Sentences with phrase «about contemporary art issues»

Not exact matches

, Minneapolis, MN 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art 2016 Into Quarterly, Minneapolis issue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American Artisart by and about Native creation, Oklahoma State University Museum of Art 2016 Into Quarterly, Minneapolis issue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American ArtisArt 2016 Into Quarterly, Minneapolis issue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American Artissue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American ArtisArt, University of Minnesota Duluth 2014 The Open Studios Press, New American Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American ArtIssue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American Artissue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American ArtisArt and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American ArtIssue 2012 Suzanne Deats and Kitty Leaken, Contemporary Native American Artists.

Her work is written about frequently, including features in Modern Painters, the New York Times, Nka Journal of Contemporary African Art, and the forthcoming Spring 2014 issue of BOMB.

This group aims to critically and creatively engage in discussions about contemporary art and cultural issues discovered within different communities.

When Lisa Freiman, Senior Curator and Chair of the Department of Contemporary Art at the Indianapolis Museum if Art, completed the jurying of our 2012 Midwest Competition, the results of which will be published in August as Issue # 102, we had a discussion about the overwhelming amount of abstraction in the applicant pool; indeed, the book will strongly reflect this.

Rail: Two years ago, I had a conversation here at Marie Walsh Sharpe open studios with Katy Siegel about her book Since» 45: America and the Making of Contemporary Art, and at one point she talked about the theme ofblack and white, which refers to different things, like the apocalyptic light of Protestant Evangelical ecstasy, the American gothic, the strong sun of the Southwest that creates blinding light and casts deep shadows, and above all the issue of race — the obsession of writers like Melville and Faulkner.

Organized by Tumelo Mosaka (Curator of Contemporary Art at the Krannert Art Museum), University of Illinois, this exhibition focuses on the various ways artists from around the world respond to issues about identity particularly those defined by race and ethnicity.

«The team at the Tang understands the role art can play in parsing out contemporary issues, and has a track record of opening conversations about these issues through a range of different programs.

Visions: Selections from the James T. Dyke Collection of Contemporary Drawings, exhibition catalog, Naples Museum of Art, Arkansas Art Center (2007) NYArts, «Ink Scissors Paper,» by Pamela A. Popeson (July 17, 2007) Journal of Cognitive Neuroscience, Volume 19, No. 6, cover image (June, 2007) Iowa City Press - Citizen «Old Card Catalog Gets Art Makeover» by Rob Daniel (April 2, 2006) Virtual Comunidad 2005 / Now: Here: This, exhibition catalog published by Artists Unite (December 2005) Manhattan Times, «The Photography of Fleeting Moments,» by Mike Fitelson (February 2005) BLIR, Issue # 05 (September 2005) J.T. Kirkland's Thinking About Art, «Artists Interview Artists», interview by Douglas Witmer (August 17, 2005) NY Arts, «Illuminated Brush Strokes,» by Pamela A. Popeson (March / April 2004) NY Arts, «Sky Pape at June Kelly Gallery,» by Carl E. Hazlewood (November 2001) Artnet.com Magazine, Drawing Notebook, by N.F. Karlins (October, 2001) Cover, «Processing Natural Order, Sky Pape at June Kelly Gallery,» by Chloe Veltman (September, 1999) Review Magazine, «Sky Pape, Inklings: Drawings at June Kelly Gallery,» by Mark Daniel Cohen, pp 8 - 10 (June, 1999) Journal of Cognitive Neuroscience, Volume 11, No. 4, cover image (1999) ARTnews Vol.97, No. 1 «Peer Reviews: The Best of 1997» by Paul Gardner, pp 89 - 95 (1998) The Café Review, Spring iIssue # 05 (September 2005) J.T. Kirkland's Thinking About Art, «Artists Interview Artists», interview by Douglas Witmer (August 17, 2005) NY Arts, «Illuminated Brush Strokes,» by Pamela A. Popeson (March / April 2004) NY Arts, «Sky Pape at June Kelly Gallery,» by Carl E. Hazlewood (November 2001) Artnet.com Magazine, Drawing Notebook, by N.F. Karlins (October, 2001) Cover, «Processing Natural Order, Sky Pape at June Kelly Gallery,» by Chloe Veltman (September, 1999) Review Magazine, «Sky Pape, Inklings: Drawings at June Kelly Gallery,» by Mark Daniel Cohen, pp 8 - 10 (June, 1999) Journal of Cognitive Neuroscience, Volume 11, No. 4, cover image (1999) ARTnews Vol.97, No. 1 «Peer Reviews: The Best of 1997» by Paul Gardner, pp 89 - 95 (1998) The Café Review, Spring issueissue.

