Not exact matches
I just watched the
movie «September Dawn» where on 9 - 11 many Americans lost their lives to this
cult and I spoke with my Son
about this
movie where they believe by killing gentiles (anyone not a mormon) that they are saving us, and we can go to the planet kolob and be a god.
Even after The Disaster Artist gave his own story and his
cult - classic indie film The Room — largely regarded as the worst
movie ever made — new prominence, little is known
about where he comes from or who he truly is.
Speaking
about the film recently in Los Angeles, Cera — who in this film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany
cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the film, the stretching Cera had to go through for the role, and the way in which the film's hyperkinetic action sequences are really just the same as the dance scenes in Grease or a Gene Kelly
movie.
For example, there is more than you could ever want to know
about the machine that inspired the game - theorising computer in the
cult teen
movie War Games.
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The disaster artist is
about the making of the
cult movie «The Room», so you should see that first instead to appreciate «The Disaster Artist» better.
An insufferable, self - conscious
cult movie, The Chumscrubber smugly heaps on half - baked ideas
about media violence, the homogeneity of suburbia and the disintegration of the American family.
I can definitely see why this is one of those
cult movies - it has that realistic vibe to it and basically talks
about really serious things, but at the same time it has comedic elements and even though you feel disgusted with all the narcotics and heroin they are taking, the
movie draws you in with it's storyline
I can definitely see why this is one of those
cult movies - it has that realistic vibe to it and basically talks
about really serious things, but at the same time it has comedic elements and even though you feel disgusted with all the
The Disaster Artist is based on Greg Sestero's best - selling tell - all
about the making of Tommy Wiseau's
cult - classic disasterpiece The Room («The Greatest Bad
Movie Ever Made»), and stars James Franco, Dave Franco, and Seth Rogen.
The picture is based on Greg Sestero's best - selling tell - all
about the making of Tommy Wiseau's
cult - classic disasterpiece The Room («The Greatest Bad
Movie Ever Made»).
In the vein of Tommy Wiseau's» The Room» comes» Dangerous Men», a
movie the distributor no doubt hopes will become a
cult classic thanks to the obvious lack of quality on screen and the narrative
about the behind - the - scenes personality who made it.
I, along with several friends, used to write
movie reviews daily
about cult films that would tickle our odd fancy.
Filmmaker Sean Durkin, whose most significant credit was the art house
movie about a woman escaping a
cult, «Martha Marcy May Marlene,» is reportedly set to direct.
While
cult films range from campy science fiction to highly graphic horror
movies and just
about everything in between, there are a few characteristics that most
cult films share:
The 1971
cult hit «Harold and Maude» is the best
movie about an affair between a suicidal teen and an 80 - year - old woman ever made, thanks to Ruth Gordon and Bud Cort.
Not content to just make a
movie about the end of the world, or the bisexual frolics of American collegegoers, or masked
cult devotees murdering students on campus, Araki has gone and merged them all together in the form of Kaboom.
Not content to just make a
movie about the end of the world, or the bisexual frolics of American collegegoers, or masked
cult devotees murdering students on campus, Araki has gone and merged them all together in the form of
This is a true story
about the making of THE ROOM — the
cult classic described as the «Citizen Kane of bad
movies».
The film, directed by and starring Franco, is
about the making of the infamously bad
cult movie «The Room.»
Within six months, the film was premiering at Cannes, beginning a year - long whirlwind that culminated in the film's immediate
cult status on its release back in the spring, and has put Saulnier (who also served as the
movie's stellar DP) on just
about everyone's one - to - watch lists.
Based on Greg Sestero's best - selling tell - all
about the making of Tommy Wiseau's
cult - classic disasterpiece The Room («The Greatest Bad
Movie Ever Made»).
But The Disaster Artist will be compared more easily with Tim Burton's wonderful Ed Wood,
about a similarly clueless would - be Orson Welles who succeeded in making Plan 9 from Outer Space, another indescribably bad
movie - turned -
cult sensation.
Drew's Review: In case you were wondering, yes - I decided that immediately after a «2009 in Review» article all
about how I never go to the
movies anymore and have reconnected with older
cult films, my first review of 2010 would be of a
movie currently in theaters.
They certainly had good reason to be optimistic: The
movie is a genuine crowdpleaser
about Wiseau's unlikely saga from Hollywood outcast to
cult hero.
It took writer John Hodge and director Danny Boyle 20 years to cook up a sequel to «Trainspotting», one of the most talked
about movies of the 90's and a
cult classic.
When it begins Thursday night with a story of international rivalry and
cult - of - hothead - personality (tennis drama «Borg / McEnroe» with Shia LaBeouf as John McEnroe)-- and continues over the following 10 days with
movies about race, environmentalism, globalism, feminism and politics — TIFF will engage with the current moment as few cultural events do.
