Sentences with phrase «about copyrighted works»

The situation is more complicated when you want to find information about copyrighted works from before that date.

I also wondered about the copyrights work on that, since y ’ know, it's «online» and all that jazz.

You'll want to include details about the copyrighted work in question, proof that you hold the copyright, and the instances where that intellectual property is being infringed upon.

Not exact matches

The speech is likely to point to the recently launched Digital Technology Adoption Pilot Program, talk about moving forward with copyright and privacy legislation, describe work on spectrum, and indicate that a decision has still not been made on the removal of foreign investment restrictions.

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First, it's a piece of music intended to make a political point about a modern conflict, one inherent in the nature of networked digital communications — authors and copyright holders have long profited from creative works by charging to distribute them, but in a digital world, books, music and movies can be made in unlimited copies and shared essentially for free.

It seems to me you've got a prior claim with your books and educational courses, no matter if you've never sued for infringement before, with the new copyright laws, your copyrights (even unpublished works) last about 140 years.

About Blog The Public Domain Review is a not - for - profit project dedicated to showcasing the most interesting and unusual out - of - copyright works available online.

In this lesson, students learn about copyright laws as they relate to the use of music by working with a team and researching actual court cases ab...

Lawyer Patrick McKay made this winning entry for Public Knowledge's contest to respond to YouTube's Copyright School video — which is informative about what you can't do with copyrighted works, but falls short on what you can do under fair use.

She is an experienced teacher with postgraduate qualifications in education leadership, and believes that «As a teacher, you work within a set of rules and guidelines about accessing copyrighted material in the process of teaching your students.

And while the video starts with a pretty clear explanation of how copyright works (thankfully with the help of a narrator, rather than the cartoon characters» typical gibberish), when the video gets to the issues that most people probably do have questions about — particularly fair use and mashups — the narration runs into high speed, brushing over legalese like it's a joke.

Just as we teach our children how to handle bullies on the playground, or as we admonish a student for copying someone's work and handing it in as his or her own, we must take the time to explicitly teach about cyberbullying, copyright, plagiarism, digital footprint, and proper conduct online.

It really goes hand in hand with teaching students who are working on multimedia projects about finding and using copyright - friendly content.

I know you own the copyright when you create work but I'm wondering about copyright protection, maybe including a copyright page at the front (as it suggests on this website in Self - Publishing Basics).

Writer and lawyer Helen Sedwick will explain what every writer needs to know about copyright: what it means, how to protect it, and how to license their work without losing control.

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I don't see them caring, not one bit, about the fact that the vast majority of eBook formats eradicate a user's right to space - and sometimes even time - shift copyrighted works.

Perhaps I speak from experience, but some of the writers I've worked with exhibit hesitancy about sharing their work; and that's even AFTER a contract has been signed expressly protecting them and their copyrights.

Publishing contract clauses about copyright material In the contract you sign with your publisher, there are usually a few clauses about the delivery of the Work.

Also, what about self - published writers who don't go through the motions of actually «copyrighting» their work (since the work is still protected by the same copyright laws)?

When I was working on my first novel, as I traveled around Europe on my after - college adventure, I kept feeling paranoid about not getting it copyrighted.

Christopher Kenneally of the Copyright Clearance Center spoke to GoodEReader this week about some of the considerations that authors need to understand before publishing or posting their work anywhere.

This also begs the question: What about the copyrights of the new publisher — are there any, and if so, can just anyone copy and paste a newer version from that version — into yet another version of the original work?

Bitorrenting certainly has a negative stigma associated with it as well, you only hear the negative stories about pirate websites offering copyrighted works.

In the process, I learned a lot about self - publishing ebooks, from formats to ISBNs to imprints to copyrights to pricing to working with Apple.

Authors frequently ask about the dangers of copyright infringements or theft of their work.

However, you still need to think about how to copyright an ebook when it comes to protecting your work: you have to have a way of proving that the book was written by you.

There is as enormous body of copyrighted works for which nobody knows who the owners are, so even if the books are good, no sane publisher would dare try to republish them against the risk that some cousin or great grandchild would hear about it and sue.

