Sentences with phrase «abjection in»

In fact there's a good deal of abjection in «Like Life,» as if the curators» aim was as much to shock, disconcert, and repel — gratuitously — as it was to illuminate a byway of sculptural history.

The show accompanies and expands on the London - based artist and writer's novella Virus, also published by Arcadia Missa, and follows the Stupart's concerns with gender, language mutation and abjection in a «virulent and embodied critique of sexism and structural violence in art and artworlds.»

These almost always feature his Turbosquid avatar, «Dave,» who enables him to delve into issues of language and abjection in digital media (Turbosquid is a website that sells stock 3 - D digital models).

Her latest book is Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature (2014).

Her paintings and sculptures may be knocked - about as well as knockabout, but there is a great deal of personal abjection in them.

, The Creators Project, July Rees, William, «Yuri Pattison: user, space», this is tomorrow, July Parson, Elly, «Blurred Lines: Yuri Pattison questions the viability of live / work spaces», Wallpaper, July Thorne, Harry, «Network Control», Frieze, July Piejko, Jennifer, «Art Basel and Liste», Art Agenda, June Fattori Franchini, Attilia, «Yuri Pattison», Kaleidoscope, Issue # 26, Winter 2015 Herbert, Martin, «British Art Show 8», Frieze, November Dell, April, «Abjection in the Digital Age at Import Projects», BerlinArtLink, September Bondi de Antoni, Alexandra, `'» Abjects» examines the vulnerability of the real world in the digital age», i - D, September Sherwin, Skye, «10 Artists You Should Meet», 10 Magazine, August Nettel, Michaela, «Yuri Pattison: «There needs to be more knowledge sharing within the London art community», www.a-n.co.uk, July van der Heide, Bart, «Yuri Pattison», interview, Mousse # 49, June 2015 Bondi de Antoni, Alexandra, «cosmos carl», i - D, June Pattison, Yuri, «The Crypt of Civilization 1940 — 2015 ---------8113», commission, Art Papers, May Joel, Dean, «Morphing Overnight», this is tomorrow, April Guggenheim, Katie, Sleek Magazine No. 45, Spring 2014 Khan, Nora N., «Free Traveller at Cell Project Space», DIS Magazine, November Grace, Banks, «Installations, installations and... installations», Elephant Frieze Review, October Dixon, Tim, «Yuri Pattison: Free Traveller» review, this is tomorrow, October Thorpe, Harriet, «Yuri Pattison: Free Traveller», Studio International, October Benson, Louise, «Free Traveller» interview, POST Matter, www.postmatter.com, September Hothi, Ajay, «Lonely Arts», Art Monthly # 379, September Rochat, Jeanne - Salomé, «colocation, time displacement» feature, Novembre Magazine # 9, Spring 2014 Archey, Karen, «RELiable COMmunications» cover feature & interview, Art Papers, May / June Robertson, Adi, «Reliable Communications» turns Soviet message boards into online art», The Verge, www.theverge.com, March Luke, Ben, «Web of Intrigue», The Art Newspaper Number 254, February Kay, Jean, «An Interview with Yuri Pattison», www.aqnb.com, January 2013 Davidson, Laura, «Traveling Through Layers: Yuri Pattison and his Leakers», www.rhizome.com, Jan 2012 Davies - Crook, Susanna, Yuri Pattison: Faraday Cage, interview, www.dazeddigital.com, March Nairne, Eleanor, «Yuri Pattison» focal - plane review, Frieze # 145, March 2011 Bailey, Stephanie, «Yuri Pattison, focal - plane» critic's pick, Artforum, December Symester, Chantelle, «Yuri Pattison: Focal - Plane» interview, www.dazeddigital.com, December

Not exact matches

Masterful performances abound, though it's the brutalized women who come out on top in spite of their abjection.

Today, in the face of abjection and solitude, his heart said: «No».

Over the course of thirty years, Miller has produced a diverse body of work that, in addition to figuration, addresses language, valuation, social hierarchy and abjection.

He is too deep in abjection.

Mana Contemporary's Middle East Center for the Arts (MECA) and Umm el — Fahem Gallery are pleased to present a private viewing of Textile — Territory — Text, a group exhibition that examines concepts of identity, belonging, abjection, and exile in contemporary textile art works by Middle Eastern artists, with a special one - night only performance.