She was guest editor of Art Journal's special issue, «Contemporary Art and the Genetic Code» (1996), likely the first in - depth academic publication about genomics and aArt Journal's special issue, «Contemporary Art and the Genetic Code» (1996), likely the first in - depth academic publication about genomics and aArt and the Genetic Code» (1996), likely the first in - depth academic publication about genomics and artart.

-- Monthly roundtables in which Fellows lead discussion about critical issues to their practice — Individualized one - to - one informal mentorships for each Fellow — A 5 - day residency on Ossabaw Island — A group exhibition featuring all twelve fellows at the Museum of Contemporary Art of Georgia Deadline: May 15

Moffett consistently constructs his works around critical frameworks that engage audiences to think about painting, art, and the political and social issues that shape our contemporary lives.

Encompassing a great number of performance, film, discursive, music, and dance programs, the Public Program connects questions and issues in the international discourse about contemporary art and design with local interests and communities.

This online platform brings together international perspectives on contemporary performance and cross-pollination in the arts with debates about vital issues facing our community here in Austin.

At a moment of much debate about the status of global contemporary art, this exhibition examines how artworks drawn from the contemporary collection of Patricia Phelps de Cisneros navigate this complex issue by embracing appropriative strategies for making art.

Through talks, symposia, performances and other events, Herron's public programming offers encounters with world - renowned artists while serving as a catalyst for discussions about timely issues related to contemporary art and culture.

In relation, 1708 Gallery strives to educate the public about Contemporary art and employs artist talks and didactic text panels to illustrate the exhibiting artist's issues, themes, and modes of working.

MASS MoCA uses its array of world - class exhibition programming — particularly Kidspace's thematic exhibitions — as a platform for discussing contemporary social issues, as well as to expand notions about art and art materials.

The exhibitions explore contemporary art and curatorial practices today and often aim to prompt discussions about issues surrounding art and social systems.

In the Destination section of this issue, we head straight for Istanbul to learn more about why the Turkish capital is a force to a reckoned with within the contemporary art world.

«They weren't afraid to talk about the issues and realities of life as a contemporary Indigenous person through their art.

Ceramics Finds Its Place in the Art - World Mainstream Lilly Wei writes... From the first generation of modernists who worked in clay to contemporary practitioners, all have made breakthroughs: in scale, in single objects as well as expansive installations; in technical experimentation; in increasingly original formal resolutions from the abstract to the realistic; and in content, exploring issues about the body, identity, politics, history, feminism, domesticity, means of production, and beauty... more

Another issue is thinking about how contemporary galleries and arts institutions can become more accessible to diasporic bodies of flesh and praxis — and is there a way to sympathetically re-imagine these sanctified temples of modernity?

Based between Guangzhou and New York City, she has hosted high school debates on contemporary art world issues, made fictional App to create space to talk about gender issues, organized meetings between scientist, artists and philosophers to address the possibility that we live in a simulation, and organize fictional panel taken place in the future.

Recent independent curatorial projects include: CORPORATE OCCULT, let's talk about the body baby, NU Performance (2016), which presented works by international artists that dealt with contemporary issues surrounding gender and the body; Art in the Era of Digital Capitalism (2016), a conference considering the tendencies of acceleration and post-2011 institutional alternatives, which included Franco Bifo Beradi as its keynote speaker; and numerous others.

He here talks about addressing contemporary issues through his art.

