Sentences with phrase «about cinema from»

Not exact matches

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Guest post from Mary who blogs about all things to do with vintage and classic cinema at We Heart Vintage

When you really like someone, it doesn't matter where you go, whether it's to the cinema or staying in for a meal... it's all about that connection that gives you butterflies just from being with that person because they make you so happy.

UK About Blog Prestige Student Living offers luxury student accommodation across the UK, from onsite gyms, cinema rooms and luxury student studios.

About Blog The web's leading source of movie news, reviews, interviews and discussion from the world of international, independent, cult and genre cinema.

About Blog Award - winning UK film blog packed with the very latest movie news, reviews, previews, events, interviews and film trailers from the world of cinema.

From the beginning, Film Threat magazine dominated the print landscape as the source for conversation about independent and underground cinema.

About Blog Covering the greatest in heroes of the big and small screen ranging from comic book legends to iconic characters in cinema.

Chennai, India About Website Latest news, analysis, comment, in - depth coverage of politics, business, sport, environment, cinema and arts from India's national newspaper.

Would Ang Lee's name not coming up when talking about Hong Kong cinema have something to do with his being from Taiwan and not Hong Kong?

Working about as far as possible from the commercial mainstream of the movie business, Costa has again made a singular docu - fiction hybrid that defies classification as readily as it reimagines the possibilities of cinema for the post-spectacle, post-theatrical era.

This is further proof, if it were needed, of what was great about 70's American cinema (even if it's from a British director).

You still need to be in a cinema or watching a home cinema's large screen to register all the details of the horrifying scene in which Chiwetel Ejiofor's Solomon is choking in a noose, his feet barely touching the ground, as fellow slaves go about their business, children play games and captors watch from a distance.

Allan Cameron's Modular Narratives in Contemporary Cinema, the subject of this review, does something similar — for the most part — to Puzzle Films and seems to sit clearly on the side of the debate that understands there is indeed something unique about the complex narratives of contemporary cinema, arguing that these films are different not only from classical Hollywood films but also from the art cinema and experimental films they often resemble.

The Week in Movies discusses the last seven days in cinema, including the controversy surrounding an X-Men: Apocalypse billboard, John Brolin speaks about Avengers: Infinity War's impressive story, Mel Gibson is making a sequel to The Passion of the Christ, and much, much more... The Week in Movies is an excerpt from the weekly Flickering Myth Super Newsletter.

Special Features New high - definition digital restoration, with uncompressed monaural soundtrack New interview with British cinema scholar John Hill, author of «Cinema and Northern Ireland: Film, Culture and Politics» Postwar Poetry, a new short documentary about the film New interview with music scholar Jeff Smith about composer William Alwyn and his score «Home, James,» a 1972 documentary featuring actor James Mason revisiting his hometown Radio adaptation of the film from 1952, starring Mason and Dan O'Herlihy Plus: An essay by critic Imogen Sara Smith

And that was a movie with some household name actors (who were about to become a full - fledged cinema movement as the so - called Frat Pack), not just a bunch of young faces you might recognize from high school movies like Clueless and American Pie.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

But in his new introduction, his observations about slow cinema from Tarkovsky to Kiarostami to Tarr are every bit as compelling as his earlier insights into film noir.»

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Sisters Kate and Laura Mulleavy, who design together as the fashion label Rodarte, have long talked about cinema as one of their key influences, from hosting a screening of Dario Argento's stylish horror gem «Suspiria» to featuring iconography from «Star Wars» in one of their collections.

This entry — from the scriptwriter of 2008's Palme d'Or - winning The Class — is a great contribution to queer cinema, humanizing a historical tragedy as it tells a story about ACT UP in France in the late»80s.

A lushly produced epic about the harsh realities of creative expression, featuring bravura performances and Oscar - winning costume design and makeup, Topsy - Turvy is an unexpected period delight from one of contemporary cinema's great artists.

Both visually lush (Woodley's shot entirely on HiDef 24p DV), both about cinema in a way that my favourite films are, and both featuring excellent performances from Pitt, what distinguishes Rhinoceros Eyes from The Dreamers is a naïveté about the enduring power of film that enchants.

Spanning a century of film art and taken from various countries around the world, these posters show the evolution of movie promotion over the years, but more pertinently they also reveal a great deal about how blackness has been portrayed, exploited and indeed commoditised, throughout the history of cinema.

Fans get a documentary on Parisian Horror, an interview with Stephen Thrower about Franco's career in cinema, selected commentary from Robert Monell, and an interview with Alain Petit, author of Jess Franco Ou Les Prosperites Des Bis».

Despite initial worries from the crew about this style of lighting, Louvart reminded everyone that cinema is about making these artistic choices, and this style of lighting was their artistic choice.

