Not exact matches
This essay was originally
presented in New
York City on November 15, 2002 as the sixteenth annual Erasmus
Lecture of the Institute on Religion and Public Life.
30th Annual Erasmus
Lecture: «Evangelizing the Nones» Monday, October 30 Bishop Robert Barron, auxiliary bishop of Los Angeles and the founder of Word on Fire Catholic Ministries, will
present First Things» annual Erasmus
Lecture at the Union League Club in New
York.
For readers living in or near New
York City: The Catholic Artists Society and the Thomistic Institute
present a series of
lectures on a Catholic understanding of the Arts.
He travels to New
York regularly, where the Arnold Pfeffer Center for Neuropsychoanalysis hosts public
lectures presenting neurobiological work: Panksepp on his emotion research, Mayberg on her efforts to treat depression.
Presented as part of the Evening
Lecture Series at the New
York Studio School.
Leckey has
presented his
lecture / performances at the ICA, London, the Solomon R. Guggenheim, New
York, the Museum of Modern Art, New
York and will be
presenting a work for the upcoming Performa 2011 in New
York.
Pratt Institute's Programs for Sustainable Planning and Development (PSPD) will
present lectures on environmental justice in New
York, climate change and preservation, case studies of New
York City development projects, and on construction and facilities...
Presented as part of the Evening
Lecture Series at the New
York Studio School, with an introduction by Martica Sawin.
Free Play is
presented as part of PERFORMA 05, the first biennial of visual art performance in New
York City, which will take place November 3 - 21, 2005, and include a multidisciplinary program of live visual art performances, film screenings,
lectures, and exhibitions.
From the time of his arrival in New
York in 1942, Cage was engaged in a deep intellectual exchange with artists in this circle — particularly Robert Motherwell (1915 — 1991)-- and participated in discussions and
presented lectures at the Subjects of the Artist school and later at the Club.22 However, by the time Cage and Rauschenberg began work on Automobile Tire Print, Cage had articulated a sharp turn away from the ethos of the Club, specifically rejecting what Caroline A. Jones has described as the model of «the artist as a masculine solitary whose staunchly heterosexual libido drove his brush.»
On Monday, May 9 at 11:30 am, exhibition curator Karen Levitov will give a
lecture entitled Visionary Collectors: The Cone Sisters of Baltimore; a
lecture on Picasso in the Cone Collection will be offered by Julie Reiss, Associate Professor in the Master's Program at Christie's Education, on Monday, May 16 at 11:30 am; and on Thursday, May 19 at 6:30 pm, Dr. Jack Flam, Distinguished Professor Emeritus of Art History at Brooklyn College and the Graduate Center of the City University of New
York, will
present A Feminine Mystique: The Special Qualities of the Cone Matisses.
The magazine and editorial collective Triple Canopy
presents a daily program of
lectures, debates, and discussions during EXPO 1: New
York.
Fawz has participated in panels and
presented lectures at The Center for Curatorial Studies; Asia Contemporary Art Week, New
York; Power Talks, Toronto; and NYU AD, New
York.
In conjunction with the exhibition Lucy Raven: Low Relief at the Columbus Museum of Art, Beeler Gallery
presents a
lecture by the New
York - based artist Lucy Raven.
Caitlin Murray, Director of Marfa Programs & Archivist of Judd Foundation, will
present a
lecture on the history of Donald Judd's furniture and its relationship to the history of modernist furniture as demonstrated by Judd's own furniture collection installed in his living and working spaces at 101 Spring Street in New
York and Marfa, Texas.
On the boards of The Vera List Center for Art and Politics at The New School University and the Art Omi International Artist Colony, he has
presented lectures at the Whitney Museum of American Art, MoMA in New
York, and is on the advisory panels for theChelsea Art Museum in New
York, Art and Med in Los Angeles, and the Streaming Museum, a cybersite with public exhibition spaces on all seven continents.
In addition to The Carpet Sessions, New
York - based curator and critic Bob Nickas will
present the
lecture 100 Paintings / 100 Years: 1915 - 2015 at 356 Mission Gallery.
The Palm Beach Institute of Contemporary Art
presents a
lecture by Roberta Smith, senior art critic of The New
York Times, at 7 tonight at the GulfStream Hotel, One Lake Ave., Lake Worth.
The exhibition title was adapted from a 1936 public
lecture given in New
York City by former museum director A. Everett «Chick» Austin Jr.: «For we must have the great things of the past to enjoy and to study, but with that valuable experience and pleasure as guide and criterion, we must surely seek to live in the
present and to try to create the new forms which are to be our legacy to the future.»
