Sentences with phrase «about abstract painting»

Then, one day, I was thinking about abstract painting again.

We all know about abstract painting in which color and line are each other's best friend.

I think the really exciting thing about abstract paintings, those that are really good, is they vary in what they tell you and how you respond to them.

Specifically how it seemed to describe something true about the abstract paintings she created.

It's great to hear a young artist speak so frankly about abstract painting that is accessible.

What is important about abstract painting is an idea.

How do you make a documentary about abstract painting?

I am sure an intelligent discussion about abstract painting can still happen and it would be very helpful.

Levy Gorvy Gallery co-founder Brett Gorvy discusses art in Asia, and talks about an abstract painting by Willem de Kooning, «Untitled XII,» that was snapped up on opening day at Art Basel Hong Kong.

-LSB-...] «Painting Too, at Harrington Mill Studios, forms part - two of a duo of shows about abstract painting, demonstrating that, to quote its curator David Manley: «current abstraction is in rude good health».

It encourages us to entertain several questions about abstract painting today: What are contemporary abstractionists holding onto?

Jennie Jieun Lee is known for her evocative, visceral ceramics composed of organic freely thrown forms, encased in layers of oozing glaze; often times bringing forth conversations about abstract painting in relationship to the history of ceramics.

• For information about abstract painting, see: Homepage.

Golden Age features three groundbreaking essays about abstract painting by Lane Relyea, David Geers, and Gregory Sholette, plus newly published postscripts by the authors.

Then, one day, I was thinking about abstract painting again... Then, suddenly, I abandoned the figure altogether.»

The work still feels small and unassuming, but it helps me remember why one ever cared about abstract painting in the first place.

The Danish book «Mal for Sjov» (Paint for Fun) includes Marilyn Kirsch as one of three artists presented as an inspiration to children learning about abstract painting.

I was chatting with someone about abstract painting and contemporary art and, intending to say «post-modernism» it came out as «post-Mondrianism»

In the little temporal space in - between celebrating the success of Truth to Power and the stress of the upcoming new projects, I speak to the artist about abstract painting and trauma.

It is not quite a year ago that I wrote about the abstract paintings and watercolors of Stephen Mueller.

«There is a lot of discussion these days about abstract painting; its resurgence, relevance, and continued validity.

Since earning her MFA from Stanford University in the 1980s, Jil has actively taught, published and lectured on her ideas about abstract painting.

Ann Knickerbocker blogs about abstract paintings seen recently in San Francisco including works by Indira Martina Morre, Teo Gonzalez, Judith Foosaner, Patrick Wilson, Marilyn Levin, Lora Fosberg, and Reed Anderson.

Jeff Elrod -(pictured above) After a disastrous train wreck of a lecture at the Modern Art Museum of Fort Worth in 2009, I started to think differently about his abstract paintings that are part elegant monochromatic gestural works and part nostalgic elegy to early digi - art, a commentary on the tensions between the physical and the virtual in the 21st century.

• For more about abstract painting, see: Homepage.

Rather than pure abstraction, this series of large - scale canvases are antonyms of the abstract — each is a study or story telling device about abstract painting.

I had a terrific time with Joan Waltemath, Raphael Rubinstein (who has a new article about abstract painting underway), Jennifer McCoy, Archie Rand and so many other interesting artists.

All that stuff about abstract painting... like the Malevich paintings are outer space paintings, like this weird idea that the place to be is in outer space with nothing else around, and that's what's really great and abstract.

Also, for example, in thinking about the distinction between abstract painting and representational painting, in my case, there have been many works about abstract painting, which look like abstract paintings, but which are more clearly, to my mind, representations of abstract painting; or else they share equally the identity of abstraction and representation.

I could imagine the Washington show opening the mind of anyone still skeptical about abstract painting's artistic genuineness.

At a time when abstraction is regarded in certain quarters as a dated style, the exhibition promises to raise fundamental questions not only about Frankenthaler's career but about abstract painting as a whole: Does abstraction have any meaning today?

But what about abstract painting?

Abstract part 2, a spirited show of small, colorful work at Marcia Wood Gallery through January 18, continues the conversation about abstract painting begun with its predecessor, abstract part 1.

In previous shows, I was loosely alluding to those things but primarily talking about abstract painting.

Painting Too, at Harrington Mill Studios, forms part - two of a duo of shows about abstract painting, demonstrating that, to quote its curator David Manley: «current abstraction is in rude good health».

It is a particularly tough question about abstract painting, because iconography, through which meaning and intention are found, is missing or concealed.

• For information about abstract painting and sculpture, see: Homepage.

He appears more interested in thinking about abstract painting than in advancing it, but all his work presumes some familiarity with its issues.

Levy Gorvy Gallery co-founder Brett Gorvy discusses art in Asia, and talks about an abstract painting...

If we were talking about abstract painting she could discuss the major abstract painters of Yugoslavia in the Fifties.

Youthful memory: the first time some jerk, upon overhearing talk about abstract painting, held up a blank sheet of paper and jokingly claimed, «Look, it's a landscape in a snowstorm.»

And good though this work is, the thing that still nags me about abstract painting — not just Hilde's, by any means — is its lack of capacity for deep space, and the variety and tension of «near and far», of three - dimensions resolved in two, which seems so critical to the more ambitious expressions of figurative painting.

But still, what is it about abstract painting reduced to a (almost) single color, small in size, with exposed canvas and a relatively thin surface?