Sentences with phrase «york solo museum»

This event is being held in conjunction with «Me, My Mother, My Father, and I,» the artist's first New York solo museum exhibition.

SculptureCenter commissioned Johnson's first New York solo museum exhibition, Smoke and Mirrors, in 2009.

Not exact matches

On the same day, the Museum of the City of New York will open its second solo exhibition of Webb's work, entitled A City Seen: Todd Webb's Postwar New York, 1945 - 1960; that show will run till September 4.

Newhall set up Webb the same year with his first solo exhibition, at the Museum of the City of New York, entitled I See a City.

He was the first German artist to be given a solo exhibition at the Guggenheim Museum in New York whilst at home in Germany his work was often still derided as the «most expensive trash of all time».

Moved by a religious vision at age 57, Nashville janitor William Edmondson began carving tombstones and whimsical figures out of stone in 1931, eventually becoming the first African American artist to have a solo show at the Museum of Modern Art, in New York.

The first ever American artist to receive a solo exhibition invitation from H.R. Giger, the Oscar - winning artist behind the design of Alien, to his H.R. Giger Museum Gallery, Castiglia is bringing his work to his native city of New York for the solo exhibition Resurrection, opening at Sacred Gallery NYC on October 4th.

With a show of Yayoi Kusama's «Infinity Mirror Rooms» having opened at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. this week, we turn back to the October 1959 issue of ARTnews, in which Donald Judd reviewed Kusama's first New York solo show.

He has exhibited his work in solo exhibitions at Marx & Zavattero, San Francisco; Steve Turner Contemporary, Hayworth Gallery, and Hammer Museum, UCLA in Los Angeles; Kravets Wehby, New York; and The Sheppard Fine Arts Gallery, University of Nevada, Reno.

Additional select solo exhibitions include Museum Ludwig, Cologne, Germany (2013); and Galerie Neue Meister, Albertinum, Dresden (2012); Wexner Center, Columbus, Ohio (2006); and Dia: Beacon, Beacon, New York (2005).

Oursler has mounted solo exhibitions at prestigious exhibitions including PinchukArtCentre, Kiev, Ukraine; Tate Modern, London; ARoS Aarhus Kunstmuseum, Denmark; Kunsthaus Bregenz, Austria; Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Centre Georges Pompidou, Paris; Institute of Contemporary Art, Philadelphia; MASS MoCA, Massachusetts; Kunstverein Hannover, Germany; Aspen Art Museum, Colorado; Museum of Contemporary Art San Diego, California; Centre d'Art Contemporain, Geneva, Switzerland; Honolulu Museum of Art, Hawaii; Museum fur Gegenwartskunst, Basel, Switzerland; P.S. 1, New York; Musée d'Art Contemporain de Bordeaux, France; Museo D'Arte Contemporanea Rome, Italy; Sao Paulo Museum of Modern Art, Brazil; Jeu de Paume, Paris; Musee d'Orsay, Paris; Kunstforeningen GL Strand, Kobenhavn, Denmark; Helsinki City Art Museum, Finland; Institut Valencia D'Art Modern, Valencia, Spain; Fridericianum, Kassel, Germany.

Recent solo exhibitions include Lever House, New York (2013); Anton Kern Gallery, New York (2013); David Kordansky Gallery, Los Angeles (2012); Patrick de Brock, Belgium (2011); and Hammer Museum, Los Angeles (2010).

Solo exhibitions of his work have taken place at CAPC Musée d'Art Contemporain de Bordeaux, France; the Rubell Family Collection, Miami; Lincoln Center for the Performing Arts, New York; and the High Museum of Art, Atlanta.

He has had solo exhibitions at the Tate Gallery, London (1986); the Whitney Museum of American Art, New York (1992); Whitechapel Art Gallery, London (1998); the Kunsthalle Basel (2000); The Metropolitan Museum of Art (2001); and the Irish Museum of Modern Art, Dublin (2009).

He has had a number of solo exhibitions, including at the Museum of Modern Art, New York.

NEW YORK — Albert Oehlen's solo exhibition at the New Museum was recently reviewed by Roberta Smith of the New York Times.

The Whitney Museum in New York is currently showcasing the first solo museum exhibition by our very own artist and alumna Toyin Ojih OdMuseum in New York is currently showcasing the first solo museum exhibition by our very own artist and alumna Toyin Ojih Odmuseum exhibition by our very own artist and alumna Toyin Ojih Odutola.

His solo exhibitions include The Masturbators at Foxy Production, New York (2009), Supermax 2008 at the Museum of Contemporary Art, Los Angeles (2008), CHRON at the Drawing Center, New York (2008) and Grid Ripper, Galleria d'arte Moderna e Contemporanea, Bergamo, Italy (2008).

He has had solo exhibitions at D'Amelio Terras, New York; Postmasters, New York; Krannert Art Museum, Champaign, IL; Fawbush Gallery, New York; Hirschl & Adler Modern, New York and more.

The first solo museum show of Los Angeles - based Martine Syms opens May 27 at the Museum of Modern Art in Newmuseum show of Los Angeles - based Martine Syms opens May 27 at the Museum of Modern Art in NewMuseum of Modern Art in New York.

