I really like your posts and talks
about Social objects it fits well into a lot of themes I'm working on.
The same is true
about social objects.
Talent should read everything from Hugh, and to get you started, here are my two favorite links — one on creativity and the other
about social objects.
-LSB-...] Side note: Biker Jim's cart is a real life example of what Hugh MacLeod means when he talks
about social objects.
Hugh Macleod also makes a great argument
about social objects being the future of marketing.
MacCleod's first essential point
about social objects is that» social networks form around social objects, not the other way around.»
It's not the first time I write
about social objects or social currency on this blog, but in the case of -LSB-...]
Johnnie Moore, my frequent collaborator on All Things Evil, makes a good point
about Social Objects:
-LSB-...] since Hugh Macleod spoke to
me about social objects, and pointed me towards what Jyri Engestrom had written, I've been fascinated by the concept.
-LSB-...] Rangaswami, musing
about social objects and why social objects are created by our stories, lives and shared experiences, not the -LSB-...]
Kind of goes against a lot of what you say
about social objects and making real connections and whatnot.
HI I am reading
about Social Objects and cant understand why we need some jargon word for what is «the topic of conversation»
7/24/17 Editors Note: This post has been updated to be one central place with all you need to know
about Social Objects!
-LSB-...] Hypothesizing
about Social Objects Posted on November 1, 2010 by tdoyon Leave a comment The reason why we speak to each other and form social networks is to discuss, collaborate on, and share Social objects.
I'm gonna have to go into your archives and dig up some posts
about social objects now that you've provided this intro.
Go back to what I said in my last post
about Social Objects:
[Afterthought:] As I'm fond of saying, nothing
about Social Objects is rocket science.
And I just happened to write a post
about social objects over at Geek Estate Blog.
The interesting thing
about the Social Object is the not the object itself, but the conversations that happen around them.
Not exact matches
The principle constituting this universal
social practice is itself meta - ethical, in the following sense: the
social action prescribed is explicitly neutral to all moral disagreement.4 On the face of it, one might
object, a prescription of universal rights can not be explicitly neutral to all such disagreement because it is not explicitly neutral to disagreement
about the principle itself.
I am a passionate Darwinian in explaining why we exist,... but if we lived our lives in a Darwinian way, that would be a very unpleasant society in which to live... One of the reasons for learning
about Darwinian evolution is as an
object lesson in how not to set up our values and our
social lives».
Other results showed my brain getting very active over the
social policy questions — probably because I strongly
object to mixing religion with such issues as abortion and homosexuality — and relatively quiet when I was asked
about God's being angry or loving.
A new series of studies by academics at Royal Holloway, University of London and at University of London College found that people who have
social power are strongly influenced by internal body cues stemming from their motor system when making judgements
about preferences of paintings,
objects, movements or letter sequences.
These
objects and a unique burial of a woman from East Yorkshire provide the chance to learn
about the values of the
social elite of Iron Age Britain and the evidence provided by graves.
-LSB-...] instructions, simple concise descriptions, business cards, and, if we want to get fancy with it,
social objects, are all ways to make sharing easier for those who want to talk
about us.
In other words, it suddenly becomes a cultural
object (i.e. a
social object that articulates the company culture), as opposed to just a usual piece of commercial, «Here's - why - you - should - give - us - your - money» messaging (You know, the kind that nobody actually cares
about).
I'd suggest there's also a variable here
about positive v negative that you should think
about before quitting that job [Bonus Link] US News & World Report: «Selling in a Post-Meatball Era - The quest for «
social objects» that create their own Web buzz.»
Good luck with the «Jesus Christ is a
social object» line It does seem to beg the question
about whether
social objects can be entirely abstract, and whether they need to have common (socially defined) meaning.
And as you two share a late - night cab back to her place, you're thinking
about how Saul Bellow is the
Social Object here.
Old, traditional advertising was all
about creating messages for the media, not
about creating
social objects for the people using the media.
And yes, you talked, however briefly,
about Brand X. All these things you talked
about, an anthropologist would call «
Social Objects».
-LSB-...] traditional advertising was all
about creating messages for the media, not
about creating
social objects for the people using the -LSB-...]
-LSB-...] such platforms where bare bone discussion groups formed around common interest topic areas or
social objects where you could make yourself heard without worrying too much
about identity, reputation, -LSB-...]
-LSB-...](fans / followers) to evolve and grow, they need something to get excited
about — the»
social object» or as Simon Francis (CEO of Saatchi & Saatchi) calls it «lovemark».
A business card is not just a
social object; it's a form of schwag, if you think
about it.
-LSB-...] was interesting
about the door handle was it became a sort of
social object when one individual mentioned «how much they liked the handle» it inevitably started a -LSB-...]
She'll only talk
about it if it serves as a
Social Object.
Hugh talks
about the power of business cards as
social objects.
All these act as
Social Objects within a social network of people who care passionately about the
Social Objects within a
social network of people who care passionately about the
social network of people who care passionately
about the stuff.
-LSB-...] serious
about building their personal brand should read up on
social objects.
As y ’ all will know, I'm fond of talking
about «
Social Objects» and how they pertain to «Marketing 2.0».
Plus, if we can get people talking
about these things, they become
social objects in their own -LSB-...]
So at the London Jaiku geek dinner last Tuesday, I asked him
about the connection between
Social Objects and its correlation with Malinowski's «Kula» [Malinowski was the father of modern Anthropology, by the way].
And if you think
about it like this, it becomes OBVIOUS that we need
social objects for relationships to other people, because if we have no
social objects, we just have nothing to talk
about.
Instead of first focusing on traffic, think
about how you can create value and get my attention through
social objects.
When I get your attention with a relevant
social object, you're more likely to tell others
about it or click the share button.
By re-appropriating American culture through found
objects, she questions
social, political and cultural issues
about sex, gender identity and marginalized groups.
These hundreds of
objects that looked like framed, matted, fields of painted blackness, worked as neutral, «generic signs» that might inspire the viewer to think
about the
social expectations that constructed the «idea» of a painting,» more than the actual painting itself.
By reducing paintings to mere signs of themselves, McCollum turned the gallery and the museum setting into a kind of theater, highlighting the drama of presenting, displaying, buying and selling, exchanging, photographing, assessing, criticising, choosing, and writing
about the works; the
object - paintings at the center of the action were purposely rendered moot, in order to turn one's attention to the supplementary devices and
social practices that, in the end, bestow the value on the work.
The Malaysian - born, London - based artist uses the overly precious setting of the gallery space to pull
objects — cooking utensils, kitchen fittings, plastic tubs, sheets of jute, etc — out of their utilitarian context in such a way as to force viewers to think
about them as discrete
objects, or things in and of themselves, while in the process challenging the assumptions we make
about their functionality and attendant concerns such as, for example, the
social status of the person who might own such an
object, its role in their lives and that relation in respect to one's own style of living.