I can now answer client's questions
about copyright with confidence.
English education and communications classrooms, in particular, are excellent venues for providing preparation
about copyright with Web 2.0 applications.
Not exact matches
I chatted
with him afterward
about it, as well as the legal aspects of free - to - use services such as Facebook and Canada's controversial
copyright legislation, Bill C - 11.
The majority opinion said Aereo is not the first to design systems to avoid
copyright liability and noted that the same accusation could be made
about Cablevision because the company created separate user - associated copies of each recorded program to comply
with copyright law instead of using more efficient shared copies that might have been found to violate
copyrights.
Any deals they have
with content companies would stay in place, so nothing
about their channel order, licensing, advertising, or
copyright arrangements would have to change.
The speech is likely to point to the recently launched Digital Technology Adoption Pilot Program, talk
about moving forward
with copyright and privacy legislation, describe work on spectrum, and indicate that a decision has still not been made on the removal of foreign investment restrictions.
With Steve Jobs on side, maybe the folks at Heritage / Industry will reconsider their quaint attachment to rigid intellectual property rights measures when they set
about drafting amendments to the
copyright act.
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Even
with attribution, some cartoonists are rather strict
about copyright is why I asked.
I only post this video because ABC won't let any access the original - citing some
copyright b.s. I only care
about the portion
with the George Stephanopolous interview.
But now there may be a question
about whether the National Council of Churches (NCC), which holds the
copyright for the RSV and NRSV, will go along
with Canada's RNRSV.
For all the worry, complaining, and lawsuits
about copyright and «intellectual property» infringement that comes along
with pirating and unsanctioned file sharing, there are increasing numbers of people who suggest that the benefits of an open - source mindset outweigh the negatives.
Last night at the cocktail party for CFDA Awards nominees we caught up
with CFDA executive director Stephen Kolb, who reminisced
about the time he met — and touched — Governor Eliot Spitzer in Washington, D.C. Kolb visited our nation's capital to lobby for
copyright protection for fashion designers
with Narciso Rodriguez on February 14, the day after Spitzer allegedly hired a prostitute.
It seems to me you've got a prior claim
with your books and educational courses, no matter if you've never sued for infringement before,
with the new
copyright laws, your
copyrights (even unpublished works) last
about 140 years.
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After Disney briefly attempted to
copyright «Día de los Muertos» for «Coco» and was met
with strong feelings including a petition signed by more than 21,000
about not doing that, Disney dropped that attempt and put a cultural consultant group for «Coco».
This 400 + page opus is packed
with plenty of pep talks and priceless practical advice
about everything from how to buy an ISBN # to how to
copyright your manuscript to how to market it.
In this lesson, students learn
about copyright laws as they relate to the use of music by working
with a team and researching actual court cases ab...
Here's a great idea for a classroom project that teaches
about copyright and usage issues while also exploring the themes of digital literacy: have kids create a slideshow video
with Creative Commons images
about the big questions of digital citizenship.
Pages of download: Page 1 - Cover Page 2 - 3 - Teacher tips &
Copyright Page 4 - Operational sign words reference sheet Page 5 - 24 - Addition and Subtraction Multi-step Word problems
with graphic organizers Page 25 - Blank template for word problems
with graphic organizer Page 26 - Answer key Page 27 - 28 - Credits and
About the Author
It includes: - 4 Powerpoint presentations - 1 lesson plan - 1 lesson sheet (
with all the key vocabulary: for the children to stick in their books)- 1 HA worksheet (Assessment)- 1 LA worksheet (Assessment)- 1 Card game to laminate - 1 word search - 2 Smartboard activities (Smart Notebook software)- Counters to laminate - Audio clips of vocabulary (in the powerpoints to practice beforehand)- Information documents (
About, Advice and tips,
Copyright)
Lawyer Patrick McKay made this winning entry for Public Knowledge's contest to respond to YouTube's
Copyright School video — which is informative
about what you can't do
with copyrighted works, but falls short on what you can do under fair use.
Students
with questions
about copyrights or this policy are invited to raise those questions
with any dean, tutor, or academic officer.
It includes: - 3 Powerpoint presentations - 1 lesson plan - 1 lesson sheet (
with all the key vocabulary: for the children to stick in their books)- 1 HA worksheet (Assessment)- 1 LA worksheet (Assessment)- 1 survey sheet - 1 word search - 2 Smartboard activities (Smart Notebook software)- Audio clips of vocabulary (in the powerpoints to practice beforehand)- Information documents (
About, Advice and tips,
Copyright)
Pinterest provides educators
with the ultimate tool to teach
about copyright and Creative Commons.
