Sentences with phrase «about documenta»

A book about her dOCUMENTA (13) installation: Nalini Malani: In Search of Vanished Blood with essays by Carolyn Christov - Bakargiev, Arjun Appadurai, and Andreas Huyssen was produced by Hatje Cantz last year.
What makes the earlier analogy confusing to me now, and possibly obsolete, is the fact that this year, the uncontested highlight of Art Dubai, which ran through the third week of March, was actually a conversation about Documenta, which brought Catherine David, Okwui Enwezor, and Adam Szymczyk — artistic directors of Documenta 10 (1997), Documenta 11 (2002), and Documenta 14 (forthcoming in 2017), respectively — to the stage of the Global Art Forum, the fair's annual talks program.
But what about Documenta 14?
I just found the article by Timothy Francis Barry about documenta 14 in the July / August issue of the Brooklyn Rail.
Otis Graduate Public Practice Studios at 18th Street Art Center As part of a new programming collaboration 18th Street Arts Center andOtis Graduate Public Practice program co-present a discussion about dOCUMENTA (13), featuring local artists and curators who attended the international exhibition held this past...
As part of a new programming collaboration 18th Street Arts Center andOtis Graduate Public Practice program co-present a discussion about dOCUMENTA (13), featuring local artists and curators who attended the international exhibition held this past summer in Kassel, Germany.