The Power Plant is pleased to
present a
lecture by Massimiliano Gioni, curator of the 55th edition of the Venice Biennale and Associate Director of the New Museum, New
York.
New
York based performance artist Liz Magic Laser will
present a free
lecture on her new work, From North Carolina to South Korea, followed by a conversation with Cary Levine, Associate Professor of Art History at UNC.
Lecture: Girl as Covergirl Art Gallery of Ontario Opening: Wednesday, June 7, 2000, 6 — 6:30 pm
Lecture in the Ridley Member's Lounge, 7:30 pm New
York based artist Su - en Wong is featured in the fifteenth exhibition of
Present Tense, an ongoing series of current work by Canadian and International artists.
She has
presented lectures at the International Center of Photography (ICP) and at New
York University in New
York.
The New
York Academy of Art
presents a
lecture by fine art insurance specialist Laura Murphy Doyle.
Vienna - based independent curator Kathrin Rhomberg
presents a
lecture, «The Virtue of Unprofessionalism,» for the third Curator's Perspective of 2012, co-presented with the Austrian Cultural Forum New
York.
Sponsors These events and exhibitions are
presented in collaboration with the Syracuse University College of Visual and Performing Arts Department of Transmedia and the Department of Art Visiting Artist
Lecture Series, the Community Folk Art Center (CFAC), and with the generous support of the Syracuse University Humanities Center and the New
York State Council on the Arts.
Independent curator Kathrin Rhomberg
presents a
lecture, «The Virtue of Unprofessionalism,» for the third Curator's Perspective of 2012, co-presented with the Austrian Cultural Forum New
York.
Christopher has participated in several
lecture series including: The Melancholy Object: Embracing materialism in the post-studio world at «
Presenting at 17», in New
York City and Out of the Ruins: Reimagining the Romantic Tradition, at the New Art Center, Newtonville, MA.
For the
lecture, Ringgold
presented an overview of her 60 - year career and discussed her many bodies of work, including the American People, Black Light (1967 - 69), and Coming to Jones Road (1999 - 2010) series, her story quilts, mosaic murals for the New
York City and Los Angeles transit systems, and the many children's books she has authored and illustrated.
He has
presented lectures on his work at the Whitney Museum, National Academy Museum and the 92nd St Y Art Center in New
York City.
The
lecture and panel discussion series will include a full program of daily presentations; Michael Kimmelman, Chief Architecture Critic and Former Chief Art Critic for The New
York Times, «The View from Over There, Over Here»; Jun Kaneko, «In Between»; William Warmus, Former Curator of Modern Glass at Corning Museum of Glass will moderate roundtable discussion, «The Studio Glass Experiment — The First 50 Years 1962 - 2012»; a thought provoking panel moderated by Bruce Helander, Editor - in - Chief of The Art Economist; Willis «Buzz» Hartshorn of International Center of Photography, «The ICP Legacy and New Directions in Photography»; Ullysees Dietz, Curator of Decorative Arts at the Newark Museum, «Ceramics as Art, Not a New Idea»; and Mark Leach, Executive Director of the SECCA, Southeastern Center of Contemporary Art will
present «The New SECCA: Directions in Contemporary Art».
Cues from Cy Twombly April 17, 2013 at the Institute of Fine Arts, New
York University
Lecture presented by Carol Mancusi - Ungaro, the Institute of Fine Art's Judith Praska Distinguished Visiting Professorship in Conservation and Technical Studies
The project originates from earlier father - son collaborations, including
Lecture on Nesting, which was
presented at PERFORMA13, New
York with the support of Zabludowicz Collection.
I am particularly grateful to Professors David Douglass and Robert Knox for having patiently answered many questions over several weeks, and for having allowed me to
present a seminar on some of these ideas to a challenging audience in the Physics Faculty at Rochester University, New
York; to Dr. David Evans for his assistance with temperature feedbacks; to Professor Felix Fitzroy of the University of St. Andrews for some vigorous discussions; to Professor Larry Gould and Dr. Walter Harrison for having given me the opportunity to
present some of the data and conclusions on radiative transfer and climate sensitivity at a kindly - received public
lecture at Hartford University, Connecticut; to Dr. Joanna Haigh of Imperial College, London, for having supplied a crucial piece of the argument; to Professor Richard Lindzen of the Massachusetts Institute of Technology for his
lecture - notes and advice on the implications of the absence of the tropical mid-troposphere «hot - spot» for climate sensitivity; to Dr. Willie Soon of the Harvard Center for Astrophysics for having given much useful advice and for having traced several papers that were not easily obtained; and to Dr. Roy Spencer of the University of Alabama at Huntsville for having answered several questions in connection with satellite data.