Sentences with phrase «about artworks in the exhibition»

Each pack includes a sketchbook to use during your visit to the RA and at home, as well as a pack of cards bursting with drawing activities and information about artworks in the exhibition.

Not exact matches

While one team at United Talent Agency is working to develop a feature - length motion picture about Kurt Cobain's life, Mr. Roth is planning to «create a touring exhibition that really tells the story of who Kurt was through artworks, personal artifacts and memorabilia, sort of like what the Rolling Stones did in London.»

Chisenhale Gallery, 2 pm exhibition tour with David Bussel and Céline Condorelli Freelance writer and curator David Bussel joins Céline Condorelli in a tour of the exhibition, using the artworks as a platform to talk about her practice and interests.

Join one of our Museum Guides for a conversation about the provocative artworks on view in Nothing Stable under Heaven, SFMOMA's current exhibition on Floor 7.

Cheryl Sim, curator at DHC / ART talks on their blog about the kind of artworks that will be featured in this exhibition.

Published three times a year, this beautiful full - color magazine offers behind - the - scenes insights, previews of upcoming exhibitions, features about the artworks in the Museum's permanent collection, and interviews with some of the top artists working in the US today.

Each with his or her own distinct sensibility, these artists have been brought together in this exhibition to determine whether nationality can be read through images, and what may be distinct about English artwork.

Learn about the artworks in our current exhibitions.

In 2002, Gagosian Gallery, New York, mounted an exhibition of about 45 sculptures, paintings, drawings and other artworks by 22 artists shown at Ferus during its 10 - year lifetime.

For pictures and information about Jonas Wood's artworks in the exhibition, please use the blue arrow to the right...

When we research artwork or other objects and we find information about you in sources such as newspaper articles, exhibition catalogues, public auction results, or one of our contacts gives us feedback in relation to objects or persons they have been told about.

«After more than 20 years of staging exhibitions around the world, my husband said he thought it was about time we do something permanent in Milan,» Miuccia Prada said on a recent afternoon, sipping tea in a conference room at her office near the new site, a spare space with just one artwork, Gerhard Richter's «Five Doors,» dramatically consuming an entire wall.

For pictures and information about Alex Israel's artworks in the exhibition, please use the blue arrow to the right...

For pictures and information about Martine Syms» artworks in the exhibition, please use the blue arrow to the right...

For pictures and information about Rodney McMillian's artworks in the exhibition, please use the blue arrow to the right...

For pictures and information about Paul McCarthy's artworks in the exhibition, please use the blue arrow to the right...

An article in the Gallery Guide on Friday about art galleries on the Upper East Side of Manhattan, including the Craig F. Starr Gallery, where an exhibition of paintings by John Baldessari is on view, misstated the city in California depicted in some of his artworks.

For pictures and information about Robert Irwin's artwork in the exhibition, please use the blue arrow to the right...

For pictures and information about Henry Taylor's artworks in the exhibition, please use the blue arrow to the right...

After exploring modern and contemporary artwork throughout Kemper Museum, and learning about how to select and display artwork in an exhibition, participants will create miniature pieces of art to display in their own miniature art exhibition!

The artworks included in this small, focused, survey exhibition encourage conversations surrounding indigenous cultural practices such as mark - making and mapping; visual representations of settlement and expansion; and depictions of changes to the landscape brought about by colliding cultures.

Learn about Glyndor Gallery exhibitions on a tour led by Wave Hill's Curatorial Fellow.Avifauna: Birds + Habitat features artworks that delve into the relationship between birds and their habitats — from the role birds play in propagating plants to changes in how natural and built environments affect migration patterns.

Presented for the first time in 1995 at the Serpentine Gallery in London — and in varying iterations in Paris, Copenhagen, and New York from 2015 on — the exhibition grew out of a series of conversations between curator Hans Ulrich Obrist and artist Christian Boltanski about the need to rethink how artworks are shown.

The hosts are always available for conversations with our visitors, and will answer all questions whether it is about the current exhibitions, specific artworks or contemporary art in general.

Luckily we're small (33 artists), so we can't cover every base, and in being small we are specific about comparisons and juxtapositions — it is explicitly a group exhibition that mixes artworks by different artists.

Documents relating to John Biggers» work as an artist and arts advocate include planning and promotional material from a number of public exhibitions of Biggers» work as well as handwritten research notes on African art; financial documents about loans and sales of his work; artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University in Houston.

The exhibition is based on a series of inversions and infiltrations: from transposing how the work of art is viewed in a collector's private home into a public space to physically shifting and personalizing the sometimes passive viewing experience of a museum; from recreating aspects of the domestic interior to choosing artworks that speak about the psychic interior to new works that intentionally blur the relationship between abstraction and décor.

Information about the artist and artworks in the exhibition Animal Sculptures in Marble by Jane B. Armstrong, March 12 — April 2, 1978 at the Dallas Museum of Fine Arts.

Discuss artwork in the current exhibitions and learn about the history of the Museum.

According to Angela Nichols, Director of Programming & Exhibitions at the Hudgens, «I had studio visits with all of the Finalists to talk about what they would be including in this exhibition, and I'm so excited for what they are presenting individually, and for how those artworks will come together as a collective experience for the viewer.»

Involuntarily charged with a pedagogical dimension — by the simple fact of taking place in a college's gallery — The Times Square Show Revisited presented the floor plans of the original exhibition, reinstalled the souvenir shop (though not functioning), and presented photo, audio, and video documentation alongside artworks from about forty of the more than one hundred artists featured in the original exhibition.

