Sentences with phrase «zeitgeist exhibition»

Early in his career, he appeared in numerous group exhibitions, such as the influential Zeitgeist exhibition at the Martin - Gropius Bau, Berlin, and from 1980 on, in many solo exhibitions in Britain, Europe and America.

I have been following Le Brun's paintings ever since they first impressed me in the 1982 Zeitgeist exhibition in Berlin, which originally triggered a resurgence of expressionist abstraction.

Not exact matches

Reed Travel Exhibitions Chairman World Travel Market, Fiona Jeffery, added: «This is another great example of how hotels are bucking the gloomy trends in travel by tapping into the zeitgeist and providing an escape for busy travellers.

This exhibition sampled artistic production in the wake of a zeitgeist that has rendered the unconscious a derelict playground home to weeds of surrealism.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

His bold and lush paintings were featured in almost every major museum exhibition benchmarking that era including Zeitgeist (Berlin) in 1982.

For the latest exhibition at Nashville's Zeitgeist Gallery, multimedia artists Kevin Cooley and Phillip Andrew Lewis have achieved a rare feat.

Alexandra Harris» bestseller Romantic Moderns caught the zeitgeist, and John Piper's work has been the subject of numerous exhibitions across the country, ranging from his depictions of the mountains of Wales to the churches of Sussex.

It is the first exhibition of its kind to focus on the intersection of indigenous cultures and zeitgeist digital practices in contemporary art.

The exhibition offers an observation of the way in which art can capture something of the current, contemporary Zeitgeist.

In its second gallery exchange with Zeitgeist Gallery, Atlnatas Whitespace is hosting an exhibition of work by the Nashville gallerys artists.

Using a variety of examples, the exhibition displays the range of public sculpture existing in London, whilst showing how it acts as a democratic soundboard for the zeitgeist.

Upstream Gallery presents Zeitgeist, a solo exhibition of conceptual paintings, video and sculpture by Marc Bijl, that question the notion of truth in an overloaded stream of propaganda, tags and fake news.

«The exhibition tried to capture this zeitgeist in a playful mode, that as an observer can be absorbed within the environment of the barn.»

Opening Saturday, October 28th, 19.00 - 21.00 hours Afterparty @ Disco Dolly, 21.30 - 01.00 hours Upstream Gallery presents Zeitgeist, a solo exhibition of conceptual paintings, video and sculpture by Marc Bijl, that question the notion of truth in an overloaded stream of propaganda, tags and fake...

«Collectible» is a high - profile launch exhibition that will be featuring small works by 67 promising, mid-career and established International Zeitgeist artists from across all discipline; including painting, drawing, photography, sculpture, and print.

Rather than being a zeitgeist or thematic exhibition, each artist has a distinct artwork (and in some cases performance) that embodies his or her innovative exploration of sculpture in the public sphere.»

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thExhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thExhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now thexhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

The work has been featured in solo exhibitions at Zeitgeist Gallery in Nashville, TN, Columbus State University in Columbus, GA, and in 2018, at the Duke Center for Documentary Studies in Durham, NC.

Networking the Unseen, which is currently on view at Furtherfield gallery, is the first exhibition of its kind to focus on the intersection of indigenous cultures and zeitgeist digital practices in contemporary art.

And most curators seek to produce exhibitions that encapsulate the zeitgeist.

The show's title originates from Hirschdenkmäler (Stag Monuments), the environment Beuys created for the celebrated 1982 Berlin exhibition Zeitgeist, co-curated by Christos M. Joachimides and Rosenthal.

Exhibition view (1 - 1) from left to right: works by Brock Davis, Agnieszka Polska (Medical Gymnastics, 2008), Carla Edwards (Debauched Zeitgeist, 2006), Paul Chan (Sade before Sade 2000 - 2009)

The first in a planned series of exhibitions across the globe celebrating the success of an art blog that been the catalyst in fostering a genuine movement, this exhibition in San Francisco is curated by Graffuturism founder Poesia; who brings together a global selection of artists that have established the graffiti zeitgeist.

The zeitgeist is very much on her side: A retrospective of the African - American figurative painter Kerry James Marshall arrives at New York's Met Breuer this month, and next summer, London's Tate Modern will mount a major exhibition on the shifting definition of «black art» in the United States in the past century.

Exhibition view (13 - 1) from left to right: works by Ken Seeno (Storm), Agnieszka Polska (Medical Gymnastics, 2008), Carla Edwards (Debauched Zeitgeist, 2006), Paul Chan (Sade before Sade, 2000 - 2009)

During Amsterdam Art Weekend (23rd - 26th of November) Upstream Gallery will show Zeitgeist, a solo exhibition by Marc Bijl as well as an electronic music and voice performance by sound artist Kayleigh Beard.

The exhibition takes its name from this environment, created for the legendary 1982 Berlin exhibition Zeitgeist, co-curated by Christos M. Joachimides and Norman Rosenthal himself.