Not exact matches

His contribution to Documenta 14, the prestigious international exhibition in Kassel, Germany — and this year also in Athens — is the slyly subversive «Whispering Campaign,» featuring performers who walk the streets of both cities, confiding in strangers the artist's elliptical yet biting aphorisms about race and color.
A fair chunk of Documenta's 37 million euro budget (about $ 40 million) has gone into nearly bankrupt Greek art organizations, which you can think of as an artsy stand - in for the eurozone transfer payments that Germany continues to resist.
His contribution to Documenta 14, the prestigious international exhibition in Kassel, Germany — and this year also in Athens — is the slyly subversive «Whispering Campaign,» featuring performers who walk the streets of both cities, confiding in strangers the artist's elliptical yet biting aphorisms about race and color from his word - based «Skin Set» drawings.
1 Theaster Gates, «Statement» in Theaster Gates: 12 Ballads for Huguenot House, Museum of Contemporary Art, Chicago and documenta (13), 2012, p. 23 2 Gates quoted in the information package about the project prepared by Kavi Gupta Gallery, Chicago, 2012
Plus: Art made in Guantanamo declared US government property Activists complain about «profanation» of July Column in Paris Artists sign second open letter in defence of Documenta and recommended reading
Art & Language have participated in numerous group exhibitions, including «Conceptual Art in Britain: 1964 - 1979», Tate Britain, London, UK (2016); «Before Normal: Concept After Concept», Museet for Samtidskunst, Roskkilde, Denmark (2014); «Invisible: Art about the Unseen 1957 — 2012», Hayward Gallery, London, UK (2012); «Sound of Music», Turner Contemporary, Margate, Kent, UK (2009); dOCUMENTA 10, Kassel, Germany (1997), dOCUMENTA 7, Kassel, Germany (1982), the Xème Biennale Internationale d'Art, Palais de L'Europe, Menton, France (1974).
During my studio visit with dOCUMENTA (13)'s curator, Carolyn Christov - Bakargiev, we talked about Paul Klee's drawing Angelus Novus and Walter Benjamin's essay «On The Concept of History.»
Etel Adnan So I was telling you about what happened to me after I was invited to Documenta 13 as a painter.
ML I once heard this art - world urban legend about Joseph Beuys: when he was in Kassel installing 7,000 Oaks at Documenta 7 in 1982, he used to drive his Mercedes part of the way to the Fridericianum, and then take his bike out from the boot and cycle the rest of the way!
For Baghramian, whose work is currently included in Documenta's Athens section and will be seen later this year at Skulptur Projekte Münster and the Walker Art Center, these bizarre objects are about the relationships between people and systems.
For example, for dOCUMENTA (13) Büttner produced a film about nuns in a religious order who operate a stall at an amusement park in Rome and formulated a theory of smallness, humility, reserve and simplicity.
2012 Les référents, Galerie Edouard - Manet, Genevilliers, FR Architektonika 2, Hamburger Bahnhof, Museum für Gegenwart, Berlin, DE When Attitudes Became Form Become Attitudes, CCA Wattis Institute for Contemporary Arts, San Francisco, USA Invisible, Hayward Gallery, London, UK DOCUMENTA (13), Documenta, Kassel, DE Invisible: Art about the Unseen, 1957 — 2012, Hayward Gallery, Southbank Centre, London, UK Foreigners everywhere, works from the Pomeranz Collection, Jewish Museum, Vienna, AT
Has make several publications and dissertations about Contemporary Visual Art, Art Circuit, Public Cultural Founds, Artistic Imaginary an Social Imaginary in magazines (Documenta 12 Magazine, Esfera Pública, Salon Kritik, Artenlinea, ArteyCritica and Revista Plus.)
6.9.17: Michel Auder at documenta 14 - «Documenta 14 Struggles to Make a Statement about Our Uncertain Times,&raqdocumenta 14 - «Documenta 14 Struggles to Make a Statement about Our Uncertain Times,&raqDocumenta 14 Struggles to Make a Statement about Our Uncertain Times,» Artsy
Given the fact that he hasn't shown any substantial amount of work in the States for about two decades — aside from a few group shows, art fairs, and his inclusion in the famously identity - politics - focused 1993 Whitney Biennial, where he showed a series of weapon - like wall sculptures (dealing with notions of surveillance, the police state, militarization) that were pieced together with vintage gun parts, carved branches, and coyote bone among other sundry items — «At the Center of the World» was a rare treat for countless artists, curators, and critics who could only follow Durham from afar while his work continually appeared abroad at august venues like the Venice Biennale, Documenta, and galleries and museums across Europe and Latin America.
After meeting at dOCUMENTA (13), Longe and I spoke about his experiences in Kassel working with an array of participating artists, artistic director Carolyn Christov - Bakargiev, and of his overall opinions on the 100 - day exhibition.
He invited me in 1997 to co-organize the theater program of documenta X. I had already worked as an intern at the Portikus with Koenig (on shows devoted to Wolfgang Tillmans, Andreas Gursky, and Boris Mikhailov) and as an exhibitions assistant at Dia in New York, so I was knowledgeable about contemporary art.
While her improvised, thrift - store DIY aesthetic smacks of the populism of this year's Whitney Biennial and her global themes and global identity (she is a black South African woman and an international artist) should have made her a shoe - in for Documenta XI, Rose's videos are ultimately as much about her art practice — a fine combination of video, performance, and photography — as about any «issue» of identity or globalization.
She's also nominated for her contribution to the Documenta 14 exhibition in Athens, including a film about mother - and - daughter artists in self - imposed exile in Guatemala.
Proposing wind at the Kassel dOCUMENTA, producing a remake of one of the key scenes in Julian Schnabel's biopic about Jean - Michel Basquiat, presenting sealed boxes whose contents are seemingly described by texts on the wall, associating images, captions and comments in a discursive style..., art — and in particular that art whose favorite subject is art itself — is, for him, a huge playground where the right thing to do is to redefine constantly the rules in order to play new games.
More recent works, about the wars in Iraq and Afghanistan and the deaths caused by American drones, have won Mr. Fast attention at the Documenta festival in Germany, at the Venice Biennale and at the Whitney Biennial in New York, where in 2008 he won the $ 100,000 Bucksbaum Award.
This time out he and Paul talk about the context of publishing, Documenta, and what Paul has been up to since 2010.
With a BFA in sculpture from the Rhode Island School of Design, he has written about, continuously participates in, and is recognized by the visual art world, as demonstrated by his recent inclusion in the 2012 dOCUMENTA (13) with his Letter to Bettina Funcke as part of the event's 100 Notes — 100 Thoughts book series.
dOCUMENTA (13) is about the immediacy of experience, yet it is replete with mediating texts from the over 500 - page guidebook to the 100 Notes — 100 Thoughts, published as pamphlets in the year leading up to the exhibition and then collected in the Hatje Cantz publication The Book of Books.
Common Cause Artforum International; May 1, 2012; Schambelan, Elizabeth; 700 + words ELIZABETH SCHAMBELAN TALKS WITH CAROLYN CHRISTOV - BAKARGIEV ABOUT DOCUMENTA 13 ELIZABETH SCHAMBELAN: As artistic director of Documenta 13 this summer, you've chosen not to organize the exhibition around a single theme or concept.
Carol the coach is interviewing Paul Ginocchio who is a licensed marriage and family therapist, the producer and a recovering sex addict about his new documenta
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