Managing to return to New
York unsullied and with conscience intact, Margaret becomes more committed to «throwing her last scruple to the wind» when she suspects her husband of sleeping with one of his doe - eyed students.
Jennie Livingston's iconic depiction of New
York City ball culture was one of those victims and received no Oscar nomination, but its legend is solid and its reputation
unsullied by its lack of an invite to a different type of dance.