So while Vernon, Florida has become something of a Medium Cool for a new generation of film brats (All the Real Girls director David Gordon Green cites the work as one of his all - timers), The Thin Blue Line has become the moment that many point to as the definitive modern reintroduction to the debate about the matter of degrees that separates fiction from non-fiction cinema.

Through his personal account of programming and researching Japanese cinema for more than two - and - a-half decades, Nornes raises important questions about the reception of Japanese films in Western film festivals, and the role of Japan as a site where filmmakers from other Asian countries can learn more about Western filmmaking.

ABOUT TIME co-stars Tom Hollander, Margot Robbie, Lydia Wilson, Vanessa Kirby and hits UK cinemas from 4th September and in the US on 1st November.

Robert Bresson is among cinema's most towering titans, but that didn't stop Cannes audiences from booing the premiere of his final film, an accusatory but incredible ensemble drama about the fallout from a few counterfeit bills.

It is a cornucopia, a smörgåsbord, a veritable potpourri of cinema, as the Cinecast regulars get together with nothing on the agenda other than to talk about what they have watched, in the cinema, on the DVD and streamed from the internet or (in an exciting technology development, from the Computer Hard Drive.)

There remains about it, however, that indescribable warmth of cinema from this era shot by people who knew what they were doing.

The greatest time of the year for film lovers, as some of the best films that you have been hearing about from festival to festival, finally make their way into your local cinema.

The film expands to about 250 cinemas from its second weekend, by far the widest play for a Leigh title.

I'm unsure how the film plays for those who know everything about the mythic beginnings of that enigmatic Swedish star, all the gossip surrounding her banishment from Hollywood (and her triumphant return), and who can trace the history of cinema by tracking the star's own move from small national markets to Hollywood to Europe and back again, all the while gracing the stage in Italy, France, the West End and Broadway.

As much as a film between father and daughter, this is a film about the travails and joy of performance and the power of cinema — seen from the point of view of the daughter.

I'm very interested in costume drama, and if one commandeers it, the film needs to establish itself as different from costume drama on television and in cinema, which is all about the interior [of characters].

This leaves us feeling warm and thoughtful, even if the film ultimately fades from memory in about the time it takes for the lights to come up in the cinema.

To think about Italian cinema in the immediate postwar era is almost inevitably to conjure up heartrending images from the classic neo-realist films...

If awards are a snapshot, preserving the consensus thoughts about cinema at a given time for the sake of posterity, a report from a group of passionate lovers of film about what they believe is great in the present moment, then why should they define that snapshot by the parameters of an industry that views their efforts only in the crudest terms?

Before the internet and YouTube, the ways that you became informed about cult cinema was from reading books, fanzines, and watching some beat up VHS copies of the movies.

Because no issue on the internet is really an issue until someone makes an infographic about it, here is an exceptionally thorough data visualization from the New York Film Academy examining gender inequality in American cinema.

At the Glasgow Film Festival, I talked to McArdle about making the leap from music video directing to narrative feature filmmaking, creating the aesthetic of dreams vs. reality, the influence of horror cinema on her film, and depicting female friendship on screen.

He is descended from from a long line of dirtbag boyfriends in teen and coming - of - age cinema: Think Heath Ledger's chain - smoking hottie in 10 Things I Hate About You, so mysterious that he's the subject of school rumours that he once ate a live duck.

From his second feature, 2008's Tony Manero, about a Saturday Night Fever - obsessed killer in»70s Chile, up to his forthcoming film, the poetic Neruda (out in the UK in April), Larraín has made character studies that trust audiences to search the sweep of a film for meaning, using the formal potential of cinema to explore what people are like, rather than saddling an actor with revelatory baggage.

Special Features New 4K digital restoration New interview with cinematographer John Bailey about director of photography Conrad Hall's work in the film New interview with film historian Bobbi O'Steen on the film's editing New interview with film critic and jazz historian Gary Giddins about Quincy Jones's music for the film New interview with writer Douglass K. Daniel on director Richard Brooks Interview with Brooks from a 1998 episode of the French television series «Cinema Cinemas» «With Love From Truman,» a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer Plus: An essay by critic Chris Fujifrom a 1998 episode of the French television series «Cinema Cinemas» «With Love From Truman,» a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer Plus: An essay by critic Chris FujiFrom Truman,» a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer Plus: An essay by critic Chris Fujiwara

The Independent gets personal about cinema and TV with actors, directors, cinematographers and other people from the continually evolving world of «content» in a fortnightly podcast hosted by Culture Editor Christopher Hooton (embedded below).

The New York Film Festival (September 26 - October 12) brings the best new cinema to NYC from all over the world — here are the 10 films we're most excited about.

Golshifteh Farahani, star of Asghar Farhadi's About Elly, again proves to be one of world cinema's rising stars, playing the woman who grows more confident as she reveals more of her secrets to her husband, gets advice from her unconventional aunt, deals with marauders and becomes involved with a stammering young soldier.