Sentences with phrase «about contemporary painters»

• For more about contemporary painters in Ireland like Mark Kavanagh, see: Irish Art Guide.

MT How do you feel about contemporary painters who are interested in landscape, painters like April Gornik, David Deutsch, Mark Innerest... Do you look at these paintings?

Not exact matches

About Blog Christopher Gallego is an Contemporary Painter & Draftsman.

Toronto, Ontario, Canada About Blog We represent the finest contemporary painters, print makers and sculptors.

About Blog Christopher Gallego is an Contemporary Painter & Draftsman.

About Blog K Spoering is a Contemporary tapestry designer and weaver, oil painter.

If Lady Bird is, as Gerwig asserts, a «love letter to Sacramento,» then this montage of everyday, easy - to - take - for - granted sights is the big S.W.A.K. on the envelope, an unmistakable declaration of affection; the static shots throughout the movie of old neon signs from Gunther's, the Tower Theatre and Club Raven could be considered the missive's heart - shaped punctuation marks; and the purposeful use of light, about which Gerwig was particularly exacting (she dutifully studied the Sacramento landscapes of renowned contemporary painters Gregory Kondos and Wayne Thiebaud to make sure the color and intensity were just right), is suitably analogous to the fine mist of perfume that will linger after the pages have been folded away.

About Blog Celebrating Nature's Diversity View the portfolio of contemporary painter Kazaan Viveiros Frequency about 1 post per mAbout Blog Celebrating Nature's Diversity View the portfolio of contemporary painter Kazaan Viveiros Frequency about 1 post per mabout 1 post per month.

Lyndeborough NH About Blog American contemporary painter, Susan Quaglia Brown, Lyndeborough NH Frequency about 1 post per mAbout Blog American contemporary painter, Susan Quaglia Brown, Lyndeborough NH Frequency about 1 post per mabout 1 post per month.

Toronto, Ontario, Canada About Blog We represent the finest contemporary painters, print makers and sculptors.

At once traditional in her approach to form, line, and color, and decidedly contemporary in her self - reflexivity about her medium, the British - Ghanaian writer, poet, and painter represents a bold and beautiful cast of black figures culled from the haze of memory, projection, and fiction.

I've been struck by the fact that contemporary advertising seems to know more about the kind of visual language Labille - Guiard utilized (and for that matter, Johannes Vermeer and other golden age Dutch painters) than they know about contemporary painting.

Her work is written about frequently, including features in Modern Painters, the New York Times, Nka Journal of Contemporary African Art, and the forthcoming Spring 2014 issue of BOMB.

Chris Lowrance and Sam King Q & A with Tim Tozer Interview with the artist by MW Capacity, a blog about Midwestern contemporary painters

In the April 1999 issue of American Artist magazine the contemporary realist painter Jack Beal is quoted as saying about his commissioned portraits, «I tell my clients that when my portrait of them is finished, they will hate it — and their spouse will hate it even more.

The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.

Anna McNay: Can you tell me about the works from your Empty Spheres series — inspired by lunar eclipses — that are on show in your joint exhibition with the painter Pandora Mond at Lacey Contemporary?

Camille Henrot told us about the thinking behind her unique alchemy of the Internet and myth, Margaret Lee explained how the aesthetics of Chinatown helped her crack the code on contemporary experience, Jordan Wolfson spoke about using «anger as a frequency» in his hypnotically engrossing videos, Amy Sillman was both hilarious and incisive on the subject of what it means to be a painter today, and Paul Chan offered up a text interview that was totally unexpected, amazing, and an artwork in its own right.

