Sentences with phrase «about abstract painting in»

We all know about abstract painting in which color and line are each other's best friend.

Jennie Jieun Lee is known for her evocative, visceral ceramics composed of organic freely thrown forms, encased in layers of oozing glaze; often times bringing forth conversations about abstract painting in relationship to the history of ceramics.

Not exact matches

And in their talk about an abstract show, called The Painted World, the students are concerned with how the art — and the world — makes them simultaneously laugh and learn.

Austin, TX About Blog Local Austin abstract artist specializing in large oversized and commissioned paintings.

About Blog Ellie Harold paints representational and abstract landscapes in oil.

Think about Mad Men — the abstract painting that is installed up in the executive's office.

The essay «Painting and Countenance» is, as is much of my writing on painting, discursive by nature, an attempt to try to find another way to speak about painting beyond the overbearing arc of formal judgemental criticism, which has been, and continues to be so detrimental to any meaningful debate around painting, especially abstract painting in this Painting and Countenance» is, as is much of my writing on painting, discursive by nature, an attempt to try to find another way to speak about painting beyond the overbearing arc of formal judgemental criticism, which has been, and continues to be so detrimental to any meaningful debate around painting, especially abstract painting in this painting, discursive by nature, an attempt to try to find another way to speak about painting beyond the overbearing arc of formal judgemental criticism, which has been, and continues to be so detrimental to any meaningful debate around painting, especially abstract painting in this painting beyond the overbearing arc of formal judgemental criticism, which has been, and continues to be so detrimental to any meaningful debate around painting, especially abstract painting in this painting, especially abstract painting in this painting in this country.

-LSB-...] «Painting Too, at Harrington Mill Studios, forms part - two of a duo of shows about abstract painting, demonstrating that, to quote its curator David Manley: «current abstraction is in rude good healthPainting Too, at Harrington Mill Studios, forms part - two of a duo of shows about abstract painting, demonstrating that, to quote its curator David Manley: «current abstraction is in rude good healthpainting, demonstrating that, to quote its curator David Manley: «current abstraction is in rude good health».

Through Aug. 16, 2014 Mark Bradford at White Cube Hong Kong Known for his abstract, layered collage paintings, Los Angeles - based Mark Bradford is presenting «a series of new works about Hong Kong that explore structures of power and politics through the lens of urban planning, in the world's most densely populated city.»

In previous shows, I was loosely alluding to those things but primarily talking about abstract painting.

In my mind, that's still abstract painting; it's not really about....

And as early as 1943 the principal tenet that was to distinguish the new abstraction from earlier, pre-war abstract art was clearly formed, as evidenced in a brief «manifesto» of the rising movement crafted by Mark Rothko, Adolph Gottlieb, and Barnett Newman for The New York Times in response to a negative review of the new style: «There is no such thing as good painting about nothing.

The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.

I think the skeptics, at least over the past five years or so, were proven right with regard to the artists who are making abstract paintings that are perfect for the way they are consumed: They make a lot of them, there's a green one and a blue one and a pink one, and you can collect them all like toys in a Cracker Jack box, which is what they're all about.

About five years ago, the artist Gabriel Orozco started printing colorful stickers that mimic the geometry of his abstract paintings: semicircles and quarter - circles in red, gold, white and blue.

We can say that it is abstract, non-objective, about colour and form and our perception of those things, but we live in an age of plastic, so much more baggage to look at paintings with.

The disappointment about the exhibition is that it was very quiet and if you don't have a real interest in abstract painting you would lose interest really easily.

As our eyes wander about in one of her paintings, we become aware of the breadth and depth of Bates» vision, and of her bold attempt at designing a new, non-art-historical, abstract painting.

In the little temporal space in - between celebrating the success of Truth to Power and the stress of the upcoming new projects, I speak to the artist about abstract painting and traumIn the little temporal space in - between celebrating the success of Truth to Power and the stress of the upcoming new projects, I speak to the artist about abstract painting and traumin - between celebrating the success of Truth to Power and the stress of the upcoming new projects, I speak to the artist about abstract painting and trauma.

