Sentences with phrase «york stages an exhibition»

His shops in East Hampton and on East 64th Street in New York staged exhibitions for Matthew Barney, Elizabeth Peyton, James Frey, Tauba Auerbach, Adam McEwen, Will Cotton, Kim Gordon, Brigid Berlin, Ryan McGinness, Richard Hell & Christopher Wool, Terry Richardson and Richard Prince, among many others.

The Metropolitan Museum of Art in New York stages an exhibition of photographs from the American Civil War, 150 years after the Battle of Gettysburg.

Dickinson New York stages an exhibition dedicated to Richard Hamilton.

Not exact matches

The 25th Annual International Restaurant & Foodservice Show of New York, sponsored by the New York State Restaurant Association, will offer over 550 leading vendors throughout an expansive exhibition floor; 40 + educational sessions; the 29th Annual U.S. Pastry Competition themed «The Great Race»; the Rapid Fire Challenge: Meatball Madness Edition; the Hip Sip: Battle of the Modern Bartender competition; the Beacon Award and Torch Award presentations; the Foodservice Council for Women panel; Farm to City Expo: Local Seafood Wave of the Future; live culinary demonstrations on Center Stage; hundreds of new products; and much more.

But her rediscovery on a larger stage dates from the pioneering 1989 exhibition in New York that was organized by Munroe at the short - lived Center for International Contemporary Arts.

His work may be found in the collections of Museum of Modern Art, New York, the Los Angeles County Museum of Art, the Contemporary Arts Museum Houston — which hosted a solo show of the artist in 1977 — and the Hirshhorn Museum and Sculpture Garden in Washington, D.C., which staged a retrospective exhibition in 2014 — 15.

After leaving the New York outpost of Paris gallery Balice Hertling, Lewis worked as a nomadic curator, staging pop - up exhibitions like Lucy Dodd's at No54 and his booth at the Dallas Art Fair, showing works by Viola Yesiltac and Charles Mayton.

Wm. C. LeBrocq, New York maker, gilded and applied ornament on ebonized wood; molding width: 4-1/4» Painting: Daniel J. Terra Collection, 1999.136 Terra Collection Initiative: The Eight and American Modernisms «Frustrated by the art world's elitism and the snobbish exclusivity of the academy's juries, eight American painters united in 1908 to upend the establish norms and stage their own exhibition of modernist art.

18th Street Arts Center throws its highly - anticipated Summer ArtNight featuring the opening receptions for Jerri Allyn's and Inez S. Bush's Debating Through the Arts: Exhibition & Performance 3 project and York Chang's second life project; accompanied by a guest performance from the Tijuana - based visual / audio arts collective, Los Roor, on 18th Street's outdoor stage.

Tuchman wrote the catalogue essay for an ambitious exhibition that New York's Leila Heller Gallery staged recently about that critical moment.

1639 18th Street, off of Olympic Blvd, Santa Monica, CA - On Saturday, June 18th, from 6 pm to 10 pm, 18th Street Arts Center throws its highly - anticipated Summer ArtNight featuring the opening receptions for Jerri Allyn's and Inez S. Bush's Debating Through the Arts: Exhibition & Performance 3 project and York Chang's second life project; accompanied by a guest performance from the Tijuana - based visual / audio arts collective, Los Roor, on 18th Street's outdoor stage.

Recent solo exhibitions have been staged at Corbett vs. Dempsey in Chicago and Thomas Dane Gallery in London in 2012, and at the Americas Society in New York in 2011.

The first major art world recognition of Pop art came in the form of a 1962 exhibition «Symposium on Pop Art» at the Museum of Modern Art in New York, setting the stage for the next evolution of the movement in the United States.

The historical overview that Crimp developed with curator Lynne Cooke in their co-curated exhibition Mixed Use Manhattan (Reina Sofia, Madrid, 2010) was dedicated to New York City in the 1970s, the space of Lower Manhattan that was transformed by recession into a stage for the development of new artistic practices.

Opening to the public on September 12th, artists Jonah Freeman, Justin Lowe and Jennifer Herrema will stage a sprawling sonic, filmic and architectural exhibition this time taking over Red Bull Arts New York with Scenario In The Shade.

