Sentences with phrase «about cinema as»
It's a rare example of Anderson making a statement about cinema as an outlet to purge and express feelings, but also as a creative medium that could be used to impress, alienate and titillate those experiencing it.
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Sisters Kate and Laura Mulleavy, who design together as the fashion label Rodarte, have long talked about cinema as one of their key influences, from hosting a screening of Dario Argento's stylish horror gem «Suspiria» to featuring iconography from «Star Wars» in one of their collections.
Not exact matches
As the latest episode hits cinemas, die - hard fan Jamie Cutteridge explains everything you need to know (and plenty you probably don't) about the world's... More
What is our culture really saying about women, when its biggest stories of all those projected on to cinema screens still don't recognise them as three - dimensional human beings?
About Mille Lacs Corporate Ventures Mille Lacs Corporate Ventures manages all the Mille Lacs Band's businesses, including Grand Casino Mille Lacs, Grand Casino Hinckley, the Crowne Plaza Riverfront Hotel and the DoubleTree Hilton in St. Paul, Minn., 2020 Brand Solutions, the Embassy Suites in Oklahoma City and other Band - owned businesses such as a cinema, a grocery store, gas / convenience stores, a golf course, wastewater treatment plant and a print shop.
About Mille Lacs Corporate Ventures Mille Lacs Corporate Ventures (MLCV) manages all of the Mille Lacs Band's businesses assets, including Grand Casino Mille Lacs, Grand Casino Hinckley, the InterContinental Saint Paul Riverfront Hotel, the DoubleTree Hilton in St. Paul, Minn., the DoubleTree by Hilton Minneapolis Park Place, Embassy Suites in Oklahoma City, Eddy's Resort on Lake Mille Lacs and other Band - owned businesses such as a cinema, a grocery store, gas / convenience stores, a golf course, wastewater treatment plant and a print shop.
About the Corporate Ventures of the Mille Lacs Band of Ojibwe Indians The Corporate Ventures of the Mille Lacs Band of Ojibwe Indians manages all the Band's businesses, including Grand Casino Mille Lacs, Grand Casino Hinckley, the Crowne Plaza Riverfront Hotel and the DoubleTree Hilton in St. Paul, Minn., and other Band - owned businesses such as a cinema, a grocery store, gas / convenience stores, a golf course, wastewater treatment plant and a print shop.
About Mille Lacs Corporate Ventures Mille Lacs Corporate Ventures owns and operates all Mille Lacs Band's businesses, including Grand Casino Mille Lacs, Grand Casino Hinckley, the Crowne Plaza Riverfront Hotel and the DoubleTree Hilton in St. Paul, Minn., 2020 Brand Solutions and other Band - owned businesses such as a cinema, a grocery store, gas / convenience stores, a golf course, wastewater treatment plant and a print shop.
About Mille Lacs Corporate Ventures Mille Lacs Corporate Ventures manages all the Mille Lacs Band's businesses, including Grand Casino Mille Lacs, Grand Casino Hinckley, Eddy's Resort on Lake Mille Lacs, InterContinental Saint Paul Riverfront Hotel and the DoubleTree Hilton in St. Paul, Minn., the DoubleTree Minneapolis Park Place in St. Louis Park, Minn., 2020 Brand Solutions, Embassy Suites Oklahoma City and other Band - owned businesses such as a cinema, a grocery store, gas / convenience stores, a golf course, wastewater treatment plant, a commercial laundry facility, a medical office building and a print shop.
About Mille Lacs Corporate Ventures Mille Lacs Corporate Ventures manages all the Mille Lacs Band's businesses, including Grand Casino Mille Lacs, Grand Casino Hinckley, the InterContinental Saint Paul Riverfront and the DoubleTree Hilton in Saint Paul, Minn., 2020 Brand Solutions, Embassy Suites Oklahoma City and other Band - owned businesses such as a cinema, a grocery store, gas / convenience stores, a golf course, wastewater treatment plant and a print shop.