Since he already knew about abstract expressionist painting (Willem de Kooning had had his first show) he began painting in that tradition, informed with what Hofmann had taught about forming.

We wondered, not just about the choice to paint the figure and landscape in the face of the abstract expressionist juggernaut, but, considering this crew, the essence of masculinity at this time in history.

Ryman was intrigued by the abstract expressionist works of Rothko, de Kooning, Still and Pollock and became curious about the act of painting and began experimenting in 1955.

Furthermore, although his paintings are emphatically abstract (in fact, he believes in the historic inevitability of abstraction), they are not about the relationships of formal elements such as color, shape and line.

He wants to subvert the standards of judgment integral to our understanding of abstract painting, while being committed to the act of making... He is interested in — to use his own words — perversely cultivating the tenuous relationship between «creative seeing» and the randomness of nature without becoming explicit... By finding ways to foreground his conflicts about painting, while also expanding its definition, Burckhardt has become one of the most interesting artists of his generation.»

Talking about his latest works McDermott said, «In the Sonnet Paintings, I have tried to depict the abstract with clarity... The paintings possess a photographic quality but what they depict is not ever obviouPaintings, I have tried to depict the abstract with clarity... The paintings possess a photographic quality but what they depict is not ever obvioupaintings possess a photographic quality but what they depict is not ever obvious.»

This insecurity about cultural signifiers filters through into much of our «abstract» painting as well, which feels compelled to reference the Australian landscape in order to deliver meaning.

There have been persistent murmurs in the art world about the imminent (market) demise of the so - called Zombie Formalism movement, a kind of colorful, undemanding type of abstract painting that's commanded astronomical prices for the past few years.

Assuming that my perceptions of Anne Smart and John Pollard's paintings have any accuracy, a comparison between my account of their work and Pollock's reveals that an enormous shift in thinking about abstract art has taken place.

Simultaneously cynical and sincere about the role of painting in society, I cull marks from many histories in abstract painting.

enamel paint and metallic powders on archival paper 10.5 x 8.5 inches in 20 x 16 inch matte abstract work on paper, small abstract, colorful abstract work on paper, soft colors, light blue, purple About the artist: Bruce Weldon Murphy was born and raised in Tyler, Texas.

THIS PAST NOVEMBER, to kick off a panel discussion about the exhibition «Oranges and Sardines,» curator Gary Garrels asked Amy Sillman — one of the six artists participating in the show — to «describe the situation of abstract painting today.»

«When I paint an abstract picture,» Gerhard Richter has said, «I neither know in advance what it is meant to look like, nor, during the painting process, what I am aiming at and what to do about getting there.

Whatever you may think about this critique of current tendencies in abstract painting, it seems that all is not well in the world -LSB-.....]

AMCDThinking about your work in its entirety, it is very interesting to me that you work simultaneously on both the portraits and your more abstract works, in the case of this exhibition that would be the Dome paintings.

Pablo Aravena shot a this short film about painting letter and abstract graffiti in an abandoned factory near Barcelona.

Asserting that abstraction «is always about something... what it is about is beyond confines of language,» Sarah Braman creates abstract geometric sculptures and paintings on pieced - together plywood panels, in which she simultaneously foregrounds the formal qualities of her materials while referencing home, family life, and nature.

Now, as the latest in our series of interviews around Phaidon's new Vitamin P3 compendium of contemporary painting, Artspace's Loney Abrams spoke with the ambitious curator — and P3 nominator — about the political and economic dimensions of abstract painting, the pre-digital canvases of Thomas Bayrle, and what he's discovering about the medium's direction while assembling the 2018 Triennial with fellow curator Gary Carrion - Murayari.

Although she doesn't paint abstracts Audrewy Kawasaki always strikes me as very effeminate, in part because of her subject matter, but it's also how she goes about presenting and rendering things.