Thirty years on, «The Pictures Generation: 1974 — 84» at the Metropolitan Museum is the first exhibition to use Crimp's expression to define a zeitgeist, while also indicating that our understanding of the term is developing new meanings over time.

Europe, with exhibitions like «Documenta» and «Zeitgeist,» is way ahead of us in integrating European and American art.»

The exhibition explores to the core the ways in which artists responded to the zeitgeist of the «80s and reacted to the cultural climate of the time.

Reasserting the pivotal role as catalyst for artistic expression in all its nuances, the gallery programme embraces the global zeitgeist presenting solo shows by established and emerging artists interspersed with themed group exhibitions.

He participated in the groundbreaking exhibitions Zeitgeist (Martin - Gropius - Bau, Berlin, 1982) and New Art (Tate, London, 1983), two major events which helped confirm his status as an important international artist.

Newport Beach, Newport Harbor Art Museum, Action Precision: The New Direction in New York, 1955 - 1960, 28 June - 9 September 1984, no. 27 (illustrated in color, p. 107); This exhibition later traveled to Worcester, Worcester Art Museum, 3 October - 25 November 1984; New York, Grey Art Gallery, New York University, 15 January - 23 February 1985; Cincinnati, Contemporary Arts Center, 14 March - 27 April 1985; Buffalo, Albright - Knox Art Gallery, 14 September - 3 November 1985 and Austin, Archer M. Huntington Art Gallery, University of Texas at Austin, 12 January - 23 February 1986; New York, Allan Stone Gallery, Alfred Leslie 1951 - 1962: Expressing the Zeitgeist, 16 October - 22 December 2004, no. 7 (illustrated in color, p. 13); New York, Allan Stone Projects, Alfred Leslie: Abstraction 1951 - 1962, 29 October - 24 December 2015 (illustrated in color, p. 14)

Group exhibitions include: Zeitgeist, MAMCO, Museum of Modern and Contemporary Art, Geneva, CH (2017); Artistic Toolbox: 1989 - 2017, Kunsthalle Wien, Vienna, A (2017); Schiff Ahoy: Contemporary Art from the Brandhorst Collection, Museum Brandhorst, Munich, D (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami, USA (2015); The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York, USA (2014); The Painting Factory, MOCA The Museum of Contemporary Art, Los Angeles, USA (2012).

NOVEMBER 7 — DECEMBER 19 Three Carbon Tons Two - person exhibition w / Jered Sprecher, ZEITGEIST GALLERY, Nashville, Tennessee, USA

McLean has participated in many major international exhibitions since the 1960s, highlights include: When Attitudes Become Form, Kunsthalle, Bern (1969); Information, Museum of Modern Art, New York (1970); The British Avant Garde, New York Cultural Centre (1971); Documenta 6, Kassel (1977); Art in the Seventies, Venice Biennale (1980); A New Spirit in Painting, Royal Academy, London; Zeitgeist, Martin - Gropius - Bau, Berlin (1982); Documenta 7, Museum Fredericianum, Kassel (1982); Thought and Action, Laforet Museum, Tokyo (1983); The Critical Eye, Yale Centre for British Art, New Haven (1984); Out of Actions; Between Performance and the Object, 1949 - 79, Museum of Contemporary Art, Los Angeles (1997); Bruce McLean and William Alsop, Two Chairs, Milton Keynes Gallery (2002) and Body and Void: Echoes of Moore in Contemporary Art, The Henry Moore Foundation, Hertfordshire (2014).

Following his first one - man exhibition at the Nigel Greenwood Gallery in London in 1980, he rapidly established an international reputation exhibiting world - wide in many of the major survey shows of the decade, such as Zeitgeist, Berlin 1982 and Avant - garde in the eighties, Los Angeles 1987.

His work has been presented in significant survey exhibitions, including documenta 6 and 7, Kassel (1977, 1982); Zeitgeist, Martin - Gropius - Bau, Berlin (1982); A New Spirit of Painting, Royal Academy of Arts, London (1981); Information, Museum of Modern Art, New York (1970); Op Losse Schroeven, Stedelijk Museum, Amsterdam (1969) and When Attitudes Become Form, Kunsthalle Bern (1969).

The show's title originates from Hirschdenkmäler (Stag Monuments), the environment Beuys created for the legendary 1982 Berlin exhibition Zeitgeist, co-curated by Christos M. Joachimides and Rosenthal himself.

At that date, he had already participated in the groundbreaking exhibitions of his time: «Western Art» in Cologne (1981), «A New Spirit in Painting» in London (1981), and «Zeitgeist» (1982) in Berlin.

Fetting participated in numerous influential exhibitions, including: Zeitgeist (1982) at the Martin - Gropius - Bau Berlin; Von hier aus Zwei neue deutsche Kunst in Düsseldorf, Messe Düsseldorf, (1984), An International Survey of Recent Painting and Sculpture at the MoMA, New York, (1988); Refigured Painting — The German Image 1960 — 1988 at the Guggenheim Museum, New York (1989); and Portrait Now, National Portrait Gallery London, UK (1993).