Sentences with phrase «york presents a lecture»

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This essay was originally presented in New York City on November 15, 2002 as the sixteenth annual Erasmus Lecture of the Institute on Religion and Public Life.
30th Annual Erasmus Lecture: «Evangelizing the Nones» Monday, October 30 Bishop Robert Barron, auxiliary bishop of Los Angeles and the founder of Word on Fire Catholic Ministries, will present First Things» annual Erasmus Lecture at the Union League Club in New York.
For readers living in or near New York City: The Catholic Artists Society and the Thomistic Institute present a series of lectures on a Catholic understanding of the Arts.
He travels to New York regularly, where the Arnold Pfeffer Center for Neuropsychoanalysis hosts public lectures presenting neurobiological work: Panksepp on his emotion research, Mayberg on her efforts to treat depression.
Presented as part of the Evening Lecture Series at the New York Studio School.
Leckey has presented his lecture / performances at the ICA, London, the Solomon R. Guggenheim, New York, the Museum of Modern Art, New York and will be presenting a work for the upcoming Performa 2011 in New York.
Pratt Institute's Programs for Sustainable Planning and Development (PSPD) will present lectures on environmental justice in New York, climate change and preservation, case studies of New York City development projects, and on construction and facilities...
Presented as part of the Evening Lecture Series at the New York Studio School, with an introduction by Martica Sawin.
Free Play is presented as part of PERFORMA 05, the first biennial of visual art performance in New York City, which will take place November 3 - 21, 2005, and include a multidisciplinary program of live visual art performances, film screenings, lectures, and exhibitions.
From the time of his arrival in New York in 1942, Cage was engaged in a deep intellectual exchange with artists in this circle — particularly Robert Motherwell (1915 — 1991)-- and participated in discussions and presented lectures at the Subjects of the Artist school and later at the Club.22 However, by the time Cage and Rauschenberg began work on Automobile Tire Print, Cage had articulated a sharp turn away from the ethos of the Club, specifically rejecting what Caroline A. Jones has described as the model of «the artist as a masculine solitary whose staunchly heterosexual libido drove his brush.»
On Monday, May 9 at 11:30 am, exhibition curator Karen Levitov will give a lecture entitled Visionary Collectors: The Cone Sisters of Baltimore; a lecture on Picasso in the Cone Collection will be offered by Julie Reiss, Associate Professor in the Master's Program at Christie's Education, on Monday, May 16 at 11:30 am; and on Thursday, May 19 at 6:30 pm, Dr. Jack Flam, Distinguished Professor Emeritus of Art History at Brooklyn College and the Graduate Center of the City University of New York, will present A Feminine Mystique: The Special Qualities of the Cone Matisses.
The magazine and editorial collective Triple Canopy presents a daily program of lectures, debates, and discussions during EXPO 1: New York.
Fawz has participated in panels and presented lectures at The Center for Curatorial Studies; Asia Contemporary Art Week, New York; Power Talks, Toronto; and NYU AD, New York.
In conjunction with the exhibition Lucy Raven: Low Relief at the Columbus Museum of Art, Beeler Gallery presents a lecture by the New York - based artist Lucy Raven.
Caitlin Murray, Director of Marfa Programs & Archivist of Judd Foundation, will present a lecture on the history of Donald Judd's furniture and its relationship to the history of modernist furniture as demonstrated by Judd's own furniture collection installed in his living and working spaces at 101 Spring Street in New York and Marfa, Texas.
On the boards of The Vera List Center for Art and Politics at The New School University and the Art Omi International Artist Colony, he has presented lectures at the Whitney Museum of American Art, MoMA in New York, and is on the advisory panels for theChelsea Art Museum in New York, Art and Med in Los Angeles, and the Streaming Museum, a cybersite with public exhibition spaces on all seven continents.
In addition to The Carpet Sessions, New York - based curator and critic Bob Nickas will present the lecture 100 Paintings / 100 Years: 1915 - 2015 at 356 Mission Gallery.
The Palm Beach Institute of Contemporary Art presents a lecture by Roberta Smith, senior art critic of The New York Times, at 7 tonight at the GulfStream Hotel, One Lake Ave., Lake Worth.
The exhibition title was adapted from a 1936 public lecture given in New York City by former museum director A. Everett «Chick» Austin Jr.: «For we must have the great things of the past to enjoy and to study, but with that valuable experience and pleasure as guide and criterion, we must surely seek to live in the present and to try to create the new forms which are to be our legacy to the future.»
