Sentences with phrase «about audio production»

I don't know anything about audio production and really didn't want to learn.

He brings a haunting story, «And So Will I Remember You...» We talk with him about audio productions, acting, and, of course, books.

Not exact matches

Not only did I do extensive research and consult with other top professional reviewers (you can read more about that below), but I also hold a bachelor's degree in both music performance and audio production from Ithaca College.

The result was about two dozen professional writers and editors brainstorming for two full days about story ideas, writing techniques, audio and video production, and assignment and deadline management.

Learn more about living a sustainable lifestyle by viewing one of these free audio / video productions:

Tim Lucas delivers another exemplary audio commentary about a Jess Franco production, covering every significant aspect of The Diabolical Dr. Z's production history.

Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.

Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.

Extras: New audio commentary featuring critic Tony Rayns; new video essay on the film's symbols and references, featuring scholar James Steffen; new interview with Steffen detailing the production of the film; «Sergei Parajanov: The Rebel,» a 2003 documentary about the filmmaker, featuring him and actor Sofiko Chiaureli; «The Life of Sayat - Nova,» a 1977 documentary about the Armenian poet who inspired «The Color of Pomegranates»; an essay by film scholar Ian Christie.

First up we have an audio commentary track with director John M. Chu and producer Lorenzo Di Bonaventura, which delivers tons of great information about the production.

The full - length audio commentary with Ruzowitzky is interesting enough, boasting a generous supply of anecdotes about the production and some of the director's thoughts on translating real events into screen material (and inventing a few), but it feels like the 90 - year - old Burger is the real star of the fairly generous slate of extras, almost all of them only in SD.

On the audio commentary, McKay estimates that the production shot 1.5 million feet of film and then everyone has a laugh about the fact that Apocalypse Now only shot about 1.25 million.

Of course, we learn a lot about the effects, but we also find info about cast and performances, shooting on location and dealing with weather, real tornadoes and research, story and characters, music and audio design, and a mix of other production topics.

Leading the pack is an audio commentary by director Ron Howard that is both informative and insightful, while the in - depth making - of featurette covers all of the usual details (casting, production design and costumes) as well as a few behind - the - scenes stories about the cast regarding their work on the film.

Sure, it's nice to discover little tidbits about the film (like how production design was based around the concept of a Victorian Tokyo), but where's our audio commentary with the cast and crew, not to mention a more comprehensive making - of documentary?

He is very bullish about audiobooks and said they are doubling down on production and ensuring that all of their new titles are converted to digital audio, to meet demand for the product.

It took a number of years for publishers to digitize their front and backlist to make them compatible with e-ink readers and the same amount of time for them to get serious about getting the production studios in place for digital audio.

We also talk about cover design, audio book production, and a first on the Rocky Mountain Writer — none other than Siri barges her way into the conversation.

I have radio production experience and was wanting to start my own audio publishing company, but i was worried about the financial aspect to start and how income is made.

And after everything I read about Podium's pedigree, accolades and reputation, I felt comfortable forgoing the profits (if any) I might gain from handling the audio production myself and instead entrusting the responsibility to experts who were asking nothing from me except just that: trust.

Total costs involved for this book come to about $ 5,000 (a big chunk of that of course is audiobook narration and production, but I think the costs are worth it to be in audio.)

The ins and outs of audiobook production, how the various compensation schedules work, how there's more out there than just ACX, and things to think about BEFORE you dive into audio.

The Swedish publishers who saw what was about to happen in audio early on, and who increased their audiobook production at the beginning of 2014, have seen huge growth.

I have a lot of experience producing audio voice tracks for commercials, and I think many writers who want to create audiobooks would benefit from learning about the relatively simple audio production process.

In our monthly look behind the scenes on the audio production of a recently released or upcoming game, John Broomhall speaks to Ninja Theory's Tom Colvin and SCEE's Garry Taylor about the making of music and sound FX in Heavenly Swordâ?

Probably the best part about AAC is the sky - high production values that make up the graphics and audio.

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