«World's worst filmmaker» forces Sydney Underground film festival to cancel its screening of documentary
about cult film
In other film news, here's everything you need to know
about cult film The Room and disaster artist Tommy Wiseau.
I, along with several friends, used to write movie reviews daily
about cult films that would tickle our odd fancy.
Not exact matches
At the time, O'Connell was working on a poster for a science - fiction and horror
film festival featuring John Carpenter's 1988
cult classic «They Live»
about aliens living incognito among humans.
I think I'm going to be sick, AA wants nothing to do with press radio or
film (nor does it wish to engage in any sect,
cults or religion), yet you have the nerve to write an opinionated article
about not believing in God and being part of AA?
Even after The Disaster Artist gave his own story and his
cult - classic indie
film The Room — largely regarded as the worst movie ever made — new prominence, little is known
about where he comes from or who he truly is.
Speaking
about the
film recently in Los Angeles, Cera — who in this
film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany
cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the
film, the stretching Cera had to go through for the role, and the way in which the
film's hyperkinetic action sequences are really just the same as the dance scenes in Grease or a Gene Kelly movie.
I enjoy talking
about the universe, socio political issues, science fiction,
cult films, mathematics, art, and music.
The 3:47 «Meet Katie» focuses on the story of the furry little yak who just steals her scenes in the
film, as the creators talk
about the development of the character from a background drawing to full - fledged
cult hero.
This unintentionally hilarious Depression Era propaganda
film has become a
cult classic for its outrageous claims
about the effects of marijuana, as told by a concerned school principal (Joseph Forte) to a PTA meeting.
It's
about the feeling of Rocky Horror and, as the
film took on this
cult second life, the audience who is feeling it.
BE: You mentioned that you've been in more
cult films than just
about anybody, but you've also got such a diverse group of
films to call your own, everything from «Super Troopers» to «X2.»
In it, four of the
film's essential crew members — special makeup artists Stephan Dupuis and Chris Walas, director of photography Mark Irwin, and special effects supervisor Gary Zeller — talk
about how they created the
cult classic's signature effect.
This is obviously a far more grounded exploration of the topic than this year's other
films about religious oppression, Red State and Footloose, and would make an ace double feature with Sean Durkin's upcoming Martha Marcy May Marlene with their duelling tales of disengagement of rigid
cult - like communities.
Ryan Moody says he was tapped by director James Franco in 2013 to adapt the book
about the making of the
cult film «The Room.»
This darkly funny and eerily relevant 1982
cult classic
about how to stop worrying and love the bomb is pieced together from government - produced educational and training
films, newsreels and... More
While
cult films range from campy science fiction to highly graphic horror movies and just
about everything in between, there are a few characteristics that most
cult films share:
This success has, in some small part, fueled the desire to know more
about certain
cult films that were...
United States
About Blog A blog dedicated to
cult films, art and trash.
Mom would often tell me
about bizarre
cult films that she saw in the 1970s, hoping that we might stumble upon them during our weekly Friday night channel surfing.
«Holy Hell» Lowdown: The director moved to West Hollywood after
film school in the 1980s where he ended up joining a
cult that no one seemed to know
about.
James Franco and «The Disaster Artist,» his acclaimed new
film about Tommy Wiseau's
cult classic, «The Room,» had a momentous Monday morning.
His two biggest
films, Office Space and The Idiocracy, went straight to DVD in Britain but became
cult hits thanks to their cutting observations
about the general stupidity of humanity.
Based on a
cult favorite 2010 Mexican
film of the same name, We Are What We Are is a brooding genre
film from co - writer / director Jim Mickle
about family traditions.
Media Mikes had a chance to chat with Jack
about his new
film and the
cult success of «Mega Shark vs. Giant Octopus».
The
film, directed by and starring Franco, is
about the making of the infamously bad
cult movie «The Room.»
Within six months, the
film was premiering at Cannes, beginning a year - long whirlwind that culminated in the
film's immediate
cult status on its release back in the spring, and has put Saulnier (who also served as the movie's stellar DP) on just
about everyone's one - to - watch lists.
A
cult favorite for fans of author Clive Barker, but just plain silly (and very gory) schlock for just
about everyone else, Hellraiser marked the first feature
film as a director, adapting his own novel, «The Hellbound Heart».
The first
film is New Line's The Kitchen, according to Variety, a drama based on a
cult comic - book series
about a group of Irish Mafia wives in 1970s New York.