The Power Plant is pleased to present a lecture by Massimiliano Gioni, curator of the 55th edition of the Venice Biennale and Associate Director of the New Museum, New York.
New York based performance artist Liz Magic Laser will present a free lecture on her new work, From North Carolina to South Korea, followed by a conversation with Cary Levine, Associate Professor of Art History at UNC.
Lecture: Girl as Covergirl Art Gallery of Ontario Opening: Wednesday, June 7, 2000, 6 — 6:30 pm Lecture in the Ridley Member's Lounge, 7:30 pm New York based artist Su - en Wong is featured in the fifteenth exhibition of Present Tense, an ongoing series of current work by Canadian and International artists.
She has presented lectures at the International Center of Photography (ICP) and at New York University in New York.
The New York Academy of Art presents a lecture by fine art insurance specialist Laura Murphy Doyle.
Vienna - based independent curator Kathrin Rhomberg presents a lecture, «The Virtue of Unprofessionalism,» for the third Curator's Perspective of 2012, co-presented with the Austrian Cultural Forum New York.
Sponsors These events and exhibitions are presented in collaboration with the Syracuse University College of Visual and Performing Arts Department of Transmedia and the Department of Art Visiting Artist Lecture Series, the Community Folk Art Center (CFAC), and with the generous support of the Syracuse University Humanities Center and the New York State Council on the Arts.
Independent curator Kathrin Rhomberg presents a lecture, «The Virtue of Unprofessionalism,» for the third Curator's Perspective of 2012, co-presented with the Austrian Cultural Forum New York.
Christopher has participated in several lecture series including: The Melancholy Object: Embracing materialism in the post-studio world at «Presenting at 17», in New York City and Out of the Ruins: Reimagining the Romantic Tradition, at the New Art Center, Newtonville, MA.
For the lecture, Ringgold presented an overview of her 60 - year career and discussed her many bodies of work, including the American People, Black Light (1967 - 69), and Coming to Jones Road (1999 - 2010) series, her story quilts, mosaic murals for the New York City and Los Angeles transit systems, and the many children's books she has authored and illustrated.
He has presented lectures on his work at the Whitney Museum, National Academy Museum and the 92nd St Y Art Center in New York City.
The lecture and panel discussion series will include a full program of daily presentations; Michael Kimmelman, Chief Architecture Critic and Former Chief Art Critic for The New York Times, «The View from Over There, Over Here»; Jun Kaneko, «In Between»; William Warmus, Former Curator of Modern Glass at Corning Museum of Glass will moderate roundtable discussion, «The Studio Glass Experiment — The First 50 Years 1962 - 2012»; a thought provoking panel moderated by Bruce Helander, Editor - in - Chief of The Art Economist; Willis «Buzz» Hartshorn of International Center of Photography, «The ICP Legacy and New Directions in Photography»; Ullysees Dietz, Curator of Decorative Arts at the Newark Museum, «Ceramics as Art, Not a New Idea»; and Mark Leach, Executive Director of the SECCA, Southeastern Center of Contemporary Art will present «The New SECCA: Directions in Contemporary Art».
Cues from Cy Twombly April 17, 2013 at the Institute of Fine Arts, New York University Lecture presented by Carol Mancusi - Ungaro, the Institute of Fine Art's Judith Praska Distinguished Visiting Professorship in Conservation and Technical Studies
The project originates from earlier father - son collaborations, including Lecture on Nesting, which was presented at PERFORMA13, New York with the support of Zabludowicz Collection.
I am particularly grateful to Professors David Douglass and Robert Knox for having patiently answered many questions over several weeks, and for having allowed me to present a seminar on some of these ideas to a challenging audience in the Physics Faculty at Rochester University, New York; to Dr. David Evans for his assistance with temperature feedbacks; to Professor Felix Fitzroy of the University of St. Andrews for some vigorous discussions; to Professor Larry Gould and Dr. Walter Harrison for having given me the opportunity to present some of the data and conclusions on radiative transfer and climate sensitivity at a kindly - received public lecture at Hartford University, Connecticut; to Dr. Joanna Haigh of Imperial College, London, for having supplied a crucial piece of the argument; to Professor Richard Lindzen of the Massachusetts Institute of Technology for his lecture - notes and advice on the implications of the absence of the tropical mid-troposphere «hot - spot» for climate sensitivity; to Dr. Willie Soon of the Harvard Center for Astrophysics for having given much useful advice and for having traced several papers that were not easily obtained; and to Dr. Roy Spencer of the University of Alabama at Huntsville for having answered several questions in connection with satellite data.
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