The film's inability to give us a reason to care
about any of the characters involved is its major downfall, since if we don't care whatsoever about any of these four miserable individuals, why would we want to learn about them?
Not exact matches
If Jesus existed (and that is not a given since his name means «salvation,» he's probably an allegorical
character), and if the stories
about his visit to Jerusalem early in the reign
of Pontius Pilate are true, he died because he was an anti-Roman insurgent, probably
involved in a Zealot uprising over the use
of the Temple treasury to finance the construction
of an aqueduct.
Am I the only one noticing that even the half - apologies and criticisms
of Julie or
of this forum generally are tending to prove the point and provide additional evidence
about what was going on and the
character of those
involved?
We then have a major section on Ayesha, who is later impersonated by one
of the prostitutes, the whores
of «The Curtain,» and from that impersonation the reader is given full details
of Ayesha's strong - willed
character, and the scandal
involving her and an apparently innocent young man, Safwan, who rescues her on a desert trail only for idle tongues to wag
about their alleged secret conduct.
This reprobate
character is known not only through an individual's own experience with himself as he struggles with impulses too strong for his own strength to overcome, but also through his observation
of the world
about him, a world in which evil and its works are so terribly apparent, and in whose operations he is so inextricably
involved.
What is deeply troubling
about tragedy is that it
involves more than our individual will to action, or our intellects; it
involves character flaws so grave that they permeate the actions
of complete families and whole communities.
This is Greek historical writing at its concise best, elaborating the facts simply whilst working in a wealth
of information
about all the
characters involved.
In that volume, given the
character of the Principia, one may assume that projective geometry would have been developed first, and then geometry as most people know it,
involving propositions
about comparative lengths and
about congruence
of various figures, would have been deduced.
And yes your faith is just as assailible as any other facet
of character you want to
involve in ruling the nation, if you do nt want to talk
about it then stop bringing it up.
My earliest memories
of Tosca Cafe
involve clouds
of cigarette smoke, too much Fernet, and the kind
of characters Tom Waits writes songs
about.
Tuchel will be welcomed all day, he ticks almost all boxes for us passionate, tactical, attractive football most
of all we need amanager who is actively
involved with game shouting and demanding from by line.we need a manager who will instill
character and spine who reads the game and make changes not waiting till the 70th min like we used to.players will have to prove them selves give 100 % and not be judged by a name tag either you perform or NOT.I'd like to see all our players given achance to prove them selves equally have afeeling
about one lucas perez given a chance he'll flourish do nt understand why he has been isolated.but what do we know??
Granit Xhaka was only
involved in two
of those comebacks as he did not feature in the Carabao cup win over Norwich City, but he was one
of the Arsenal stars who spoke after the Swansea game
about the
character of the Gunners, Sky Sports reports.
Surely you must have family, or friends or been
involved in activities or events that have captured the essence
of who you are — in that moment, among family or friends or colleagues... For me, a picture tells me a lot
about you — your personality, your
character and who you are when you're around others.
The problem I have with so much writing
about screenwriting is that it is often only
about structure (Syd Field's plot points; the Hero's Journey, etc) without a lot
of understanding
of the nuances
of character, tone, et al
involved.
We hear
about creator Bob Kane's work and that
of others who followed him, facets
of the
character and others
involved in the series, Batman in other media like movies, radio and TV, and changes and evolution in all these areas over the years.
Much
of the second act
involves a
character having to leave the cage to grab something and worrying
about the shark appearing out
of nowhere.
It feels timely, given what we know and don't know (but reasonably suspect)
about real - world Russian interference in American politics and democratic institutions, but even those occasional diversions are always presented in the pursuit
of examining how these
characters wield power — through sex or, in a couple
of tough and extended scenes
involving torture, violence.
Weir employs a great deal
of character touches and at least half
of the film is
about the men and their dealing with each other, putting the plot
involving the French warship aside.
The bit in question
involved about six
of the film's young cast members, and I imagined each
of their
characters as I spotted them — the voluptuous, dark - haired Slut; the porcelain Ingénue; the hunky Boyfriend.
I'm kind
of a curmudgeonly sort
of fellow who runs a bookstore and
involves myself in her growing relationship with Jason Sudeikis»
character, a journalist who's looking into writing a biography
about Rebecca's husband, a very talented musician.
(Consider also the film that would yet nobble it
of a Jury Award, João Pedro Rodrigues» Morrer Como Um Homem [To Die Like a Man]: early on in that overesteemed, if beautifully lensed, potboiler, a discussion
about the merits
of sex reassignment surgery occurs while one
of the two trans -
characters involved deliberates over whether to buy some orchids... Always with the fucking orchids!)
These one - on - ones all follow the same pattern: Garlin arrives at a
character's house or workplace, stands around awkwardly while they do weekday improv workshop material, and then learns some kind
of secret
about the
character; more often than not, the secret
involves a controlling woman.
What did they tell Stephen Root
about his
character when getting
involved and was he a fan
of the show?
As per usual, not much is known
about the Euro - set movie, except that it will
involve a supporting
character who is a psychic
of some kind... and also, a concierge.
While in the final cut this scene was drastically reduced to mere seconds as part
of a montage (which just worked in benefit
of Ferrell's
character), it was a great way
of realizing
about the amount
of improvisation that was going on in the set, as the cast and the director changed lines, added jokes (there was one
involving Steve Irwin) and even visual gags (i.e. Ferrell imitating the manta rays).
The morning after the movie's TIFF premiere, RT sat down with Stan to talk
about his Five Favorite Films and love
of complex
characters, along with the challenges
involved in playing Harding's infamous ex-husband and doing this stranger - than - fiction true story justice.
