Sentences with phrase «about contemporary art today»

A: What do you think is exciting about contemporary art today?

So much writing about contemporary art today is quick to identify the successes of the age, to establish a new canon of artistic production, but what would happen if ambivalence became a productive force, if art were no longer judged according to a vague and malleable scale of quality?

Not exact matches

Today, we speak with Peter Doroshenko, Executive Director of The Dallas Contemporary about the Dallas art community, his vision for the city and The Dallas Contemporary.

Previously associate curator at the Museum of Contemporary Art, North Miami, she speaks here about cultural and financial tensions surrounding the display of art in Miami and beyond, and looks at the role of the curator todayArt, North Miami, she speaks here about cultural and financial tensions surrounding the display of art in Miami and beyond, and looks at the role of the curator todayart in Miami and beyond, and looks at the role of the curator today...

Over the past few decades, German artist Thomas Bayrle has quietly laid the seeds for much of what fascinates us about contemporary art's engagement with the worlds of popular culture, standardisation and global culture today.

Simultaneously classical and contemporary in scope, it contains roughly 300 images, how - to diagrams, and information about figurative art movements of the past as well as profiles of some of the greatest practitioners working today... featuring examples of Zeller's own work and also some of his best contemporary peers, who collectively bring the figurative tradition forward into a new era.»

I predict this singular record of diy clips, most of them ten - minute windows on the art of today, will be more important to art history than almost anything being written about the contemporary scene.

The Curator of Contemporary Art at Colección Patricia Phelps de Cisneros (CPPC) talks about the state of contemporary Latin American Art and the role of art instituContemporary Art at Colección Patricia Phelps de Cisneros (CPPC) talks about the state of contemporary Latin American Art and the role of art institutions todArt at Colección Patricia Phelps de Cisneros (CPPC) talks about the state of contemporary Latin American Art and the role of art institucontemporary Latin American Art and the role of art institutions todArt and the role of art institutions todart institutions today.

About the Bemis Center for Contemporary Arts Founded in 1981, by artists for artists, the Bemis Center for Contemporary Arts supports today's artists through an international artist - in - residence program, temporary exhibitions and commissions, and innovative public programs.

The critic and founding editor - in - chief of Artnet magazine for 16 years, he has chronicled the «radical masquerade» of the avant - garde, heralding new talent, skewering the deserving, and identifying epochal shifts in the art scene, from his pronouncement that «there are no art movements, only market movements» to his lament about the rise of «zombie formalism» in contemporary painting today.

About Bemis Center for Contemporary Arts Founded in 1981, by artists for artists, the Bemis Center for Contemporary Arts supports today's artists through an international artist - in - residence program, temporary exhibitions and commissions, and innovative public programs.

Today's episode is all about Marfa, Texas — a contemporary art pilgrimage site and Donald Judd's art installation opus... read more

Devon Tsuno speaks about his relationship to the city of Los Angeles and his work in the exhibition SECOND WAVE: Aesthetics of the 80s in Today's Contemporary Art.

Chet Glaze speaks about his work in the exhibition SECOND WAVE: Aesthetics of the 80s in Today's Contemporary Art.

Valerie Green speaks about her work in relation to the exhibition SECOND WAVE: Aesthetics of the 80s in Today's Contemporary Art.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

About Bemis Center for Contemporary Arts Founded in 1981, by artists for artists, Bemis Center for Contemporary Arts supports today's artists through an international artist - in - residence program, temporary exhibitions and commissions, and innovative public programs.

Today, we have an interesting polyphony of voices that are creating diverse micro-narratives about international contemporary art in a variety of formats, scales and structures, and eventually offering a variety of meanings for contemporary art.

Legendary feminist art historian Linda Nochlin and art curator Maura Reilly are joined by contemporary women artists for a discussion moderated by Arezoo Moseni about the positions of women artists and women in the art world today and how they have changed since the 1971 publication of Nochlin's landmark essay «Why Have There Been No Great Women Artists?»

Chats About Change: Critical Conversations on Art and Politics is five conversations addressing contemporary themes that artists and activists are developing in Los Angeles today.

Art21 is a nonprofit organization dedicated to engaging audiences with contemporary visual art, inspiring creative thinking, and educating a new generation about artists working today.

Artist David Brothers talked about the inspiration behind his latest exhibition, Rolithica, which opened today at the Utah Museum of Contemporary Art.

For all fine art enquiries, you can contact us today and have a friendly discussion about any of the 15th — 20th Century sculptures, old master paintings, continental furniture, Asian art, contemporary art or modern Asian art examples we have on display at our international gallery.

The exhibitions explore contemporary art and curatorial practices today and often aim to prompt discussions about issues surrounding art and social systems.

An eye - opening book about the 1980s New York art scene, its far - reaching effects on contemporary art, and the rise of some of the biggest names in the art world today.

The program transports listeners to sites of creativity at the center and fringe of contemporary art scenes across six continents, infusing conversations about today's art, design and film with unique sonic experiences.

The galleries — there wasn't the number of galleries we have today — and if you happened to be concerned at all about the contemporary movements in art at the time, which then, of course, were Cubism and so on, why there was absolutely no place to show your work.

ART21 is a nonprofit global leader specializing in digital media about contemporary visual art, producing films on today's leading visual artists and education programs that inspire creativity worldwide.