She is an experienced teacher
with postgraduate qualifications in education leadership, and believes that «As a teacher, you work within a set of rules and guidelines
about accessing
copyrighted material in the process of teaching your students.
And while the video starts
with a pretty clear explanation of how
copyright works (thankfully
with the help of a narrator, rather than the cartoon characters» typical gibberish), when the video gets to the issues that most people probably do have questions
about — particularly fair use and mashups — the narration runs into high speed, brushing over legalese like it's a joke.
It really goes hand in hand
with teaching students who are working on multimedia projects
about finding and using
copyright - friendly content.
Why don't you take up
with the
copyright department
about the
copyright law if you'd like to see that changed?
Perhaps I speak from experience, but some of the writers I've worked
with exhibit hesitancy
about sharing their work; and that's even AFTER a contract has been signed expressly protecting them and their
copyrights.
Ahead of an Insights Seminar at London Book Fair, SAGE Publishing's Kiren Shoman talks
with Copyright Clearance Center's Christopher Kenneally
about factors in a digital transformtion of academic publishing.
Publishing contract clauses
about copyright material In the contract you sign
with your publisher, there are usually a few clauses
about the delivery of the Work.
Industry across Asia remains concerned
about shifts in
copyright law and policy in the region,
with Singapore's ongoing review one area of focus.
For an intro to this topic, listen to this interview
with Orna Ross
about copyright and the basics of rights.
Any or all of the following: a.) correcting spelling, grammar, punctuation, syntax, and word usage while preserving the meaning and voice of the original text b.) checking for or imposing a consistent style and format c.) preparing a style sheet to document style and format d.) reading for overall clarity and sense on behalf of the prospective audience e.) querying the appropriate party
about apparent errors or inconsistencies f.) noting permissions needed to publish
copyrighted material g.) preparing a manuscript for the next stage of the publication process h.) cross-checking references, art, figures, tables, equations, and other features for consistency
with their mentions in the text.
Now, I'm no expert in contracts, but when I see a written agreement that includes no advance payment to the author, a 50/50 split of royalties AFTER a muddled clause
about subtracting fees for costs that may or may not include promotion, marketing, set - up fees, and even printing fees,
with lifetime ownership of the
copyright, I think SCAM.
Bitorrenting certainly has a negative stigma associated
with it as well, you only hear the negative stories
about pirate websites offering
copyrighted works.
So I'm coming in late today
with no particular idea for a post, so I am passing on the cautionary tale offered up by fellow author and blogger Roni Loren
about her experience accidentally violating image
copyright.
In the process, I learned a lot
about self - publishing ebooks, from formats to ISBNs to imprints to
copyrights to pricing to working
with Apple.
The agent and author community have not been consulted
about this new sort of use of authors»
copyrighted material, and are unaware of how publishers plan on compensating authors for this sort of use of their books, which is unprecedented... Without a clear contractual understanding
with their authors, it is unclear to us how publishers can participate in this program.
Apple was hindered by (a) being late on the e-book scene, (b) the fact that reading on a backlit LCD screen just isn't as «magical» as Apple wants you to believe, and (c) the iBook Store doesn't have the selection of other e-book stores,
with no Random House titles and only
about 30,000 total in -
copyright titles (compared to Amazon's 800,000 or so).
With the perceived risk among writers of
copyright infringement so extremely high, it's no wonder self - publishers are increasingly concerned
about making sure their work is
copyrighted.
This includes a
copyright page, dedication page, one abbreviated title page, one full title page
with logo, leading sheets, and page numbers for longer books, «
About the Author» and / or «Other Books By» page.
We heard elements of this from Poetica's Blaine Cook; from Harlequin's Donna Condon; from Rosie Goldsmith; and from Nash (he's everywhere, yes), in this instance, in a comment
about how fashion designers must be quick to market
with new work because they have no
copyright protection to scare those horses in the street.
Carla King (@MissAdventuring) on PBS MediaShift A Step - By - Step Guide to U.S.
Copyright Registration for Self - Publishers «With the perceived risk among writers of copyright infringement so extremely high it's no wonder self - publishers are increasingly concerned about making sure their work is copyrighte
Copyright Registration for Self - Publishers «
With the perceived risk among writers of
copyright infringement so extremely high it's no wonder self - publishers are increasingly concerned about making sure their work is copyrighte
copyright infringement so extremely high it's no wonder self - publishers are increasingly concerned
about making sure their work is
copyrighted.»
Mailbag Monday
With Answers to your Self - Publishing Questions address questions
about copyright, ISBN, print on demand, ebook formatting and more