Sentences with phrase «about biennial exhibitions»
Her graduate dissertation about biennial exhibitions was titled «From the Center to the Periphery: Mapping the Global Shift in Biennials».
http://www.thechimneynyc.com/ Not exact matches
Learn about select artists and the process of organizing a biennial exhibition.
As the founding director of the Artist's Institute in New York, Huberman has worked with artists such as Robert Filliou, Rosemarie Trockel, Haim Steinbach, and Thomas Bayrle, and will be publishing a book about them in 2015; he will also curate his fifth installment of Hello Goodbye Thank You, a biennial exhibition, at castillo / corrales in Paris.
She has participated in important group exhibitions and international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São Paulo (1994).
Emily Wilkerson, Project Manager at Prospect New Orleans, looks at the history of international exhibitions and thinks about the potential of biennials to cross borders.
He has written about the work of Andrea Bowers, Mark Bradford, Glenn Ligon, Sharon Hayes, and Wangechi Mutu, among others, and has organized exhibitions including: «Quadruple - Consciousness» at Vox Populi, Philadelphia, «Fade: African American Artists in Los Angeles,» for the city of Los Angeles, numerous exhibitions and programs for LAXART, Los Angeles, where he served as Curator, and «Made in L.A., 2012,» the first Los Angeles biennial, co-organized by a curatorial team from the Hammer Museum and LAXART.
Watch a video the Getty Research Center put together about the seminal Swiss curator Harald Szeemann, whose «When Attitudes Becomes Form» show is in the DNA of every major biennial or international exhibition these days.
The idea for this show came while she and I were enthusiastically talking about the exhibition of art during the opening reception of the L.A. biennial [«Made in L.A.,» organized by the Hammer Museum in collaboration with LAXART] last summer.
While she is concerned about how this expanding western model of art exhibitions, fairs and biennials might or might not stimulate social change, one could also argue that the deconstruction of western - centric narratives is in fact aided by this outward expansion.
After the biennial, an ensuing exhibition devoted to Harris's work seemed fitting, as Moulton states, «The biennial became about setting a stage and stoking a context for digging deeper into a practice like Trent's.»
There will be more to say about FotoFocus overall — it features over 60 exhibitions and 100 events during its monthlong run — but at this point I'm prepared to deem the work of Roe Ethridge — who as part of the biennial is having his first major solo museum exhibition at the Contemporary Arts Center (CAC)-- Lynchian in nature.
Irene Hofmann, director and chief curator of SITE Santa Fe, spoke to A.i.A. by phone about the space's current exhibitions, the heyday of biennials, and why regionalism may be making a comeback.
THE OPENING THIS MONTH OF THE 2000 BIENNIAL EXHIBITION — the latest installment of the Whitney's flagship show and the most - talked - about event on the museum's calendar — also marks a closing of sorts: that of the moderately embattled first chapter of Maxwell Anderson's tenure as director.
The prominent withdrawal of the Yams Collective from the 2014 biennial (which included just nine African Americans) over their concerns about a controversial work on view in the exhibition, as well as their treatment by the museum, is a stark example.
One of his paintings is an image of Philando Castille that should have generated a public conversation about police killing black men, but its impact has been muted by the controversy over a Dana Schutz painting of Emmett Till in his coffin, that also appears in the biennial exhibition.
Various venues May 26 - July 17 Curated by Niels Van Tomme Some of the most interesting thinking about biennials today is coming from curators who are abandoning standard exhibition...
About the 2017 Chicago Architecture Biennial: The Chicago Cultural Center was the setting for the city's second biennial exhibition.
As the founding director of the Artist's Institute in New York, Huberman has worked with artists such as Robert Filliou, Rosemarie Trockel, Haim Steinbach, andThomas Bayrle, and will be publishing a book about them in 2015; he will also curate his fifth installment of Hello Goodbye Thank You, a biennial exhibition, at castillo / corrales in Paris.
About Connie Butler Connie Butler is the Chief Curator at the Hammer Museum, Los Angeles where she has organized numerous exhibitions including the biennial of Los Angeles artists «Made in LA» (2014), «Mark Bradford: Scorched Earth» (2015) and «Marisa Merz: The Sky Is a Great Space» (2017).