This is the key point
about the blandness of diversity.
No spices - something
about the blandness of the food suppressing hunger.
Not exact matches
In his own way, this CEO who at first appears to epitomize
blandness is
about as colorful as they come.
Well, Koster's direction is far from consistently subtle, or at least graceful in its subtlety, for there are times in which thoughtfulness leads to a
blandness that is among the last things a film this problematically written needs, but can not avoid, due to limp touches to the - you guessed it - writing, which I was expecting to be tighter in this ambitious epic of only
about 135 minutes.
This mild 1984 comedy
about a mermaid (Daryl Hannah) who falls in love with a New York City yuppie (Tom Hanks) isn't at all hard to take (John Candy, in a supporting role, is hilarious and original, and Hannah has a pleasant naive charm), but its appeal is based almost entirely on regression — a thematic regression to infancy (now endemic to the American cinema) and a stylistic regression to the most lulling kind of TV
blandness.
The Wendy Williams Show Love daytime tv but upset
about the dirge of
blandness that seems to have infected it since Oprah left.
by Walter Chaw John Krasinski's A Quiet Place is exactly the type of inoffensive,
about - nothing movie full of beautiful people and empty jumps that is popular for a short while specifically for its yawning
blandness.
The
blandness of Reeves» character can be said
about everything else set up in the film.
Ford is something of a disappointment, as he doesn't tell us much
about his work, but others make up for his
blandness.
If there is nothing especially faulty or offensive
about the film, neither is there anything outstanding or affecting
about it; and it's that terminal
blandness that finally kills Straight Time for me.
Equally reliably, every month Toyota sells
about 15 thousand of these compact crossover wagons in North America alone, in spite of, or again possibly because of their
blandness.
We took a look at it, complaining
about the pacing, monetization systems, and general
blandness of the experience.
I'm curious
about this show — if decor
blandness has become the signifier of commodified space, how do we approach its representation as a decorative object?
Curated by TAL, bringing together the works of Diana Coelho, Fabian Albertini, Gabriela Maciel, Gioia Di Girolamo, João Paulo Serafim, Mark Kraus, Paulo Arraiano and Rafael Alonso, Swipe, Baby Swipe presents visual equations
about a moment in time where mater / non-mater dialogue in a layer of digital
blandness, mood manipulation and the non-spontaneity of trying «too hard» as a mode of indifference, is part of our daily scrolls.