SOLO EXHIBITIONS 2016 «Emma,» Russell Collection, Austin, TX 2009 «Recovery,» Center for Contemporary Arts, Abilene, TX 2008 «Figuratively Speaking,» Amy Graves Ryan Fine Arts, Abilene 2008 «Emblematic Expressions» Falcon Gallery, Del Rio, TX 2007 «Satiated Between the Layers» Center for Contemporary Arts GROUP EXHIBITIONS 2017 Affordable Art Fair New York, NY 2016 Art Hamptons, NY 2016 Artspace Warehouse, Los Angeles, CA 2014 «Beyond Beauty», Russell Collection, Austin, TX 2015 «Mixed Media», Roan and Black, Saugatuck, MI 2012 «Femme», Russell Collection Fine Art, Austin, TX 2011 «Best of Texas», Russell Collection Fine Art, Austin, TX 2010 Samuel Lynne Art Galleries, Dallas, TX 2009 Samuel Lynne Art Galleries, Dallas, TX 2009 Center for Contemporary Arts, Abilene, TX 2008 Center for Contemporary Arts, Abilene, TX 2007 Fairmount Gallery, Dallas, TX 2007 Simply Art Gallery, Galveston, TX AWARDS 2008 Best in Show, McMurry University 2007 - 2008 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Sophomore Artist, McMurry University 2004 - 2005 Outstanding Freshman Artist, McMurry University 2004 - 2008 Perry Bentley Scholarship recipient 2007 Best in Painting - Manhattan Arts International 24th Anniversary Competition About the gallery: Artspace Warehouse is one of the world's leading galleries for savvy contemporary artContemporary Arts, Abilene, TX 2008 «Figuratively Speaking,» Amy Graves Ryan Fine Arts, Abilene 2008 «Emblematic Expressions» Falcon Gallery, Del Rio, TX 2007 «Satiated Between the Layers» Center for Contemporary Arts GROUP EXHIBITIONS 2017 Affordable Art Fair New York, NY 2016 Art Hamptons, NY 2016 Artspace Warehouse, Los Angeles, CA 2014 «Beyond Beauty», Russell Collection, Austin, TX 2015 «Mixed Media», Roan and Black, Saugatuck, MI 2012 «Femme», Russell Collection Fine Art, Austin, TX 2011 «Best of Texas», Russell Collection Fine Art, Austin, TX 2010 Samuel Lynne Art Galleries, Dallas, TX 2009 Samuel Lynne Art Galleries, Dallas, TX 2009 Center for Contemporary Arts, Abilene, TX 2008 Center for Contemporary Arts, Abilene, TX 2007 Fairmount Gallery, Dallas, TX 2007 Simply Art Gallery, Galveston, TX AWARDS 2008 Best in Show, McMurry University 2007 - 2008 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Sophomore Artist, McMurry University 2004 - 2005 Outstanding Freshman Artist, McMurry University 2004 - 2008 Perry Bentley Scholarship recipient 2007 Best in Painting - Manhattan Arts International 24th Anniversary Competition About the gallery: Artspace Warehouse is one of the world's leading galleries for savvy contemporary artContemporary Arts GROUP EXHIBITIONS 2017 Affordable Art Fair New York, NY 2016 Art Hamptons, NY 2016 Artspace Warehouse, Los Angeles, CA 2014 «Beyond Beauty», Russell Collection, Austin, TX 2015 «Mixed Media», Roan and Black, Saugatuck, MI 2012 «Femme», Russell Collection Fine Art, Austin, TX 2011 «Best of Texas», Russell Collection Fine Art, Austin, TX 2010 Samuel Lynne Art Galleries, Dallas, TX 2009 Samuel Lynne Art Galleries, Dallas, TX 2009 Center for Contemporary Arts, Abilene, TX 2008 Center for Contemporary Arts, Abilene, TX 2007 Fairmount Gallery, Dallas, TX 2007 Simply Art Gallery, Galveston, TX AWARDS 2008 Best in Show, McMurry University 2007 - 2008 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Sophomore Artist, McMurry University 2004 - 2005 Outstanding Freshman Artist, McMurry University 2004 - 2008 Perry Bentley Scholarship recipient 2007 Best in Painting - Manhattan Arts International 24th Anniversary Competition About the gallery: Artspace Warehouse is one of the world's leading galleries for savvy contemporary artContemporary Arts, Abilene, TX 2008 Center for Contemporary Arts, Abilene, TX 2007 Fairmount Gallery, Dallas, TX 2007 Simply Art Gallery, Galveston, TX AWARDS 2008 Best in Show, McMurry University 2007 - 2008 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Sophomore Artist, McMurry University 2004 - 2005 Outstanding Freshman Artist, McMurry University 2004 - 2008 Perry Bentley Scholarship recipient 2007 Best in Painting - Manhattan Arts International 24th Anniversary Competition About the gallery: Artspace Warehouse is one of the world's leading galleries for savvy contemporary artContemporary Arts, Abilene, TX 2007 Fairmount Gallery, Dallas, TX 2007 Simply Art Gallery, Galveston, TX AWARDS 2008 Best in Show, McMurry University 2007 - 2008 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Painter, McMurry University 2005 - 2006 Outstanding Sophomore Artist, McMurry University 2004 - 2005 Outstanding Freshman Artist, McMurry University 2004 - 2008 Perry Bentley Scholarship recipient 2007 Best in Painting - Manhattan Arts International 24th Anniversary Competition About the gallery: Artspace Warehouse is one of the world's leading galleries for savvy contemporary artcontemporary art collectors.

