Sentences with phrase «about curatorial work»

Put together by the curator - critic Paul O'Neill, Curating Subjects, documents the inter-dependent relationships between the curatorial past, present and speculative futures and, instead of following the convention of curators writing about themselves, invites the authors to provide a text about the curatorial work of others.

Lisa Crossman: Before we discuss your work with the Trustees, I thought it would be good to start off by talking about your curatorial work in general and your decision to remain an independent curator.

Not exact matches

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Find out more about NYFA's Curatorial Services for organizations and the NYSCA / NYFA Artist Fellowship Program, a $ 7,000 unrestricted cash grant awarded to individual artists living and working in the state of New York.

On this occasion, at an informal event, where Royal Academy America members and the general public were present to hear Ai Weiwei talk about his work and his mission, he was introduced by Greg Hilty, curatorial director of the Lisson Gallery New York, and took some questions from the audience.

The Hammer's curatorial department leads free and insightful 15 - minute discussion about works of art currently on view or from museum collections.

These interns will work closely with the curatorial and performing arts departments, researching, writing about, and assisting on all aspects of realizing Confluence Artist Residencies.

If you have ever come across The International Studio & Curatorial Program (ISCP) building while walking along Metropolitan Ave and wondered about the artists and their works that are inside — this is your lucky day (well, weekend).

The presentations will provide an overview of the process of creating each exhibition, offering an opportunity to learn about the various facets of curatorial work.

An artist's statement and / or curatorial statement about the content of the work must also be included.

Presenters are Mark Dean Johnson, professor of art at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personally.

The Hammer's curatorial department leads free and insightful 15 - minute talks about works of art currently on view or from museum collections.

Find a full checklist and curatorial information about each artist and their work in order of exhibition appearance.

The Hammer's curatorial department leads free and insightful 15 - minute discussions about works of art on view at the Museum.

If you would like the curatorial staff to learn more about your work, please feel free to send written materials and reproductions only.

Learn about the Whitney's important holdings of work by Edward Hopper during this presentation by curatorial assistant Nicholas Robbins.

He has written about the work of Andrea Bowers, Mark Bradford, Glenn Ligon, Sharon Hayes, and Wangechi Mutu, among others, and has organized exhibitions including: «Quadruple - Consciousness» at Vox Populi, Philadelphia, «Fade: African American Artists in Los Angeles,» for the city of Los Angeles, numerous exhibitions and programs for LAXART, Los Angeles, where he served as Curator, and «Made in L.A., 2012,» the first Los Angeles biennial, co-organized by a curatorial team from the Hammer Museum and LAXART.

«Part of the curatorial process — from designing exhibitions to writing the labels that accompany art — is deciding how to present art and which stories to tell about the work,» said Catherine L. Futter, the Nelson - Atkins Director of Curatoriacuratorial process — from designing exhibitions to writing the labels that accompany art — is deciding how to present art and which stories to tell about the work,» said Catherine L. Futter, the Nelson - Atkins Director of CuratorialCuratorial Affairs.

Laure Dalon, curator of «Hokusai», talks about the artist's Manga, his poetic late works, and the curatorial problems posed by fragile pieces

Several SPQ students worked with museum Community Engagement and Curatorial staff on public programming around theories about the role of artists in city agencies, feminism, and sustainability, to name a few.

Receiving the highest majority public vote, Banner's Break Point will now be shown alongside other favourites chosen by the public as well as work selected by chief curator Darsie Alexander, sparking a range of questions about the dynamics between expert and audience, or between curatorial practise and mass taste.

Angela de la Cruz talks to Jenni Lomax, Director of Camden Arts Centre and Greg Hilty, Lisson's Curatorial Director about works in her solo show, «Transfer» at Lisson Gallery.

About the Advanced Curatorial Certificate Hunter's Department of Art & Art History has long provided its graduate students the opportunity to work with faculty and our galleries» professional staff on exhibitions of exceptional quality.

Deliberately reacting against a linear approach to interpretation, The Object of the Attack will work as an echo chamber to the main exhibition and raise multiple questions about art production and curatorial engagement, translations and communication, avoiding any fixed answers.

About Talking Contemporary Curating The dozen searching conversations conducted by art historian Terry Smith in Talking Contemporary Curating ---- with Carolyn Christov - Bakargiev, Claire Bishop, Zdenka Badovinac, Mami Kataoka, Mari Carmen Ramírez, Okwui Enwezor, Germano Celant, Jens Hoffmann, Hans Ulrich Obrist, Maria Lind, Zoe Butt, and Boris Groys ---- provide a vivid sense of contemporary curatorial discourse at work.

Curatorial Intensive alumnus Pat Elifritz, along with Alex Kitnick, Julie Niemi, and David Senior, will speak about the work and enduring influence of artist collective USCO.