The historical overview that Crimp developed with curator Lynne Cooke in their co-curated exhibition Mixed Use Manhattan (Reina Sofia, Madrid, 2010) dedicated itself to New York City in the 1970s, the space of Lower Manhattan that was transformed by a recession into a stage for the development of new artistic practices.

Spanning the entirety of WhiteBox's two - leveled exhibition space, the show features the video, sculpture, murals, installation, and two - dimensional media works by over 50 Japanese artists who emigrated to New York during the formative stages of their careers.

The same year he returned to Rutgers for his first solo exhibition while he continued to work in New York, becoming an active figure in the New York art world where he created and staged many of the first «Happenings,» along with artists Allan Kaprow, Lucas Samaras, Red Grooms, Jim Dine, and Claes Oldenburg.

The exhibition marks 50 years of Pace representing Dubuffet and follows Pace's tradition of staging landmark exhibitions on the artist, including two shows of Théâtres de mémoire presented in 1977 and 1979 in New York.

The following year, the renowned Sidney Janis Gallery declared its shift in interest from New York School to Pop by staging an exhibition that conjoined French Nouveau Realistes with the new American Pop icons including Lichtenstein, Warhol and Robert Indiana — a decision which prompted Mark Rothko, Philip Guston and Robert Motherwell to sever their ties with the gallery.

Selected group exhibitions include those staged at Philadelphia's Moore College Gallery, Glasgow's Mitchell Library, the Flag Art Foundation in New York, the Albright Knox Art Gallery in Buffalo, New York, Städel Museum in Frankfurt, Tate Britain, Tel Aviv Museum, and both the Drawing Center and the Museum of Modern Art in New York.

Selected group exhibitions include those staged at the Carnegie Museum of Art in Pittsburgh, the Museum of Contemporary Art in Chicago, the Museum of Modern Art in Sao Paulo, the Aldrich Contemporary Art Museum, the Solomon R. Guggenheim Museum in New York, the National Museum of Contemporary Art in Athens, and the New Museum in New York.

Carmen Herrera: Lines of Sight, a major exhibition of Herrera's work first staged by the Whitney Museum of American Art, New York in September 2016, is on view at Kunstsammlung Nordrhein - Westfalen (K20) in Düsseldorf, Germany from 2 December 2017 until 8 April 2018.

In 2008, she had her first solo exhibition in New York at Mitchell Algus Gallery, Martha Wilson: Photo / Text Works, 1971 - 74; in 2009, Martha Wilson: Staging the Self began international travel under the auspices of ICI (Independent Curators International); and in 2011, ICI published the Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces.

Also on view in New York during the fair will be Kehinde Wiley's The World Stage: Israel, a solo exhibition at The Jewish Museum opening to the public on Friday, March 9th.

MoMA PS1 will offer additional studio space and performance support and staging throughout the Greater New York exhibition.

Three quarters of a century after Alfred Barr, founding director of New York's Museum of Modern Art, mounted the landmark 1936 exhibition Cubism and Abtract Art, MoMA curator Dickerman returns to the realm with a vast exhibition and comprehensive catalogue depicting the incipient stages of abtraction in the plastic arts.

During 2014, the Jewish Museum in New York staged «Other Primary Structures», a two - part update of their 1966 exhibition «Primary Structures: Younger American and British Sculptors», which established what would become the canon of minimalist sculpture.

In the mid-1960s, she established herself in New York as an important avant - garde artist by staging groundbreaking and influential happenings, events, and exhibitions.

He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, Museum of Modern Art, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, Museum of Modern Art, New York (2005).

He has participated in notable group exhibitions, such as the 2012 Sydney Biennale; Staging Action: Performance in Photography Since 1960, MoMA, New York, and Framed, Indianapolis Museum of Art, Indiana (both 2011); SITE Santa Fe Biennale and The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York (both 2010); the 51st Venice Biennale (2005); and New Photography, MoMA, New York (2005).

Painting and sculpture take center stage in our picks for new exhibitions opening at New York City galleries this week.

The Museum of Modern Art in New York staged its first exhibition devoted to Latin American artists in 1942, and since then, Latin America's role in the development of Modernism has been acknowledged by most cultural institutions — though in many cases not significantly.

Selected exhibitions include Aftercinema, Beirut Art Center; Doubt of the Stage Prompter, Edit - Russ Haus für Medienkunst, Germany (both 2015); Menace of Origins, Sculpture Center, New York (2014); The Goodness Regime, Kunsthall Oslo; and Kunstlerhaus Bethanien, Berlin (both 2013).