Writer / director Michael Dougherty has given
movie buffs everywhere a gift, not just in terms of crafting an excellent film (one that's assuredly destined for
cult classic status), but in granting us the opportunity to surprise the hell out of all of our friends on Halloween night with a trippy little horror flick that they know nothing
about.
Franco directs himself, his brother, Dave Franco, Seth Rogen, Judd Apatow, Zac Efron, and Alison Brie, in what appears to be a pretty darn good
movie about the making of a very bad
movie, Tommy Wiseau's 2003
cult favorite, The Room.
Before the internet and YouTube, the ways that you became informed
about cult cinema was from reading books, fanzines, and watching some beat up VHS copies of the
movies.
Despite horrendous reviews, word
about the
movie's awfulness spread around Los Angeles and the film quickly became a
cult classic, complete with Rocky Horror-esque traditions at midnight screenings.
Her comedic delivery, heart and spirit spill over the frames; she is far and beyond the best thing
about this
movie, and if it manages
cult - classic status, she's the one to thank.
This little gem features American treasure and all - around genre cinema maestro John Carpenter discussing his 1988 sci - fi / action / horror
cult classic They Live, going into detail
about such things as the conceptual ideas behind the
movie's premise, his casting of professional wrestler «Rowdy» Roddy Piper as the protagonist, and the rebellious inspiration for the film's infamous fight scene between Piper and the great Keith David.
Ryan Downey talks to brothers John Erick and Drew Dowdle
about their insane new action
movie No Escape, which is destined to be a
cult classic.
A woman drops her robe, but we only briefly see her back and shoulders; a man is seen naked on a bed with a pillow covering his private parts (check the
movie's trailer if you want to preview this) and a short reference is made
about a person being conceived during a
cult ceremony (it is vaguely implied that the mother may have been raped).
Summary Capsule: Okay, so there's this ultimate
cult movie about transvestites and musical numbers.
James Franco directed and starred in this
movie about the making of The Room, which has gained
cult status as one of the worst
movies ever made.
I vividly remember when word began to spread, in the loose community of
movie and culture bloggers of which I was then a part,
about the 2003
cult phenomenon The Room, a self - produced and self - distributed
movie that was the vanity project of an enigmatic figure by the name of Tommy Wiseau.
The Disaster Artist, a film
about the making of Wiseau's doomed The Room, a
movie so bad and weird it became a
cult hit.
The San Saba County native told a story
about shooting the
cult movie «Rolling Thunder» in Texas and how, while he has shot many pictures in the State, that one stayed with him.
No, the strange thing is that The Disaster Artist probably wouldn't be so good if the
movie it's
about, the 2003
cult film The Room, weren't so bad.
But getting a chance to watch the entire trilogy
about mutant babies b y
cult horror director Larry Cohen is a really fun B -
movie experience.
This
cult favorite TV
movie about a mentally challenged man who's wrongfully killed by a lynch mob while dressed as a scarecrow and seemingly returns from the grave for revenge smartly keeps things low key but still manages to deliver (non-explicit) thrills, buoyed by the scene eating of perennial love - to - hate - him bad guy Charles Durning.
We thought
about giving this story a catchy headline like «Ten
Movies You Must See Before You Die This Fall,» but then if you took that too literally you wouldn't be around to see how we did — which of our picks ended up getting Oscar love, which would clean - up at the box office, and which were destined for an eternity of
cult adoration.
The clear precedent for Franco's project is Tim «Speaking of Bad
Movies» Burton's Ed Wood (1994),
about the cheapo 1950s
cult filmmaker Ed Wood (played by Johnny Depp), whose ingenious sense of trash was a source of inspiration for Burton himself.
James Franco's
movie about the worst
movie ever made — which became a beloved
cult classic — will join Terrence Malick's latest and others at the 2017 SXSW Film Festival.
5:45 p.m. — 6:45 p.m.: THE DISASTER ARTIST»S JAMES FRANCO AND DAVE FRANCO Actor - director James Franco and his brother, actor Dave Franco, join Vulture Festival to discuss their new film, The Disaster Artist,
about the making of the modern
cult - classic The Room (known to its many fans as the greatest bad
movie of all time).
film as director (or co-director) will be The Disaster Artist,
about the making of the 2003
cult film The Room, regarded as the «worst
movie ever made.»
by Walter Chaw John Hough's
cult favourite The Watcher in the Woods is a
movie about how a camera presents a point - of - view and of how that point - of - view, if it's not attached to a specific identity, can become menacingly voyeuristic; shame that The Watcher in the Woods isn't also
about a story with characters in whom you're interested and performances that don't set teeth on edge.
When talking
about cult classics and midnight showings, few
movies have the fans of The Rocky Horror Picture Show beat.