I have never just been so worked up
about cinema scenes before until Zelda came.
Not exact matches
You still need to be in a
cinema or watching a home
cinema's large screen to register all the details of the horrifying
scene in which Chiwetel Ejiofor's Solomon is choking in a noose, his feet barely touching the ground, as fellow slaves go
about their business, children play games and captors watch from a distance.
This year, Hirschberg asked the selected coterie to talk
about their favorite
cinema sex
scenes.
Directed with the equal energy by British director John Hough, whose lean, high - powered action
scenes are energized by the dynamic, almost child - like performances of his thrill - addicted characters, it's a classic of seventies speed
cinema, where car chase and stunt films were really
about rubber hitting — and leaving — the road.
She burst onto the
scene with a memoir
about her brief career working as a stripper before winning an Oscar for her work on Juno, one of the finest films released in a great year for
cinema, 2007.
We won't try to answer this one today in a single blog post, but we'll explore more
about nudity in
cinema soon with the Most Iconic Nude
Scenes in American
Cinema.
This little gem features American treasure and all - around genre
cinema maestro John Carpenter discussing his 1988 sci - fi / action / horror cult classic They Live, going into detail
about such things as the conceptual ideas behind the movie's premise, his casting of professional wrestler «Rowdy» Roddy Piper as the protagonist, and the rebellious inspiration for the film's infamous fight
scene between Piper and the great Keith David.
Disc Features - High - definition digital restoration, approved by cinematographer Mark Lee Ping - bin, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray edition - @ «In the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted
scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «
cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one
about the film and the other
about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray edition)
A speech that Cranston's stray Chief gives
about literally biting the hand that fed him when he muffed a chance at a good home is among the most perfectly written, staged and played
scenes in recent
cinema — it would be a surefire Oscar clip if awards had categories that could encompass achievements in this byway of
cinema, where great acting is as much down to the hands of animators as the dialogue delivery.
In recent years, the CFCA has expanded its presence on the Chicago arts
scene, promoting critical thinking
about cinema to a wider base through several initiatives, including the re-launch of a late - winter film awards ceremony; CFCA - hosted film screenings throughout Chicagoland; and a Young People's Film Criticism Workshop at Facets Multimedia.
I don't want spoil anything
about this great film, but the showdown
scene in the Donut Shop was one of the greatest final
scenes in
cinema history.
Less a spoof of vampire flicks than a fish - out - of - water romantic comedy
about a Victorian nobleman trying to negotiate the dating
scene of Studio 54 - era Manhattan, this enjoyably silly film is no one's idea of great
cinema, but writer Robert Kaufman's concept of a vampire being the standard bearer for old - style morality and romance is an inherently funny conceit helped immensely by a straight - faced lead performance by Hamilton.
Ford has been outspoken
about his dislike for the film but he has rarely performed better and Rutger Hauer is commanding throughout — with his shiver inducing, «Tears in Rain» monologue, going down as one of
cinema's classic
scenes.
Don't get me wrong, Mr.K can deliver some excellent over the top
cinema style cut
scenes, the MGS story as a whole is simple to grasp, but if you start thinking
about character motives, and
scene setups... the story falls apart.
Hito Steyerl: Artists Space For a wild look at what «the expanded field of
cinema» might mean in the future, look no further than this brilliantly visual, powerfully political artist who uses
scenes of aircraft boneyards in California, an interview with an eccentric American entrepreneur, and CGI clips, all blended into incredible optical essays
about information, power, the movement of capital, logarithms of the mind, and the human body.
What was odd
about this
scene was that these special guests turning up in the limo had, just 20 minutes earlier, walked away from the front door of the
cinema to a bar
about 150 metres away, to then be driven back to the place they had just come from for their apparent grand arrival in a stretch Hummer.