In his paintings, sculptures, and installations, German artist Thomas
Zipp draws on historical, religious, and scientific discourses and conflicts, emphasizing what he describes as «the weirdness of mankind.»
I also lingered around a personal favorite, Thomas
Zipp's array of small canvases and
drawings hung atop a reproduction of Pollock's The Wooden Horse: Number 10A, 1948 (at Guido Baudach).