Whitewaller New York 2018: What You Need to Know about 1 - 54 Contemporary African Art Fair, Whitewaller New York Frieze Issue, May 2018

Artist - focused and open - minded, X-TRA's programs aim to promote and provoke dialogue about contemporary art and the critical issues addressed by artists.

A conservation essay offers two case studies that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials.

I hope to see you again in Albissola, to speak in person about certain issues regarding contemporary art.

Discussing current commissions (Katrina Palmer, The Quarryman's Daughters for Art Angel); exhibitions and recent sound displays (for example, Susan Phillipzs: War Damaged Musical Instruments) the group considered current theoretical, practical and institutional issues dealing with artists working with sounds as a sculptural medium, informing the networks about current practices in contemporary aArt Angel); exhibitions and recent sound displays (for example, Susan Phillipzs: War Damaged Musical Instruments) the group considered current theoretical, practical and institutional issues dealing with artists working with sounds as a sculptural medium, informing the networks about current practices in contemporary artart.

In addition to her curatorial work, Golden teaches, lectures, and writes about contemporary art, cultural issues, and the curatorial practice nationally and internationally.

My own quandary had seeded a broader interest in contemporary artists» evolving studio needs and expectations (I wrote about the issue in «Lost in Space: Art Post-Studio» in the June issue of The Brooklyn Rail), and Simon was on the same wavelength.

After years of underrepresentation at home and abroad, many of these artists are now leading the discourse about contemporary art's reach across international borders, while still reflecting social and political issues at home.

Catalogues — Publications 2015 «SUPER SUPERSTUDIO», exhibition catalogue, PAC - Pavilion of Contemporary Art, Milan «Ärger im Paradise», exhibition catalogue of the exhibition, Bundeskunsthalle 2014 «The State of a Ghost While Hosted as a Guest», publication from the Villa Romana Fellows, Villa Romana Editions, published by Argo Books ISBN 978 -3-942700-62-7 «Kushtetuta # 2 About Mums & Dads», edited by Petrit Halilaj and Alvaro Urbano, Self - published zines «TRANSLATION ACTS > PERFORMING POLITICS», Concept by Ifrex, Edited by Ifrex and Fotini Kushtetuta, Published by KOSOVO 2.0, Edited by Petrit Halilaj and Alvaro Urbano «MAPPING EVERYTHING», Institut für Raumexperimente (Berlin) and Institut für Landschaftsarchitektur (ETH Zurich) Project Conception: Olafur Eliasson and Guther Vogt, Nicola Eiffler 2012 «STUDIO MAGAZINE # 2», an Architecture and Urbanism Publication 2010 «Ottos impossible talks / Lets start to implement little errors Imposible topics / rescued futures,» Otto Rössler with the Institut für Raumexperimente, edited by Julius von Bismarck, Jeremias Holliger, Laura McLardy, Mathias Sohr, Alvaro Urbano, Euan Williams, Graphic design and concept book by bureau - aeiou 2009 «UNPLANNED: Research and Experiments at the Urban Scale», concept book by Superfront Graphic design by: Do not bend Kønst magazine issue n. 4 Erasing Darkness Pidgin - Magazine issue n. 6 (text by Jose Esparza)

The reimagined space will provide visitors with more opportunities to experience contemporary art and think about the most important issues of our time.

Third were the thematic issues — Issue 2.6 / Food and Issue 2.15 / Performance: The Body Politic — and the thematic features that unfolded over the course of the year: Bruno Fazzolari's conversation series investigating abstraction and the terms on which it is defined or negotiated in contemporary artistic practice; Elyse Mallouk's Landfill series, which triangulates with a print journal, quarterly subscription, and website, all of which archive and redistribute the materials produced by socially engaged artworks; and Zachary Royer Scholz's series about the historical and contemporary economic, political, technological, and cultural factors that shape the visual arts in the Bay Area and its possibilities for the future.

Lisboa, Portugal www.carloscarvalho-ac.com Carlos Carvalho Arte Contemporânea promotes multiple supports and languages, prioritizing pertinent artists and ideas to encourage wider reflections and questions about contemporary art and all its related issues.

How might contemporary art create a space for discussion about social issues?