«Throughout a night without images but buffeted by black sounds; amidst a throng of forsaken bodies beset with no longing but to last against all odds and for nothing; on a page where I plotted out the convolutions of those who, in transference, presented me with the gift of their void — I have spelled out abjection.

Through video, she examines painting and other visceral acts connected with associations of desire and abjection placed on female bodies in culture, and opposed to associations of power and virility placed on male bodies.

By exploring the dichotomies of abjection / beauty, abandonment / care, and destruction / creation, each painting gives the viewer a sense that these peculiar objects were found in their decayed but colorful state rather than made, allowing them to fluctuate anachronistically between the historical and the contemporary.

His current body of work is a series of «painthings,» formal sculptural objects made exclusively of paint; these objects play with ideas of representation in abjection to conventional hegemony of the image.

In the three years since her last solo exhibition at the gallery, Rafferty has been pushing forward her dialogue with materials and strategies of making while continuing to engage themes that have been preoccupying her in her work to date: mid - to late - 20th - century media culture and the proliferation and subsequent impoverishment of imagery that has arrived in its wake; tropes of performance and comedy; and the theatricalized, often female, body, with its simultaneous centrality and abjectioIn the three years since her last solo exhibition at the gallery, Rafferty has been pushing forward her dialogue with materials and strategies of making while continuing to engage themes that have been preoccupying her in her work to date: mid - to late - 20th - century media culture and the proliferation and subsequent impoverishment of imagery that has arrived in its wake; tropes of performance and comedy; and the theatricalized, often female, body, with its simultaneous centrality and abjectioin her work to date: mid - to late - 20th - century media culture and the proliferation and subsequent impoverishment of imagery that has arrived in its wake; tropes of performance and comedy; and the theatricalized, often female, body, with its simultaneous centrality and abjectioin its wake; tropes of performance and comedy; and the theatricalized, often female, body, with its simultaneous centrality and abjection.

These hybrid, sometimes monstrous forms speak to the artist's recurring interest in physical and psychological transformation, as well as pageantry, perversion, and abjection.

For once, in an art world that worships the casual gestural sketch, these are predominantly complex, skilful and ideas - based drawings, weaving witty, disturbing or powerful fantasies about aesthetics as well as abjection.

The tense ambiguity lingering in that expression provides an appropriate metaphor for Michaël's work, characterized as it is by subtle symmetries of stunning beauty and disturbing abjection, humor and despair, strength and fragility.

Bradford's paintings invoke Romanticism in their large scale and in the fluctuation between passages of beauty and abjection, disgust, or horror.

Two silk - screened posters — advertising pieces by Otto Muehl — and seven deliciously goofy kid - style images by Dieter Roth show Wool to be less of a painter and more of a designer of sassy graphics in which Midwestern cleverness rubs shoulders with Eurotrash abjection and both are passed off as urbane sophistication.

Abjection, preservation and the link between violence and representation are central themes in this exhibition.

As Weber writes in the catalogue, the painting alludes to Jasper Johns but also, in its abjection, to Mike Kelley's Janitorial Banner (1984); some observers at the time seized on it as a «feminist gesture.»

The shorthand term for it is abjection, a deliberate immersion in the gross - out anarchy associated with youth culture.

He embraced it all, though selectively, in the same way he did modern art, paying attention to Abstract Expressionism's appetite for color; to Joan Miró's soft - porn blobs and curves; to Joseph Cornell's blend of adorableness and abjection.

Interior and exterior, public displays and private activities, transcendence and abjection, containment and leakage: these seeming opposites exist in an uneasy, evocative alignment in Swartz's work, informing and transforming one another.

Aspects of surrealism and abjection are paired with his anxious building of topographical textures with acrylic paint; he insists that his figures seemingly remain in state of primordial becoming.

In Untitled, Albert Oehlen subverts the authority of the avant - garde, creating an abstraction of dumbed - down abjection.

That same year, there were two other exhibitions that examined ideas of failure and abjection — this category of «loser art» as it was called, which was beginning to emerge — Just Pathetic at Rosamund Felsen Gallery in Los Angeles and Work?