Recent independent curatorial projects include: CORPORATE OCCULT, let's talk about the body baby, NU Performance (2016), which presented works by international artists that dealt with contemporary issues surrounding gender and the body; Art in the Era of Digital Capitalism (2016), a conference considering the tendencies of acceleration and post-2011 institutional alternatives, which included Franco Bifo Beradi as its keynote speaker; and numerous others.

Since 2011 she has worked in TEOR / éTica, conducting research projects about local curatorial initiatives and the institution's archive, as well as facilitating educational and artistic formation projects.

As a project that emerged from Buenfeld's curatorial residency with AIT last year, and her ongoing research, «At the still point of the turning world...» is a selection of works that proposes questions about sculptural and dynamic form with a particular focus on dance and ceramics - two craft traditions with a strong historical and contemporary presence in Japan.

Learn all about the curatorial process and what it's like working with the artists of the show.

About CCA's Graduate Program in Curatorial Practice CCA's Graduate Program in Curatorial Practice is a two - year program designed to give students a deep understanding of art, artists, galleries, and museums in order to empower their work in the art world.

Can you talk a bit about balancing your role as working artists with your curatorial practice?

In addition to her curatorial work, Golden teaches, lectures, and writes about contemporary art, cultural issues, and the curatorial practice nationally and internationally.

Led by Stephanie de Troy Miller, Registrar / Curatorial Assistant / Lewis B. Cullman Associate for Museum Education, the winners of Guild Hall's Annual Artist Member Exhibition will be interviewed about their winning art work and their artist practice.

Associated events included a conversation about Slought on March 11, 2008 at 7:15 pm at Sciences - Po with the organization's curatorial staff; on March 13 at 2 pm at la maison rouge - fondation antoine de galbert with featured artists Fred Forest, Braco Dimitrijevic, and Carlos Ginzburg in dialogue with the public, accompanied by a day - long film program; and a seminar entitled Dissidanses (on Nancy Spero) by Hélène Cixous on March 13 at 5 pm, followed by a conversation with Marta Segarra and Joana Masó on Hélène Cixous» work with contemporary artists.

Kukielski held a curatorial position at the Whitney Museum of American Art from 2002 - 2010 where she organized solo museum exhibitions with artists Sadie Benning, Corin Hewitt, Omer Fast, Taryn Simon, and Sara VanDerBeek and wrote about the work of Gordon Matta - Clark and William Eggleston among others.

«We were interested in people whose practice might lend itself to responding to some of the aspects of Calder's work [by] thinking about abstract shapes, or thinking about his relationship to sound and music,» explains Greta Hartenstein, Senior Curatorial Assistant.

That the galleries are filled with more than 600 works, and yet you don't feel crushed or overwhelmed, says a lot about both the new building and the Whitney's curatorial direction.

Despite a vague curatorial statement about «underlying structures that order and shape the world around us,» works that activated their given and sometimes difficult spaces made a significant statement among the fair.

I am thinking of artists like Dan Graham, who used magazine and broadcast media, and about your own transition from editorial to curatorial work.

Join a discussion of her research and curatorial work about contemporary African - American and African Diaspora artists and racial justice.

In most contexts, I would find this to be a criminal curatorial offense - but working with an organization that will «live with this work» permanently forced me to make more considerations about how the space is currently used and how to enhance the feel of the space for those uses.

You are both a successful artist and curator and I'm wondering about the relationship between your curatorial projects and studio work.

The work of Jones and Thomas speaks volumes about the exceptional merit of their oeuvres and yet widespread recognition of their accomplishments remains elusive — only the male artists are being recognized with museum shows and related curatorial programming.

This symposium offers a forum in which colleagues in the art world and in the field of curatorial education can talk frankly about the challenges of working with artists, making exhibitions, and educating curators today.

CCA Graduate Program in Curatorial Practice, San Francisco, 2010, pages 20 - 41 (volume about the work of curator Harald Szeemann)

I realize that I have committed one of the worst, if most common, critical (and curatorial) sins: recruiting an artist into a compelling critical narrative while missing something fundamental about his or her work.

Learn about every stage of the curatorial process, from developing the initial concept of an exhibition, to requesting works on...

But by the second installment of this two - part essay (published three years later) Rubinstein was already expressing concerns about pigeonholing painters into his newly minted classification: «I realize,» he confesses, «that I have committed one of the worst, if most common, critical (and curatorial) sins: recruiting an artist into a compelling critical narrative while missing something fundamental about his or her work.»

On March 2nd at 1:30 pm, Mickalene Thomas joins Anna Stothart, ICA Curatorial Associate, for a conversation about the artist's work on view.