Focusing on indigenous cosmologies, post-military spaces, and syncretic religions from the Caribbean, Santiago Muñoz borrows techniques from performance, film, visual ethnography, and anthropology, to document specific communities and public sites in order to generate her own
bricolage - an alternative story
about a popular Haitian market, or a newly discovered archeological site in Puerto Rico.
Her distinctive digital
bricolage investigates investigates an ongoing conversation
about vanity, personhood, and beauty through the lens of the internet.