In speaking with Daderko about the show, we talked about the jump in number, the exhibition's resulting constellations of diverse and intergenerational artists, the mix of materials and media, and how all of the artworks relate to what we see happening in Texas, and in the world, todaIn speaking with Daderko about the show, we talked about the jump in number, the exhibition's resulting constellations of diverse and intergenerational artists, the mix of materials and media, and how all of the artworks relate to what we see happening in Texas, and in the world, todain number, the exhibition's resulting constellations of diverse and intergenerational artists, the mix of materials and media, and how all of the artworks relate to what we see happening in Texas, and in the world, todain Texas, and in the world, todain the world, today.

Such a joint approach of production and theory transforms About Practice into a series of exhibitions focused on the notion of concept, its role and position in the artwork as an intrinsic consequence of constant activity that develops its own theory as it unfolds.

Each artwork in the exhibition tells a story about how our physical and psychological environments are shaped by current climates, whether social, political or environmental.

I followed Robert Chamberlin's artwork for about a year when his solo exhibition at Miller Yezerski opened in January 2016.

In answer to questions about an artwork's appearance they created newfangled forms, such as Donald Judd's early wall objects in 1962, which were neither paintings nor sculptures; or Dan Flavin, who opted for fluorescent tubing instead of conventional painting or sculpting media; or Fred Sandback, who saw the partition of a space as a sculpture; or Michael Asher, who intervened in the material conditions of the exhibition space; or indeed Lawrence Weiner, who described his works in a range of materials linguisticallIn answer to questions about an artwork's appearance they created newfangled forms, such as Donald Judd's early wall objects in 1962, which were neither paintings nor sculptures; or Dan Flavin, who opted for fluorescent tubing instead of conventional painting or sculpting media; or Fred Sandback, who saw the partition of a space as a sculpture; or Michael Asher, who intervened in the material conditions of the exhibition space; or indeed Lawrence Weiner, who described his works in a range of materials linguisticallin 1962, which were neither paintings nor sculptures; or Dan Flavin, who opted for fluorescent tubing instead of conventional painting or sculpting media; or Fred Sandback, who saw the partition of a space as a sculpture; or Michael Asher, who intervened in the material conditions of the exhibition space; or indeed Lawrence Weiner, who described his works in a range of materials linguisticallin the material conditions of the exhibition space; or indeed Lawrence Weiner, who described his works in a range of materials linguisticallin a range of materials linguistically.

Drawn entirely from the museum's collection, this exhibition features a painting and print by Hedda Sterne in context with nearly 100 artworks by 50 women, dating between 1945 and about 1970.

afterlife, Julie Ault's first exhibition at Galerie Buchholz, expands from her contribution to the 2014 Whitney Biennial and, in Ault's words, «unites artworks, artifacts, texts, and publications as equivalent participants in a conversation about disappearance and recollection.»

Gazelli Art House presents I, Cyborg, curated by Will Corwin, a group exhibition featuring UK and US based artists who are cognisant of the position of the human in relation to its new place as an increasingly hybridised and unified entity and creating artwork about this transition.

Beautifully designed, with over 100 colour images including photographs of artists working in their studios and key artworks, this is a must - have publication for anyone enthralled by or curious about the exhibition.

In addition to the dense hanging of artworks, posters, and other archival materials, along with an area to read books and watch videos, the exhibition features four town - hall discussions to examine pressing concerns about city life now.

In artworks that balance political impact with aesthetic grace, the exhibition directly and imaginatively addressed the situation of people around the world who have been deprived of their freedom for speaking out about their beliefs — people like Ai himself.

Free and open to the public, the curator talks provide an excellent opportunity to learn more about the artists and artworks featured in the SELECT 2015: WPA Art Auction Exhibition.

We will share a little about the artist's biography and inspiration, and details about a key artwork in the exhibition.

The exhibition is based on an ongoing conversation between thetwo curators, who for over a decade have exchanged research about artists, artworks, and the overall development of the art world from Mexico to Argentina and the many countries in between.

That same year, the museum's nationally influential traveling exhibition, Bearing Witness: Contemporary Works by African American Women Artists, inspired the staff to define its mission: The Spelman College Museum of Fine Art is the only institution in the nation that specifically highlights artwork by and about women of the African Diaspora.

About The Artist Linda Hesh lives in Virginia and is known for her public interactive artworks as well as exhibition work.

Learn more about history, the artistic process, and themes in selected artworks in the Kehinde Wiley: A New Republic exhibition with a free augmented reality smartphone experience.

In advance of the upcoming exhibition at The Barnes Foundation, Renoir: Father and Son / Painting and Cinema, May 6th through September 3rd, 2018, the Plastic Club presents the opportunity to learn about the Barnes - de Mazia Education program and the relevance of Renoir's artwork in the art collectioIn advance of the upcoming exhibition at The Barnes Foundation, Renoir: Father and Son / Painting and Cinema, May 6th through September 3rd, 2018, the Plastic Club presents the opportunity to learn about the Barnes - de Mazia Education program and the relevance of Renoir's artwork in the art collectioin the art collection.

Curated by intern Alexandra Cirelli, Contemporary Urban Life combines artworks from gallery artists at Susan Calloway Fine Arts for an exhibition about life in the «big city.»