Solo exhibitions include Stedelijk Museum, the Metropolitan Museum of Art, New York, Nationalgalerie, Berlin, Villa Medici, Rome and Gemeentemuseum Den Haag, The Hague.

She is the recipient of the 2012/2103 MOCA GA Working Artist Project fellowship award, and has had solo exhibitions at American Contemporary and Rivington Arms in New York, Museum 52 in London, and Mikael Anderson in Copenhagen and Berlin.

He has had solo exhibitions at Tate Gallery, London (1986); the Whitney Museum of American Art, New York (1992); Whitechapel Art Gallery, London (1998); the Kunsthalle Basel (2000); The Metropolitan Museum of Art, New York (2001); and the Irish Museum of Modern Art, Dublin (2009).

Recent solo exhibitions include the National Museum of Women in the Arts, Washington, D.C. (2013); Pérez Art Museum Miami (2011 — 2012); John Jay College, New York (2011); and Neuberger Berman Museum, New York (2010).

Recent solo exhibitions include Shrine For Girls, Venice, Chiesa di San Gallo, Solo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among othsolo exhibitions include Shrine For Girls, Venice, Chiesa di San Gallo, Solo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among othSolo Collateral Event of the 56th International Art Exhibition, La Biennale di Venezia, Venice, Italy (2015); Le Macchine, Gli Dei e I Fantasmi, Musei Capitolini, Centrale Montemartini Museo, Rome, Italy (2013); Dante: The Way of All Flesh, fordPROJECT, New York, NY (2012); Patricia Cronin, All Is Not Lost, Newcomb Art Gallery, Tulane University, New Orleans, LA (2012); and Patricia Cronin: Harriet Hosmer, Lost and Found, Brooklyn Museum, Brooklyn, NY (2009 - 10); among others.

Overlapping with his first solo museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery style.

Recent solo exhibitions include The Drawing Center, New York (2015); the Museum of Contemporary Art, Denver (2014); Ballroom Marfa, Texas (2013); High Museum of Art, Atlanta (2013); Kemper Art Museum, St. Louis (2013); Miami Art Museum (2012); Museum of Contemporary Art, Chicago (2012); and South London Gallery (2012).

I personally know one New York artist who ended up with a solo show and gallery representation in Berlin as a result of the exposure, and a Boston artist who's now with a Boston gallery, which then resulted in a commission for a major New England museum, so sometimes the dots do connect.

Torbjørn Rødland (b. 1970, Stavanger, Norway, lives and works in Los Angeles and Oslo) has been the subject of a number of institutional solo exhibitions, including shows at Henie - Onstad, Oslo, Norway (2015); Kunsthall Stavanger, Stavanger, Norway (2014); Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2010); Contemporary Art Museum, St. Louis, United States (2010) and P.S. 1 Contemporary Art Center, New York, United States (2006).

After Mark Grotjahn's recent solo show of drawings at the Whitney Museum, this is the first presentation of paintings in New York in four years and his second solo show at Anton Kern Gallery.

The selection includes major solo museum exhibitions such as Kerry James Marshall at MCA Chicago; Simone Leigh at the New Museum in New York; Norman Lewis at the Amon Carter Museum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in Hmuseum exhibitions such as Kerry James Marshall at MCA Chicago; Simone Leigh at the New Museum in New York; Norman Lewis at the Amon Carter Museum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in HMuseum in New York; Norman Lewis at the Amon Carter Museum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in HMuseum of American Art in Fort Worth, Texas; John Outterbridge at the Aspen Art Museum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in HMuseum in Colorado; Kehinde Wiley at the Virginia Museum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in HMuseum of Fine Arts in Richmond; Nari Ward at the Barnes Foundation in Philadelphia; and Alma Thomas at the Studio Museum in HMuseum in Harlem.

The artist had his first solo exhibition at the Betty Parsons Gallery, New York, in 1951 and his first retrospective at the Jewish Museum, New York, in 1963.

Since then Marden has been the subject of numerous solo exhibitions at venues such as the Dia Center for the Arts, New York and the Fogg Art Museum, Cambridge, MA.

His work has been the subject of recent solo exhibitions at the University of Maine Museum of Art, University of Notre Dame, and The Painting Center in New York.

EXHIBITION > Opening Sept. 3, New York University's Grey Art Gallery presents «Ernest Cole: Photographer,» the first solo museum exhibition of the late South African photographer Ernest Cole (at right), whose groundbreaking work documented apartheid.

In his lifetime, Kelley held solo exhibitions at numerous institutions worldwide, including the Musée du Louvre, Paris; Institute of Contemporary Art, London; Tate Liverpool; Museum Moderner Kunst, Vienna; Los Angeles County Museum of Art; Whitney Museum of American Art, New York; and Hirshhorn Museum and Sculpture Garden, Washington, D.C, among many others.

Violette's last solo show in New York was held in 2005 at the Whitney Museum of American Art.

Her extensive exhibition history includes solo and group exhibitions at Blumenbar Verlag, Berlin (2008); Victoria & Albert Museum, London (2010); Blanton Museum of Art, Austin (2010); a major survey exhibition Love Is What You Want at the Hayward Gallery, London (2011); Turner Contemporary, Margate (2012); Malba — Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery solo show at Lehmann Maupin, New York (2013).