Around about the time, in the mid 1980's, that Margaret Mathews - Berenson decided to make the leap from the relatively secure field of publishing to her first love — fine art — as a curator and art advisor — she crossed paths with a contemporary painter and kindred spirit at a Soho art gallery opening.

They ignored, too, the lack of contemporary accounts, a telling omission when it comes to the most talked about painter in history.

Thus in 1963 Jasper Johns and John Cage established the Foundation for Contemporary Performance Arts based on the belief that visual artists — painters and sculptors — were sufficiently concerned about the state of the performance arts — dance, theatre and music — enough so to donate artwork to benefit performing artists.

The painter talks about her first US solo exhibition, at the Aldrich Contemporary Museum of Art, her...

This month, learn about the processes and techniques used by contemporary painters in the exhibition Flatlands and selected twentieth - century works in The Whitney's Collection.

At Olana State Historic Site, the Hudson, New York, home and studio of landscape painter Frederic Edwin Church, a current installation by Brooklyn - based sculptor Teresita Fernández is a direct response to assumptions about the landscape of the Americas that are inherent in the work of Church and his contemporaries.

Join the MOCA Contemporaries for a discussion about art and fashion with celebrity stylist and Academy Award - nominated costume designer Arianne Phillips, fashion designer Michael Schmidt, and painter Kimberly Brooks, moderated by fashion and culture writer, curator, consultant, and the former West Coast bureau chief of Women's Wear Daily, Rose Apodaca.

Rarely do these commissions make any kind of larger statement about American art, but last fall, when Barack Obama selected Kehinde Wiley — a figurative painter who deploys the techniques, poses and patterns of the grand tradition of Baroque European paintings to portray contemporary black and brown men he finds on the street — to paint his official portrait for the Smithsonian, it at least reflected the Obamas» well - developed connections to the world of culture.

Renowned contemporary painter Howard Hodgkin tells Alastair about the genius of Henri Matisse, and the influence his work has had on his own paintings.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

«They liked the energy,» said Sharp, «but the idea also came from spending a whole evening listening to four well - known contemporary painters talking about the varnish on a painting in the Louvre.»

A VISIONARY AND IMAGINATIVE chronicler of the African American experience in all of its many facets, Marshall spoke about the breakthrough at a press preview of «Kerry James Marshall: Mastry,» the Chicago - based painter's long - awaited survey that opened April 23 at the Museum of Contemporary Art (MCA) Chicago.

In the late 50's Life magazine pronounced her «the most celebrated of the young American women painters,» Newsweek featured her in a column next to one about Judy Garland, and she was the only woman represented in «The New American Painting» exhibition that introduced contemporary American art to Europe in 1958 - 59.