While for example Minimal Art focused on the specific characteristics of the used material, today's phenomena of digitization bring about a new tension between materiality and immateriality that is reflected in contemporary art practicArt focused on the specific characteristics of the used material, today's phenomena of digitization bring about a new tension between materiality and immateriality that is reflected in contemporary art practicart practices.

«They are two of the most talented curators working in contemporary art today and they are excited about the city.

The key subject of the course is the Exhibition as Communicative Space and will include: discussions about criticism and analysis of comprehensive phenomenon of how contemporary art, design, architecture, sound and performance, and publications as dominant art forms of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems of value judgment on today's market - led cultural phenomenon and cultural movement, and the role of curator as a cultural translator and mediator between the two; and exploration of alternatives for ecological health of increasingly globalized art and culture.

And just as every commission reflects varied aspects of London's past and present as a global capital, the book, too, celebrates the impact of contemporary art on the vibrant, creative and multi-cultured city that it is today — one that has created the smallest but the most - talked - about sculpture park in the world.

But today, many people who aren't immersed in the art world don't know a lot about Olitski, says Alison de Lima Greene, curator of contemporary art and special projects at the MFAH.

«I want to think deeply about the force of change in contemporary art today, where the art market, the global art world, is forced to recognize the creative output of African artists,» says Smooth, who is also a curator at the Hood Museum of Art, Darthmouth College and curated the 11th Dak» Art Biennaart today, where the art market, the global art world, is forced to recognize the creative output of African artists,» says Smooth, who is also a curator at the Hood Museum of Art, Darthmouth College and curated the 11th Dak» Art Biennaart market, the global art world, is forced to recognize the creative output of African artists,» says Smooth, who is also a curator at the Hood Museum of Art, Darthmouth College and curated the 11th Dak» Art Biennaart world, is forced to recognize the creative output of African artists,» says Smooth, who is also a curator at the Hood Museum of Art, Darthmouth College and curated the 11th Dak» Art BiennaArt, Darthmouth College and curated the 11th Dak» Art BiennaArt Biennale.

Every and each artwork contains some data about when it was conceived, following surrounding trends and periods of art, beginning with Renaissance following Romanticism and more, up to the offspring of today, the contemporary art.

What does it mean to think about our contemporary condition today, and about contemporary art's relation to it?

If artist Robert Rauschenberg and Bell Labs engineer Billy Kluver were still alive today to visit the Contemporary Jewish Museum's new exhibition, «NEAT: New Experiments in Arts and Technology,» it's a fair bet they would both be pleased to see the once - radical ideas they espoused in the 1960s — about breaking down barriers between artists and engineers — thriving in the current work of the Bay Area digital artists on display.

The Creative Capital Andy Warhol Foundation Arts Writers Grant Program opened its 2018 grant applications today for both emerging and established writers who are writing about contemporary visual art.

But what I find interesting about black art works today is the way they seem to combine the likes of abstract expressionism with that of Caravaggio and his tenebrist contemporaries.

, Gallery Joe, Philadelphia, PA 14th Annual Inliquid Benefit Auction, Gallery Joe Booth, Icebox Project Space, Crane Arts, Philadelphia, PA 2013 In Front of Strangers, I Sing: 72nd Annual Juried Exhibition, Woodmere Art Museum, Philadelphia, PA 2012 Transformations, Philadelphia Episcopal Cathedral, Philadelphia, PA All About Etchings, Chris Neptune Gallery, Washington, DC 2011 Something French, Art Gallery at City Hall, Philadelphia, PA Exhibition of Select Prints, Wayne Art Center, Wayne, PA 2010 Prints by Gallery Artists, Gallery Joe, Philadelphia, PA Selections from C.R. Ettinger Studio, 2000 - 2010, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 2009 50 very small drawings, Gallery Joe, Philadelphia, PA 2008 The Figure Today, Jenkins Johnson Gallery, New York, NY The Figure Today, Jenkins Johnson Gallery, San Francisco, CA Fantastical Imaginings, Delaware Center for Contemporary Art, Wilmington, DE Group Show, Loyola University, Baltimore, MD 2007 Magical Realism, Abington Art Center, Jenkintown, PA 2006 Art on Paper 2006, Weatherspoon Art Museum, Greensboro, NC 2005 Telling Stories: The Narrative in Contemporary Art, Pennsylvania College of Art and Design, Lancaster, PA Collaboration As a Medium, Edison Gallery, Washington, DC (traveling Art Place, Baltimore MD and more sites) 2004 Figure Out: Drawing as Narrative, Gallery Joe, Philadelphia, PA 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY 2001 Ten Contemporary Artists, 5 x 2, Allentown Art Museum, Allentown, PA 2000 Drawing With Color, Mangel Gallery, Philadelphia, PA When Reason Dreams: Drawings Inspired By the Visionary, the Fantastic, and the Unreal, Philadelphia Museum of Art, Philadelphia, PA Body Dismorphia, Hicks Art Center, Bucks County Community College, Newtown, PA curated by Jeanne Jaffe Allentown Art Museum, 27th Annual Juried Exhibition, Allentown, PA (Juror: Judith Tannenbaum, Curator, Rhode Island School of Design, Providence, RI) 1999 Biographies: Philadelphia Narratives, Institute of Contemporary Art, Univ. of Pennsylvania, Philadelphia, PA (catalog) Biographies: Philadelphia Narratives, Freedman Gallery, Albright College, Reading, PA (Nov. - Dec.)