But what initially seems to be just a literary framing device, tying the film we're
about to see to A.A. Milne's original tales, turns out to be a much more
involved conceit, as Pooh and the other
characters talk back to the narrator and the actual words on the page
of the book often become part
of the story.
The biggest problems with the film
involve the way it sometimes feels «tacky», almost as if he doesn't care that we know these sets are fake, because at the end
of the day it's
about knowing these
characters, not believing that they really recreated old New York.
With Avengers: Infinity War ending the way it did, it's no surprise why Marvel Studios has been keeping virtually everything
about Avengers 4 under wraps, from the mysterious title to the plot to the roles
of the
characters involved.
One is that Infernal Affairs made the bad mole (represented by Damon's
character) more conflicted
about what he was doing, leading to a level
of complexity
involved as to whether or not he was really helping or hurting his crime boss during each scene.
Not surprisingly, several key moments (a major conflict
involving a surveillance camera, another concerning a prospective boat buyer, and so on) are swiftly left in the wake
of mounting improbabilities — in the hope, I guess, that you'll forget
about them as completely as the
characters do.
There's the arrest
of a contact that Rusty and incognito Danny are
about to meet, a foretelling covert encounter between Benedict and a shrouded driver, Eddie Izzard's
character's assistance
of Livingston, and a disposable joke
involving Turk's employment at the Asian restaurant.
It's rare that a game teases as many mysteries as HDZ and actually has satisfying answers at the end, both to the wide questions
about the world
of the game and at a personal level for the
characters involved.
Third, at least one
of the actors
involved gets plenty
of screen time — Daniel Radcliffe, who plays the
character this movie is all
about.
Perhaps all would be forgiven if M: i: III were competently - directed (while M: I - 2 is one
of the stupidest films ever made, as John Woo is one
of the best action directors
of the past twenty - five years, damn if it's not beautiful, coherent, auteurist stupidity), but it's a glassy - eyed, dead thing complete with superfluous flashbacks to events we don't care
about involving characters we don't recognize, an interminable party sequence in which Cruise trots out his smile like it was a weathered, beaten - down trophy wife, and a smug, self - congratulatory conclusion full
of high - fives, victory arms, and shit - eating grins.
In it we see the animatronics
involved with some
of the new creatures, we see glimpses
of Laura Dern and Benicio Del Toro's mysterious
characters, and at the end the late Carrie Fisher says: «It's
about family.
Chris Pine may be the second oldest actor to play the role
of Tom Clancy's semi-iconic
character, but he's definitely the most youthful in spirit, playing Ryan as a happily eager upstart who has qualms
about getting
involved in the field.
Always at his best as a
character involved in the process
of defining his place in a broken family dynamic (a plight closest to his own peculiar family experience), Nicholson's turn as Schmidt is as affecting an everyman for the aging new millennium as his disaffected Robert Dupea was for roughly the same generation
about thirty - two years ago.
A pivotal sequence
involving a wounded soldier left inconsolable after discovering that his girlfriend has married another man, speaks volumes
about the judgmental attitudes that misrepresent Veronika's
character in the eyes
of society.
In the interview, Pete talks
about some
of his favorite movies he recommends to friends, the evolution
of the project over the years, how he got
involved as a director, his vision behind the stark contrast between the beautiful, almost photo realistic backgrounds and the cartoony
characters, a scene from the film that I felt was a homage to Jaws, the 1400 kid search for the main star
of this film, how directing the voice actors for the English version
of Miyazaki's Ponyo helped him in making this film, and find out who directs Peter Sohn when he performs in his own film.
In the recently completed Sleeping Beauty, her most controversial film to date (which polarized audiences at this year's Cannes Film Festival), her
character works in a kind
of high - end prostitution that
involves no sex but requires her to be fondled by strangers while in a sedated state — until curiosity
about what happens to her while she is «sleeping» gets the better
of her.
While so much is being made
about the gruesome scene
involving the main
character and a mother grizzly bear, the images I can't get out
of my mind are landscapes, frozen waterfalls, and the ambitious decision only using natural light to provide an even further authentic experience.
It follows this learning journey: - Inferring key information
about the
character of Lady Macbeth from picture clues; - Identifying and ordering the key events in the text in which Lady Macbeth is
involved; - Understanding her role in the rise and downfall
of Macbeth; - Comparing and contrasting between her
character and the expected role
of women at the time the play was written; - Analysing Shakespeare's development
of Lady Macbeth as a key
character throughout the text; - Evaluating the learning in the lesson.
It
involves making sense
of the text, knowing the meaning
of words and how they fit together in a sentence, remembering the sequence
of events and main ideas, knowing
about typical
characters and their traits.
The student who forgets to do her book report or math problems as homework may get absorbed in a learning project that
involves interviewing a grandparent for social studies (interpersonal), taking pictures
of animals in the neighborhood for an ecology unit (spatial - naturalist), or writing a song on an electronic keyboard
about a
character in a short story (musical).
I've been a Clive Barker fan since middle school and when I saw that this book
involved two
of my favorite Barker
characters, I decided to see what other readers were saying
about it.
«Somewhat anemic
characters, a silly subplot
involving the autobiography
of a yeti, and a lack
of trenchant observations
about human nature may disappoint those expecting the high quality
of Smith's No. 1 Ladies» Detective Agency series.»
Without a lot
of action, the novel is driven by complex and convincing relationships, and reading
about the
characters» cares and perceptions is quite
involving.
This
involves your editor advising you on what is and isn't working with your storyline, your
characters, the structure
of your narrative — just
about anything and everything, really.
X-Ray lets you see more
about the
characters involved in the part
of the book you're in.