Kasseböhmer's decided renunciation of irony struck a distinct contrast to many of his contemporary Cologne painter colleagues and their ideas about the end of painting.

His solo shows include A New Commission for an Old State at Edith - Ruth - Haus, Oldenburg (2016); Proposal for a Porn Company, Galpão VB Associação Cultural Videobrasil, São Paulo (2016); Painter on a Study Trip, Gypsum Gallery, Cairo (2016); It's Never Too Late to Talk About Love, Nile Sunset Annex, Cairo (2014); When Meanings Face Glossy Surfaces, Contemporary Image Collective, Cairo (2010) and I Never Wanted to Be Alone in a Room, BALTIC Center for Contemporary Art, Gateshead (2010).

His solo shows include A New Commission for an Old State at Gypsum Gallery (2018) and Edith - Ruth - Haus, Oldenburg (2016); Proposal for a Porn Company, Galpão VB Associação Cultural Videobrasil, São Paulo (2016); Painter on a Study Trip, Gypsum Gallery, Cairo (2016); It's Never Too Late to Talk About Love, Nile Sunset Annex, Cairo (2014); When Meanings Face Glossy Surfaces, Contemporary Image Collective, Cairo (2010) and I Never Wanted to Be Alone in a Room, BALTIC Center for Contemporary Art, Gateshead (2010).

Jed Perl writes about the problems facing contemporary painters and finds «promising directions that painters might further explore» in Richard Diebenkorn's work from the 1950s and 1960s, currently on view in the exhibtion Richard Diebenkorn, The Berkeley Years 1953 - 1966 at the M.H. De Young Museum, San Francisco through September 29, 2013.

He is thinking about his place in the pantheon of great contemporary painters.

A painter, conceptual and theoretical artist, recognized at international level for his internet - based works and for having founded in 2009 the first Internet Pavilion at the Venice Biennale, Miltos tells about the emotions and the imaginary of our contemporary era.

It seems that if we're talking about how long painters take to make paintings, we should begin by admitting a general truth: modern and contemporary paintings took less time to make, on average, than medieval, Renaissance, or Baroque paintings.

And for Thornton, unlike a rash of other contemporary painters, the work is less about making specific references to art history and calculated departures from it, than in developing a broader vocabulary that draws inspiration from far outside the art world.

Hodgkin has spoken about the importance of Matisse and the Intimist work of the French painter Edouard Vuillard, but says that as a young artist, the key exhibitions he saw in London were of contemporary American art put on by the United States Information Service.

Arguably, though, the biggest, almost overwhelming, influence upon Armitage is a contemporary one — the Scottish painter Peter Doig, who has lived in Trinidad since 2002, and is, himself, about to open a solo show in London, at Michael Werner Gallery.

For more about modern painters, see: Contemporary Irish Artists.

Akin to figurative painters such as Dana Schutz or George Condo, in a decidedly contemporary attitude about method and risk, Hickam reconciles a sense of detachment with a sense of imperative.

Looking at older paintings, especially those painted by Dutch and Flemish masters who had phenomenal technique, contemporary painters (like me) are easily seduced by the paint handling and forget about the story.

On first glance, pieces look very contemporary, with glimpses of video games and screen savers, but you are also candid about your interest in the color theory of a high modernist like Josef Albers or mid-century Color Field painter Morris Louis.

- Richard Shiff, Professor of Modern and Contemporary Art of Europe and America, University of Texas at Austin «The great number of young artists who set out each year to become painters should long ago have put to rest conversations about the so - called death of painting.

Join Laura Castagnini, Assistant Curator of Modern and Contemporary British Art, for this in - depth tour of the All Too Human exhibition, and learn more about how painters Freud, Bacon and Rego strove to capture the most intimate of subjects: the human form.

For more about contemporary and postmodernist painters and sculptors, see: Visual Arts Encyclopedia

One of the most interesting things about the book are essays and notes from contemporary women painters themselves on Frankenthaler and her work.