About Mille Lacs Corporate Ventures Mille Lacs Corporate Ventures (MLCV) manages all the Band's businesses, including Grand Casino Mille Lacs, Grand Casino Hinckley, the Crowne Plaza Riverfront Hotel and the DoubleTree Hilton in St. Paul, Minn., and other Band - owned businesses such as a cinema, a grocery store, gas / convenience stores, a golf course, wastewater treatment plant and a print shop.
About Mille Lacs Corporate Ventures Mille Lacs Corporate Ventures manages all the Mille Lacs Band's businesses, including Grand Casino Mille Lacs, Grand Casino Hinckley, Eddy's Resort on Lake Mille Lacs, InterContinental Saint Paul Riverfront Hotel and the DoubleTree Hilton in St. Paul, Minn., the DoubleTree Minneapolis Park Place in St. Louis Park, Minn., 2020 Brand Solutions, Embassy Suites Oklahoma City, Big Sandy Lodge & Resort in McGregor, Minn., and other Band - owned businesses such as a cinema, a grocery store, gas / convenience stores, a golf course, wastewater treatment plant, a commercial laundry facility, a medical office building and a print shop.
About the Corporate Ventures of the Mille Lacs Band of Ojibwe Indians The Corporate Ventures of the Mille Lacs Band of Ojibwe Indians manages all the Band's businesses, including Grand Casino Mille Lacs, Grand Casino Hinckley, the Crowne Plaza Riverfront Hotel and the DoubleTree Hilton in Saint Paul, Minn., and other Band - owned businesses such as a cinema, a grocery store, gas / convenience stores, a Subway franchise, golf course, wastewater treatment plant and a print shop.
About The Family Coppola The Family Coppola encompasses all of the things Francis loves most — cinema, wine, food, resorts, and adventure — and embraces quality, authenticity and pleasure as a backbone to each of these vibrant business endeavors.
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Today it continues to feature independent and classic cinema, as well as offer opportunities to learn about the art, science, and business of film.
Have a think about what might be interesting for your date and try to ensure that the venue allows you ample opportunity to test your connection and chemistry; a night at the cinema might appeal to you as a cosy option, but would mean less time to talk and get to know one another.
From the beginning, Film Threat magazine dominated the print landscape as the source for conversation about independent and underground cinema.
About us High Voltage and Observe and Report are spearheading an unfortunate new cinema Join our dating site today With experience dating back to 1883, ABB is a global leader in high - voltage cable systems with an installed base across applications such as integration of renewables, city center in - feeds, oil and gas platform power supplies, and subsea interconnections.
It's really good, deserves respect for its treatment of the subject matter, and is a great example of what I love about 70s cinema, but I just didn't get blown away by it, Maybe I just wasn't quite in the right frame of mind, or maybe I've just seen too many films like this already, but I don't think it's quite as good as everyone else does.
A taut, involving drama centered around the mysterious disappearance of a young woman, About Elly confirms director Asghar Farhadi as a major talent in Iranian cinema whose ability to chronicle the middle - class malaise of his society is practically unrivaled.
Toback quickly reveals himself as an insufferable, opinionated blowhard who pontificates shamelessly about the art of the cinema while indulging his own obsessions on film.
And we will be the better for seeing it, as ultimately we must, if we care about a cinema that is something more than heedless and headstrong.
Working about as far as possible from the commercial mainstream of the movie business, Costa has again made a singular docu - fiction hybrid that defies classification as readily as it reimagines the possibilities of cinema for the post-spectacle, post-theatrical era.
Perhaps the most charming thing about Autumn Tale is the degree to which Rohmer finds a happy meeting ground between his own brand of middle - class realism and the kind of Hollywood cinema he once celebrated as a critic.
i say that with all due respect to Heath as i have nothing aginst him personally but i get the feeling most of his fans are teenage girls who fell in love with him and now pontificate about cinema.
A major voice in the New Iranian cinema, Asghar Farhadi is less radical than Antonioni: we do find, eventually, what happened to Elly — but what remains mysterious is the truth «about» Elly, as we are left with the sad feeling of a life defined by repression and submission.
If we'd known about its existence six months earlier, do you think anyone would have cared as much by the time it arrived in cinemas?
Eloise braved the heat to talk some film with us for an hour, and for the sake of audio quality we had to turn off the air conditioner and the fan and swelter as we tried to be erudite about all aspects of cinema.