In this excerpt, Julian Jebb interviews Francis Bacon about his contemporaries in the art world, his working practices and his personal philosophies, such as his belief that true abstract painting is nothing more than «lyrical, charming and decorative»In this excerpt, Julian Jebb interviews Francis Bacon about his contemporaries in the art world, his working practices and his personal philosophies, such as his belief that true abstract painting is nothing more than «lyrical, charming and decorative»in the art world, his working practices and his personal philosophies, such as his belief that true abstract painting is nothing more than «lyrical, charming and decorative».

I think abstract paintings are always confrontational in the sense that people have to make sense of them, so while you can see it on just a formal level and appreciate the colors and the shapes and so forth, at the same time you have to think about what they may signify, which always makes the audience ill at ease.

Speaking of the figurative aspect of works that largely appear abstract, Kim has said, «I love a good abstract painting, but I'm often not interested in what people talk about when they talk about abstraction, so I prefer to apply my own content.»

Based on the thoroughness of these class notes, and also on the syllabuses for the Asian art courses that Reinhardt took from Alfred Salmony at the IFA in the late 1940s, the essentializing of Reinhardt's published essays was intentional, part of a larger strategy to promote his own ideas about contemporary abstract painting by means of paintings from a foreign past.

Something about aluminum as a painting surface is suited to the kind of abstract painting Solomon does: energetic, hastily applied brushwork that is thick in some places and as thin as a wash in others.

I'm thinking about artists like Jack Whitten, who is now being recognized for his pioneering investigations in abstract painting or Carmen Herrera, who is having her first show at the Whitney this fall at the age of 101.

KSWithout belaboring that «end of painting,» I guess one of the things that interest me about that work of David's, and it's the same thing I see in yours, is that it holds together the abstract and the pictorial, the process and the image, in a way that I also see in Georg Baselitz and other people.

Their fractured, planar, abstract approach to depicting 3 - dimensional subject matter on a 2 - dimensional canvas ushered in new ideas about representation and vision, irrevocably altering what painting could be.

(Photograph of the artist in his studio in New York City, c. 1960) About the Artist: In the 1960's, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract paintinin his studio in New York City, c. 1960) About the Artist: In the 1960's, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract paintinin New York City, c. 1960) About the Artist: In the 1960's, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract paintinIn the 1960's, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting.

In Forms 1, irregular, roughly geometric forms in four loose columns situate themselves on a grey ground, which looks as though it may be comprised of many layers of other colours in order to arrive at the richness of the final colour... Here, Parsons does not take some real world starting point and abstract from it in the process of representation, rather she invents by pushing the paint about on the canvas until forms suggest themselveIn Forms 1, irregular, roughly geometric forms in four loose columns situate themselves on a grey ground, which looks as though it may be comprised of many layers of other colours in order to arrive at the richness of the final colour... Here, Parsons does not take some real world starting point and abstract from it in the process of representation, rather she invents by pushing the paint about on the canvas until forms suggest themselvein four loose columns situate themselves on a grey ground, which looks as though it may be comprised of many layers of other colours in order to arrive at the richness of the final colour... Here, Parsons does not take some real world starting point and abstract from it in the process of representation, rather she invents by pushing the paint about on the canvas until forms suggest themselvein order to arrive at the richness of the final colour... Here, Parsons does not take some real world starting point and abstract from it in the process of representation, rather she invents by pushing the paint about on the canvas until forms suggest themselvein the process of representation, rather she invents by pushing the paint about on the canvas until forms suggest themselves.

Ann Knickerbocker blogs about abstract paintings seen recently in San Francisco including works by Indira Martina Morre, Teo Gonzalez, Judith Foosaner, Patrick Wilson, Marilyn Levin, Lora Fosberg, and Reed Anderson.

With each brushstroke, she pushes back against the status quo, inserting herself into a larger dialogue about signification in contemporary abstract painting.