Drew's Review: In case you were wondering, yes - I decided that immediately after a «2009 in Review» article all
about how I never go to the movies anymore and have reconnected with older
cult films, my first review of 2010 would be of a movie currently in theaters.
The
film built up a
cult following over the years and, believe it or not, they're just
about to release the fourth sequel titled Phantasm: Ravager (see the trailer for that here).
For those who don't know
about The Room, it is a 2003
film that has gained
cult classic status (or is it classic status?)
Writer / director Michael Dougherty has given movie buffs everywhere a gift, not just in terms of crafting an excellent
film (one that's assuredly destined for
cult classic status), but in granting us the opportunity to surprise the hell out of all of our friends on Halloween night with a trippy little horror flick that they know nothing
about.
Mary Harron: A Canadian filmmaker and screenwriter, known for her socially - conscious independent
films such as I Shot Andy Warhol (1996)
about Valerie Solanas» life that led up to her failed assassination attempt of Warhol, and The Notorious Bettie Page (2005), a
film about the 1950s pinup model who became a
cult icon of sexuality and helped popularize pornography.
It took four years for Lucas to develop his next
film - this astounding
cult film about «A long time ago in a galaxy far, far away...» from 20th Century Fox.
Oddball
cult film about a mutant sheep that attacks a small modern - day town whose residents for some reason dress in Wild West gear.
God's Land, Preston Miller's alternately languorous and engaging
film about a Texas - based Taiwanese
cult awaiting the end of days, walks a fine line between satire and earnestness, but the project...
And Tim Burton's zany Ed Wood (1994) was
about the maverick, low - budget, Hollywood director (Johnny Depp) of
cult films who often is regarded as the «worst director» of all time.
The original 1974 The Taking of Pelham 1 2 3 is a kind of blue collar
cult film, a smartly done crime thriller
about smart crooks, a smart transit cop and a battle of wits over the hijacking of a subway car and the ransoming of the passenger.
Despite horrendous reviews, word
about the movie's awfulness spread around Los Angeles and the
film quickly became a
cult classic, complete with Rocky Horror-esque traditions at midnight screenings.
Ira Levin's novel The Stepford Wives was first
filmed in 1975 by Bryan Forbes — a dark thriller
about the lengths the men of the town of Stepford will go to in order to keep their wives in line, with a chilling score by Michael Small; it wasn't a huge success at first but went on to become something of a
cult favourite and had its own kind of cultural impact.
This little gem features American treasure and all - around genre cinema maestro John Carpenter discussing his 1988 sci - fi / action / horror
cult classic They Live, going into detail
about such things as the conceptual ideas behind the movie's premise, his casting of professional wrestler «Rowdy» Roddy Piper as the protagonist, and the rebellious inspiration for the
film's infamous fight scene between Piper and the great Keith David.
With «The Hunger Games» hitting cinemas lots have people have been talking
about the origins of the idea for a teen death match with many citing the influences of a
cult Japanese
film «Battle Royale».
But when the stars of the hit Sundance
film Z for Zachariah — Chiwetel Ejiofor, Chris Pine and Margot Robbie — show up to Off the Cuff's outdoor set to talk to Peter Travers
about adapting the 1974
cult sci - fi novel, none of them can handle the cold.
We just heard
about Vincent Cassel joining the cast of Bourne 5, and now we've got a new trailer for Partisan, the creepy - looking
film that features Cassel as a sort of
cult leader who acts as head of a closed community and trains young urchins to do his bidding, which is often violent.
Hocus Pocus, the live - action Disney
film that people ignored in theaters but later embraced on home video has become a Halloween staple for many, inspiring a
cult fandom that won't stop talking
about the
film once the end of September rolls around.
ABOUT DAVID I am a
cult film fanatic with a particularly unhealthy appetite for the darker end of the cinematic spectrum.
LIGHTNING OVER WATER is a
film about the last months in the life of American director Nicholas Ray, who is probably best known for his
cult film «Rebel Without a Cause».
Based on a book
about the making of The Room — a
cult hit widely considered the worst
film ever made — The Disaster Artist was directed by Franco, who also stars as its strange subject: Tommy Wiseau, who wrote, directed, produced, and starred in The Room.
The Disaster Artist, a
film about the making of Wiseau's doomed The Room, a movie so bad and weird it became a
cult hit.