Solo exhibitions have taken place at Pioneer Works, New York, NY; Staatliche Kunsthalle Baden - Baden; Berlin Botanical Museum; and School of Visual Arts Gallery, New York, NY.

His work may be found in the collections of Museum of Modern Art, New York, the Los Angeles County Museum of Art, the Contemporary Arts Museum Houston — which hosted a solo show of the artist in 1977 — and the Hirshhorn Museum and Sculpture Garden in Washington, D.C., which staged a retrospective exhibition in 2014 — 15.

Recently, Alÿs was the subject of solo exhibitions at Portikus, Frankfurt, Germany, MALBA, Buenos Aires, Argentina (2006); Kunstmuseum Wolfsburg, Wolfsburg, Germany [traveled to Musée des Beaux - Arts, Nantes, France and Museo d'Art Contemporani de Barcelona, Barcelona, Spain, and Museo de San Idelfonso, Mexico City, Mexico](all 2005 - 2006); Musée d'Art Contemporain, Avignon, France (2004); Centro nazionale per le arti contemporanee, Rome, Italy [traveled to Kunsthaus Zürich, Zürich, Switzerland and Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain](all 2003); and Museum of Modern Art, New York, NY (2002).

He is represented by the Berta Walker Gallery in Provincetown and the Thomas Dean Fine Art, Atlanta GA He has had selected solo exhibitions at the A Gallery in Provincetown, MA, Moira Walsh Gallery, Kittery Maine, Museum School Provincetown Art Association and Museum, Center For Arts In Natick, Natick, MA, the Berta Walker Gallery, Provincetown, MA and the Prince Street Gallery, New York, NY.

Solo exhibitions of her work have been held at Museo Tamayo (2016); Espace Louis Vuitton Munich (2016); Statens Museum for Kunst, Copenhagen, Denmark (2014); The Fabric Workshop and Museum, Philadelphia (2013); Australian Centre for Contemporary Art, Melbourne (2013); the Botín Foundation, Santander (2013); the New Museum, New York (2012); the Turbine Hall, Tate Modern, London (2011) and the Museum Moderner Kunst Stiftung Ludwig, Vienna (2011), among others.

BOOKSHELF «Thornton Dial: Image of the Tiger» is the exhibition catalog for Dial's first solo museum show which opened at the New Museum in New York inmuseum show which opened at the New Museum in New York inMuseum in New York in 1993.

He had his first solo show at Tibor de Nagy Gallery, New York, in 1960, and has subsequently exhibited at institutions such as The Museum of Modern Art, Whitney Museum of American Art, Queens Museum of Art, New Museum of Contemporary Art, and P.S. 1.

His most important solo museum exhibitions were mounted by the Metropolitan Museum, New York in 1975, and the New Tretyakov Gallery in Moscow in 1988, where he had the distinction of being the first living Western artist to show in a Soviet mmuseum exhibitions were mounted by the Metropolitan Museum, New York in 1975, and the New Tretyakov Gallery in Moscow in 1988, where he had the distinction of being the first living Western artist to show in a Soviet mMuseum, New York in 1975, and the New Tretyakov Gallery in Moscow in 1988, where he had the distinction of being the first living Western artist to show in a Soviet museummuseum.

His work has been the subject of solo exhibitions at The Brooklyn Museum of Art, NY; The New Orleans Museum of Art, LA; No Longer Empty Project, New York, NY; The Phoenix, New Orleans, LA; and Western Projects, Los Angeles, CA.

Recent solo presentations include the Whitney Museum of Art, New York; 47 Canal, New York and Sadie Coles, London.

His most recent solo exhibitions include: Lovers, Le Consortium, l'Académie Conti, Vosne - Romanée, France (2015 - 16); Masks (Pentagon), Rockefeller Plaza, New York (2015); Thomas Houseago: Studies «98 — «14, Gemeentemuseum Den Haag, The Hague (2014); Striding Figure / Standing Figure, Galleria Borghese, Rome, Italy (2014); As I Went Out One Morning, Storm King Art Center, Mountainville, NY (2014); Thomas Houseago: Where the Wild Things Are, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, UK (2012) and What Went Down, Centre International d'art et du paysage, île de vassivière, Vassivière, France (2012, travelled to Museum Abteiberg, Mönchengladbach, Germany; Modern Art Oxford and The Ashmolean Museum, Oxford).

Recent solo exhibitions include «We'll Not Carry Coals,» Kunsthaus Bregenz, Austria (2003); «Recent Sculptures», Lincoln Center, New York (2004); Vancouver Art Gallery (2005); MAK, Vienna (2008); and «To Build A House You Start with the Roof: Work, 1972 - 2008», Baltimore Museum of Art (2008 - 2009, traveled to Los Angeles County Museum of Art and the Foundation Beyeler in 2009); and «Franz West: Autotheater» the Museum Ludwig, Cologne (2010, travelled to MADRE, Naples and the Universalmuseum, Graz, Austria in 2011).