I remember seeing it at the cinema back in the day (no idea how I got in as I was about 8 at the time) and not really understanding most of it, but I gave it a rewatch recently and was surprised by how well the jokes landed.
You still need to be in a cinema or watching a home cinema's large screen to register all the details of the horrifying scene in which Chiwetel Ejiofor's Solomon is choking in a noose, his feet barely touching the ground, as fellow slaves go about their business, children play games and captors watch from a distance.
Anthony Stokes with a response to Alejandro Gonzalez Inarritu and directors who might be jealous of comic book movies... We're in the age of cinema that focuses on comic book movies and as such everybody is talking about them, even big powerhouse directors.
As I may have mentioned before, 2008 was all about the rejuvenation of French cinema for me, with Gallic productions occupying a quarter of my year - end Top 20, including the two poll spots.
«We Need to Talk About Kevin» is one of the most beautifully bleak psychological fake - outs the cinema's given us in years, as Lynne Ramsay («Ratcatcher,» «Morvern Callar «-RRB- directs an adaptation of Lionel Shriver «s 2003 novel.
And that was a movie with some household name actors (who were about to become a full - fledged cinema movement as the so - called Frat Pack), not just a bunch of young faces you might recognize from high school movies like Clueless and American Pie.
It's clearly early days — there's as yet no word if the film will be a straight - up biography of Ebert or something more wide - reaching about cinema, but either way it's exciting news.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
On a deeper level, though, this brief opening battle establishes the central theme of Lincoln, and it's a theme that lies very much at the heart of Spielberg's cinema: if Lincoln is intended to be a biopic about arguably the most revered commander - in - chief in the history of the Republic, it also positions itself with its opening images as a film about race.
There's nothing particularly new about the idea of a quirky and exciting female character who only exists to facilitate the aspirations of men, but Rabin identified a particular trend in American cinema over the last decade that framed itself as independent and an alternative to Hollywood.
But in his new introduction, his observations about slow cinema from Tarkovsky to Kiarostami to Tarr are every bit as compelling as his earlier insights into film noir.»
Grae Drake Profile
Grae Drake
Movie maven about town
< br / >Grae Drake began her love affair with cinema as a wee bairn, as she spent every weekend corralling her friends over to the local... < a href ="http://www.movies.com/movie-reviews/grae-drake"> Read full profile
The mission of the society is to further the growth of an informed film audience, to promote awareness of the Internet as a source of news and commentary, to provide a forum for the OFCS members to communicate and discuss ideas about journalism and cinema, and to encourage a high standard of journalism across the online media.
Netflix and other streaming services are undeniably having a huge impact on the cinema landscape as we know it, so it's comforting to hear Bong speak about this compromise fondly.
If there's ever a question as to what the Sixties are about as a movement in American cinema, Newman's The Hustler and Hud are the thesis statements that launch Warren Beatty's end - of - decade transitional dissertations Bonnie & Clyde and McCabe & Mrs. Miller.
This entry — from the scriptwriter of 2008's Palme d'Or - winning The Class — is a great contribution to queer cinema, humanizing a historical tragedy as it tells a story about ACT UP in France in the late»80s.
(p. 37) Yet, whereas Daire sees Mauprat as a dynamic, complex, and ostensibly queer studio film (the gender play he notes in the biography), Keller sees the film as a «costume drama [that] lacks almost entirely the vigour described by Epstein about the effects of cinema on an audience.»
What transpires is an emotional, uplifting and ultimately inspiring piece of cinema that is about as good as British cinema has had to offer in recent years.
The hot topics included discussions about more and more movies being released in 3D, the ongoing conversion to high definition digital projection, and the newest innovations: films being shot in a higher frame rate, and what was described as «the cinema of the future»; the introduction of laser projection which offers the promise of a brighter light source and savings on bulb costs.
If I say that I left the cinema thinking I'd seen a film about modern Britain, you may dismiss me as a driveller, and it wasn't a view I was about to state out loud.
In my 20 + years as a film critic I think Roger's approach to his work is probably the closest to what I was aiming at in my fumbling attempts to write about cinema.