With the perceived risk among writers of copyright infringement so extremely high, it's no wonder self - publishers are increasingly concerned about making sure their work is copyrighted.

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In our # 5 Podcast, Literary Copyrights, I talked about registering your work for added protection.

We heard elements of this from Poetica's Blaine Cook; from Harlequin's Donna Condon; from Rosie Goldsmith; and from Nash (he's everywhere, yes), in this instance, in a comment about how fashion designers must be quick to market with new work because they have no copyright protection to scare those horses in the street.

ABOUT COPYRIGHT LICENSING LIMITED CLL is a non-profit copyright collective that provides centralised licensing services for the reproduction of extracts from published works and looks after the interests of publishers and authors in NewCOPYRIGHT LICENSING LIMITED CLL is a non-profit copyright collective that provides centralised licensing services for the reproduction of extracts from published works and looks after the interests of publishers and authors in Newcopyright collective that provides centralised licensing services for the reproduction of extracts from published works and looks after the interests of publishers and authors in New Zealand.

Learn more about how copyright works and how to protect your intellectual property when you publish.

Carla King (@MissAdventuring) on PBS MediaShift A Step - By - Step Guide to U.S. Copyright Registration for Self - Publishers «With the perceived risk among writers of copyright infringement so extremely high it's no wonder self - publishers are increasingly concerned about making sure their work is copyrighteCopyright Registration for Self - Publishers «With the perceived risk among writers of copyright infringement so extremely high it's no wonder self - publishers are increasingly concerned about making sure their work is copyrightecopyright infringement so extremely high it's no wonder self - publishers are increasingly concerned about making sure their work is copyrighted.»

I'd be very, very cautious about describing Kindle Worlds as «work for hire», which has a specific legal meaning in publishing and copyright terms.

A copyright lawsuits about supposid confusion that a four year old would not be confused by, as it is exactly the way search on the internet generally works.

It's making decisions about what happens to your stuff after you die and the fact is that copyright on your written work or your art work lasts a lot longer than you do.

In addition to criticisms of the quality of e-books being self published, meanwhile, there have also been complaints about an increase in e-book «spam» in the Amazon Kindle store, including books that are clearly just cobbled together from bits and pieces of public domain titles or even copyrighted works (Reuters reported recently that there are DVD instruction manuals that tell users how to write and publish dozens of e-books a day without having to write anything).

What about a fiction smash - up based on an out - of - copyright work that still has copyrighted (annotated or with new introduction and conclusion) editions?

The Writing Platform will commission regularly updated content about platforms, copyright, royalties, ebooks, metadata and other complex areas that have implications for writers and their work.

One of the reasons so many are concerned about the proposed Google Book Search Settlement is that it gives two entities — Google and a not - for - profit licensing entity called the Book Rights Registry («BRR»)-- enormous power to shape innovation with respect to orphan works (i.e., books whose copyright owners can not be easily found).

About Blog The Public Domain Review is a not - for - profit project dedicated to showcasing the most interesting and unusual out - of - copyright works available online.

Past topics have included copyright, becoming self employed, using facebook to promote your work, social media, writing about yourself.

You can read her blog posts on copyright to find out about how it might affect her work.

SOHO20 and The Feminist Art Project (TFAP) NYC are pleased to present Getting Basic: Misappropriation, Plagiarism, Fair Use, and Grey Areas, a panel and discussion hosted by artist Sue Jeong Ka about the issues surrounding copyright, power, and the unfair appropriation of individuals» work in art, pedagogical, and institutional settings.

I tend not to worry about copyright of my work since I produce far too much.

However, in repeating works, Sturtevant wanted to open up the space behind them, to initiate a critical discussion about the surface, the product, the copyright and the autonomy and the silent power of art.

An interesting result of the growing power of the market is that artists and their dealers are looking for ways, through copyright law, to con trol what is written or broadcast about the work, so as to prevent critics who might feel less than prostrate admiration for it from saying anything about it at all.