Sentences with phrase «about air movement»

It is unlikely that engineers will be able to do much about air movement around power lines, of course.

Not exact matches

«His work in philosophy forms part, and a very important part, of the movement of twentieth - century realism; but whereas the other leaders of that movement came to it after a training in late - nineteenth - century idealism, and are consequently realistic with the fanaticism of converts and morbidly terrified of relapsing into the sins of their youth, a fact which gives their work an air of strain, as if they cared less about advancing philosophical knowledge than about proving themselves good enemies of idealism, Whitehead's work is perfectly free from all this sort of thing, and he suffers from no obsessions; obviously he does not care what he says, so long as it is true.

«If you think about the typical refrigerator and the air movement within the fridge, warmer air typically rises higher,» Koppel said.

Pfister and a nationwide scientific team expect to learn more about the sources, chemistry, and movement of air pollutants this summer when they launch a major field experiment known as FRAPPÉ along Colorado's Front Range.

He talks about doing like little air squats or like little mini push - ups before he has a Carbohydrate - rich meal because he's trying to upregulate the Glut4 receptor sites doing some resistance movement before he consumes the Carbohydrates.

Using only body movements, players explore Benjamin Muldoon's mansion; an eerie abode populated by fiendish phantoms that looks to have an air of Grabbed by the Ghoulies about it.

Davies explains with eye - opening precision just how very hazardous to our health toxic waste, air pollution, and pesticide use are, and what the growing environmental health movement is doing about it.

However, the popular nature of plein air movement seems a double - edged sword; more people now care about landscape painting but on the other hand the work often suffers from being geared toward mass consumption.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

NOWHERE do they talk about AIR PRESSURE, vertical air movement is once mentioned where they state that water vapour rises etc.; no explanation is given whether or not the barometric equation is used (it is, in the models; it assumes hydrostasis and we KNOW that the atmosphere is not hydrostatic!)

over many iterations)-- in this section he discuss the 100 km square gaps -LCB- specifically mentioned at about 46:00 -RCB-(i.e., cell size)-- e.g., to analyze air movement, the cell would need to be, per Komogorov microscale, 1 mm (aersols even smaller, microns)-RRB--- in climate data, at about 44:00 His discusses the fact that even IF the basic equations were known, there isn't enough time since time began to calculate even just a TEN — year forecast, even at super-fast speeds it would take approx. 10 to the 20th power years (the universe is only 10 to the 10th power years old)-RCB-

Sidorenko tells about the factors that affect Earth's rotation, both that short term variability is largely due to changes in the atmospheric air movements and ocean currents, and that the decades - long fluctuations have another source, speed of drift of the lithosphere.

«This heat map of a test room clearly shows the stratification effect created by a convection heater when there's little air movement in the room: the yellow bar at the ceiling represents about 22 °C, the purple bit (where your cold feet would be) about 14 °C.»

Those who insist on the potential for a large - scale, populist movement to bring about significant change often point to the first Earth Day, when 20 million people took the streets and brought about the passage of the Clean Air Act, the Clean Water Act, the Endangered Species Act, not to mention the formation of the U.S. Environmental Protection Agency.

The movement of air around the earth from high pressure to low pressure is what brings about winds.

Though that sounds a bit like the simple green steps sort of thinking so prevalent in the new wave of the green movement of a few years past, the changing of the self talked about here goes deeper than that, is of a fundamentally different nature — even if some of the things in the change your lightbulbs, air dry your laundry, make sure your tires are properly inflated vein are surely useful in their own way.

It started with the sanatorium movement, where buildings were designed to provide what was about the only thing that cured tuberculosis: rest, fresh air, and sunlight.

I don't know how much energy is in the movement of air but it struck me that, even though they royally suck as an energy solution and are about as energy - efficient as a BLT with mayo, a few windmills dotted around can pluck quite a bit of energy out of the air.