Sentences with phrase «york racing history»

For the first time in New York racing history the weather cancelled out a program.

Not exact matches

2) As to Neanderthal they did not have the brain capacity (Steve Olson, Mapping Human History: Genes, Race, and Our Common Origins (New York: Houghton Mifflin Co., 2002), to wonder, thus not the first Adam 3) Nicodemus went to Jesus in the dark of night and Jesus said «I have spoken to you of earthly things and you do not believe so how can you believe when I speak of heavenly things».

The 2012 race between Buerkle and Maffei was the most expensive congressional campaign in Central New York history, with the candidates and their independent supporters spending about $ 10 million.

It was the largest margin of victory in a gubernatorial race in New York history, and the second - largest for any statewide race in New York history.

Like Loeb, she doesn't have a long history of involvement in state races — her previous donation in New York came in 2000, when she contributed $ 100,000 to a national effort to elect Republican state legislators.

The primaries, the first truly competitive races for both parties» presidential contests in modern history in New York, saw record high turnout, especially on the Republican side.

The Post-Standard reported Monday that the 24th Congressional District race between Maffei, Buerkle and Green candidate Ursula Rozum has turned into the most expensive race for a congressional seat in Central New York history because of spending by super PACs.

Given the widespread interest in the race, Ulster GOP Chairman Roger Rascoe, a Trump supporter and one of his Hudson Valley coordinators, predicts «the highest turnout in New York history» among the county's almost 27,600 enrolled Republicans.

Washington — A new Super PAC plans to begin spending big money in the race for Central New York's congressional seat, already on pace to be the most expensive election battle in the region's history.

The 24th District race is already the most expensive congressional race in Central New York history, with more than $ 6.2 million invested so far.

EXHIBITS The Race to the End of the Earth May 2010 — January 2011 at the American Museum of Natural History in New York.

Race is based on the incredible true story of Jesse Owens, a man that the New York Times called «the greatest and most famous athlete in track and field history».

In a blog post up now on the New York Times Learning Network, Facing History and Ourselves Senior Program Associate Laura Tavares pairs an article about the recent report documenting the history of racial lynching in America with an excerpt from Harper Lee's best - selling «To Kill a Mockingbird» in order to situate the novel in its historical context and raise important questions about race, justice, and memoryHistory and Ourselves Senior Program Associate Laura Tavares pairs an article about the recent report documenting the history of racial lynching in America with an excerpt from Harper Lee's best - selling «To Kill a Mockingbird» in order to situate the novel in its historical context and raise important questions about race, justice, and memoryhistory of racial lynching in America with an excerpt from Harper Lee's best - selling «To Kill a Mockingbird» in order to situate the novel in its historical context and raise important questions about race, justice, and memory today.

Anatole Broyard, longtime book critic for the New York Times, died without revealing his black heritage to his children, leading daughter Bliss to conduct an in - depth inquiry into Creole culture, African American history, and the psychology of race.

The Race Underground: Boston, New York, and the Incredible Rivalry That Built America's First Subway by Doug Most Publisher: St. Martin's Press Publication Date: 02/04/2014 History, Science & Current Affairs, 352 pages Number of reader reviews: 25 Readers» consensus: 4.4 / 5.0

Balto, the lead dog in that team, is memorialized with a statue in New York's Central Park; harnessed for the race, this bronze Balto faces north, his feat shrouded in history, his courage never known by the children who frolic on his sturdy back.

An alum of Duke Ellington, New York - based Thomas has a robust artistic practice that explores language and images, through the lens of race, history, and identity.

Glenn Ligon on The Great Bieri Based in New York, Glenn Ligon is critically recognized for his text - based paintings that draw on American history and literature and explore issues of race and identity.

Best known for absurdist public performances, Pope.L has a history of dealing with the politics of race and identity — which the African - American artist doesn't limit to black versus white: His installation at the 2017 Whitney Biennial, for instance, consists of a four - sided structure covered with rows of rotting bologna slices meant to represent the percentage of Jews in New York City.

Best known for absurdist public performances, William Pope.L has a history of dealing with the politics of race and identity — which the African - American artist doesn't limit to black versus white: His installation at the 2017 Whitney Biennial, for instance, consists of a four - sided structure covered with rows of rotting bologna slices meant to represent the percentage of Jews in New York City.

She has contributed interviews to oral history projects with the New York Public Library of Performing Arts, the Museum of Arts and Design, and the Brooklyn Historical Society, where she has worked on a number of projects and exhibitions about race, place and history.

Based in New York, Hank Willis Thomas is a conceptual artist who uses the medium of photography to focus on themes of perspective identity, history, race, commodity, popular culture and class.

Hank Willis Thomas (New York) is a conceptual artist working with ideas of identity, history and race, appropriating language and images from the civil rights movement and changing their meaning to expose stereotypes.

Both histories show at once the importance of race in the visual culture of the West and the ways in which, despite the strenuous efforts of many to the contrary, the result has been a hybrid creolization» (N. Mirzoeff, Bodyscape: art, modernity and the ideal figure, London and New York, 1995, p. 15).

«The Paintings of Mike Cloud: In Celebration of Black History Month,» Lincoln Center Gallery, New York, NY, February 1 — March 3, 2007 «Not For Sale,» PS1 Contemporary Art Center, Long Island City, NY, February 11 — April 30, 2007 «Paper Trail: A Decade of Acquisitions,» Walker Art Center, Minneapolis, MN, March 16 — September 23, 2007 «Simply Red,» The Fabric Workshop and Museum, Philadelphia, PA, April 7 — May 19, 2007 «Collected Identities: Gifts from the Blake Byrne Collection,» Nasher Museum of Art, Duke University, Durham, NC, April 19 — September 30, 2007 «For the Love of the Game: Race and Sport in America, Wadsworth Atheneum, Hartford, CT, June 9 — October 21, 2007 «Gallery Artists,» Regen Projects, Los Angeles, CA, July 7 — August 25, 2007 «Taking Aim: Selections from the Elliot L Perry Collection,» Clough - Hanson Gallery, Rhodes College, Memphis, TN, August 31 — October 11, 2007 «ART PROTECTS,» Galerie Yvon Lambert, Paris, France, September 8 — 9, 2007 «Modern Times: Alumni Collect,» Bowdoin College Museum of Art, Brunswick, ME, October 14, 2007 — March 9, 2008 «Read Me!

An expansive survey not to be missed, the RAMMΣLLZΣΣ: Racing for Thunder exhibition will feature artworks coming from different sources around the world: the artist's estate, public and private collections, and oral histories recently commissioned by Red Bull Arts New York.

Through fantastical, emotionally wrenching artwork — described by New York Times art critic Holland Cotter as «a cross between a children's book and a sexually explicit cartoon» — Kara Walker explores the many intersections of race, gender, and sexuality throughout history.

Executed in 2012 in the aftermath of the artist's important mid-career retrospective at the Whitney Museum, New York, the present work is a continuation of Ligon's over twenty - year fascination with James Baldwin's 1955 Stranger in the Village — a semi-autobiographical essay exploring questions of race and history that has provided the basis for Ligon's Stranger series since its inception in the mid-1990s.

In 1923, horse jockey Frank Hayes suffered a heart attack in the midst of a race at Belmont Park, New York; his horse finished the race and, in the process, made Hayes the only jockey in history to win a race posthumously.