In 2012 Olivier staged an outdoor exhibition of six painterly animations at Madison Square Park, New York; he has additionally recently exhibited at Indianapolis Museum of Art (2016, solo); Galerie der Stadt Backnang (2015, solo); Museum Hilversum (2014); GEM, The Hague (2014, solo); Southeastern Center for Contemporary Art, Winston - Salem, North Carolina (2013); Nederlands Instituut voor Mediakunst, Amsterdam (2012, solo); Artpace, San Antonio, Texas (2012); Fundación Foto Colectania, Barcelona (2012); Stedelijk Museum Zwolle, Zwolle, Netherlands (2012); Dordrechts Museum, Netherlands (2011 - 12); Denver Art Museum, Denver (2011); the 8th SITE Santa Fe Biennial (2010 - 11); Centro de Arte de Caja de Burgos, Burgos, Spain (2010, solo); Victoria Miro Gallery, London (2010); Blaffer Gallery, The Art Museum of the University of Houston (2010, solo) and Portsmouth Museum of Art, Portsmouth, New Hampshire (2010).

Selected group exhibitions include those staged at the New Museum in New York, the FLAG Art Foundation in New York, Kelvingrove Art Gallery and Museum in Glasgow, the Atlanta Center for Contemporary Art, and the Drawing Center in New York.

Equilibrando la curva, is the largest exhibition staged by the Cuban artist Wilfredo Prieto, who lives and works in Havana and New York.

Featuring work by more than 150 artists from over 500 exhibitions staged at Lisson's galleries in London, Milan and New York since 1967, this substantial 1200 - page volume celebrates the legacy and continuing importance of Lisson.

Also on view during Frieze New York is Wiley's exhibition The World Stage: Israel at The Jewish Museum.

A prolific curator, Bui has staged over 40 exhibitions since 2000, including New York Magazine's first - ranked exhibit of 2013, Come Together: Surviving Sandy, Year 1.

Baxter St at the Camera Club of New York presents stages, an exhibition of photographs and drawings by 2016 Workspace Resident Katherine Hubbard.

In 1966 New York's Museum of Modern Art, with the British artist, Tate trustee and curator Lawrence Gowing, staged an exhibition of Turner's late paintings, including unfinished canvases discovered late in the 20th century, as well as a selection of his most freely painted watercolours (these, with their shimmering veils of colour floating freeform on otherwise unblemished paper, possessing an extra freshness and immediacy; pictured below, Turner's Bedroom in the Palazzo Giustinian, Venice, c 1840).

The New York - based artist Bozidar Brazda, whose work was featured in the 2008 Whitney Biennial, stages a new exhibition at Chelsea's Martos Gallery.

In the mid-1960s, the artist established herself in New York as an important avant - garde artist by staging groundbreaking and influential happenings, events, and exhibitions.

As a new exhibition opens at Richard Taittinger Gallery in New York, curator Ugochukwu - Smooth C. Nzewi explores the growing impact of African art on the global stage.

This is the work of New York - based choreographer Maria Hassabi, entitled STAGING (2017), commissioned by the Walker Art Center to premiere throughout the exhibition Merce Cunningham: Common Time, concurrently on view at the Museum of Contemporary Art Chicago.

Her most recent exhibition New Stage New Badges at New York's Signal (Apr 8 — May 7, 2017) was a collaboration with Nikholis Planck which included a series of buttons as well as an edited text of Hito Steyerl's Untitled (In Defense of the Poor Image) into 121 buttons.

At the time, photography was starting to be regarded as a fine art, thanks in large part to «The Family of Man,» a groundbreaking exhibition staged in 1955 at the Museum of Modern Art in New York.

Sotheby's New York is staging an selling exhibition of works by some of the most sought - after black contemporary artists working today, including Nick Cave, Rashid Johnson, Glenn Ligon, Wangechi Mutu, David Hammons, Kara Walker and Kehinde Wiley, along with Jean - Michel Basquiat.

Solo exhibitions have been staged of his work at the Stedelijk Museum, Amsterdam, American Scandinavian Foundation, New York, Städtisches Museum Abteiberg, Mönchengladbach, the National Gallery of Iceland, Kunstmuseum, Lucerne, and Rooseum, Malmö.