEneaney, John Newman and Trevor Winkfield, as well artists from the Post War Second Generation New York School such as Jane Freilicher and Fairfield Porter, and represents the estates of John Ashbery, Joe Brainard, Rudy Burckhardt, Shirley Jaffe, Jess and Larry Rivers.

It is an exhibition with links to the group show that took place in 1962 at the Tate Gallery, in which this disruptive generation presented its new artistic experiments in the UK capital, just as it had done earlier in New York (with exhibitions at the MoMA and the Guggenheim), at documenta in Kassel and at the biennials in Venice, São Paulo and Paris.