Sentences with phrase «about dead artists»

Fictional representations of art and biographical films about dead artists are common in mainstream media, despite the lack of concern with living visual artists and their projects.

Not exact matches

For all of its contradictions and dead ends, modernism was a movement that cared about beauty, meaning, and the prophetic calling of the artist.

The film forms a collage of famous (Ethan Hawke, Dennis Hopper, Milos Forman) and not - so - famous faces to talk about what the Chelsea means to them and why so many artists (including the Greatful Dead, Janis Joplin, Bob Dylan and Mark Twain) have stayed there over the years.

Artist Tyler Crook doesn't whitewash this at all — Trick already looks like a dead man walking — but I particularly liked the way his best friend Kyle applies a sort of bro therapy, hauling Trick out of bed and talking smack about his disease, while also getting serious for a few minutes when the situation warrants it.

Graphic novels Michael Dougherty, director of Trick «r Treat, talks about Days of the Dead, the grahic novel he's creating with a team of artists and writers that includes Fiona Staples and Mark Andreyko.

«The Curse of the Wendigo,» a story about a mysterious creature set during World War I, written by Mathieu Missoffe and illustrated by Charlie Adlard, the artist of «The Walking Dead;» «Josephine,» a romantic comedy by Penelope Bagieu, the creator of «Exquisite Corpse;» «Promethee,» a science - fiction story in the same vein as «Lost,» created by Christopher Bec, with an introduction by Mark Waid; «Iron Squad,» an alternate history sci - fi story in which new technology allows the Germans to win World War II, by Jean - Luc Sala and Ronan Toulhoat; «Spin Angels,» a tale of black ops and spies, a Catholic cardinal and the Mafia, by Jean - Luc Sala and Pierre - Mony Chan; «Come Prima,» a road story about two warring brothers, done in a style that pays homage to Italian films, by Alfred.

Dan Berry speaks with Walking Dead artist Charlie Adlard about his process, how he got started in the comics industry

One striking thing about these lists is that the artists whose names appear on these lists are almost invariably dead.

The artist explains, «In a way, you understand more about living people by dealing with dead people.

DAVID SALLE — Artists can also be dead wrong, but I love the way they talk about other aArtists can also be dead wrong, but I love the way they talk about other artistsartists.

We spoke to the naturalist artist about his new trading post in Santa Fe, why New York has a 15 - year expiration date for artists, and finding a dead opossum in his new studio.

Conceived as a kind of «love letter,» this billet - doux between two covers was addressed not only to the eight dead and one living artist (Balthus) who Perl had written about, but also to the many living artists and others who the author felt would share his view that many of the seminal achievements — and lesser known periods — of French modernism's «Old Masters» had been ignored, pushed aside or wrongly dismissed.

«We know that some of the most memorable writings on art have taken the form of letters, including, to name a few examples, Vincent van Gogh's letters to his brother Theo, Rainer Maria Rilke's Cézanne - inspired missives to Clara Westhoff, and the letters Samuel Beckett sent to Georges Duthuit in the late 1940s about the paintings of Bram van Velde... The theme for this edition of ARTSEEN is, thus, not a theme but a form: the letter — a letter addressed perhaps to an artist, living or dead, but, just as plausibly, to anyone else.

2014 Absent - minded young typist, RONGWRONG, Amsterdam I»LL MAKE THE WORK EXPLODE, Buenos Tiempos Inc., Brussels @the Shrink, Shanaynay, Paris Galerie Neu a la Douane, Galerie Chantal Crousel La Douane, Paris The Reluctant Narrator, Museo Berardo, Lisbon The Library Vaccine, Artists Space, New York New Ways Of Doing Nothing, Kunsthalle Vienna, Vienna Black House, Museum of Contemporary Art of Estonia, Tallin Read the room / you've got to, Salts, Basel House, Hollybush Gardens, London Infinite Jest, Schirn Kunsthalle, Frankfurt UPSTAIRS DOWNSTAIRS, Galerie Neu, Berlin Everything Is About To Happen, Corvi - Mora and Greengrassi, London The Hawker, Carlos / Ishikawa, London Dead Reader, Idea Store Whitechapel, London Eight Poems by Karl Holmqvist, Gavin Brown's Enterprise, New York The Fifth Dimension, Logan Center Exhibitions, Chicago The Crime Was Almost Perfect, Witte de With, Rotterdam Poetry will be Made by ALL, LUMAS Editionsgalerie — Zürich, Zürich Looking Back: The Eighth White Columns Annual — Selected by Pati Hertling, White Columns, New York

In the Bruce High Quality Foundation's (BHQF) 2013 exhibition at The Brooklyn Museum, the polarizing collective of millennial artists premiered a video about art world zombies called Isle of the Dead.

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?&artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?&Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

In the NY Times today Dorothy Spears writes about artists who may not have been good at cultivating dealers and collectors when they were alive, but now that they're dead, galleries are happy to represent them.

For more information about the 17th Annual No Dead Artists: National Juried Exhibition, please email [email protected]

We're fine talking about dead people, so let's say Claude Cahun, Rosa Bonheur, Billy Tipton, and Gladys Bentley are some of our favorite trans artists from history.

Night Studio (STUDIOFILM & RACQUET CLUB), a portrait of the artist working in the dead of night, is as much about his state of mind as it is about his studio.

«Okay, Proxyah is dead, got ta move on...,» writes artist Viktor Timofeev in an email about what instigated the end to a project and exhibition series that has been running since 2013.

An old hand at such juxtapositions, Hauser and Wirth offers an intensely curated pitch for older and dead women artists — a 1960 Eva Hesse painting, a Louise Bourgeois fabric piece, the tormented canvas «Mourning» by Maria Lassnig (aged 92) and a fresco - like work about the ages of women «after Giotto» by Ida Applebroog (aged 82).

I had one more crit with a visiting artist that summer, Kara Walker, who couldn't figure out why I liked dead white guys any more than I could explain what it was about art that I was so in love with.

Julian Schnabel's decision to follow his elliptical 1996 biopic of Jean - Michel Basquiat with a film about Cuban writer Reinaldo Arenas might intimate a morbid allegiance to the cult of the dead artist.

YM: What is strange is that when I speak about the participating artists for Yokohama, those who I think are really good are all dead.

Edith Newhall reports in the Philadelphia Inquirer: «Campuzano's paintings convey a sense of potential menace lurking in their background, and each is different from the other and vaguely reminiscent of the works of such painters as Jasper Johns, Frank Stella, Clyfford Still, and Piet Mondrian — enough so you wonder if Campuzano's project is actually about the viability of painting in the 21st century, and whether he has tweaked the «dead man» of the original note into a reference to famously groundbreaking artists, dead and alive....

He came into his own as an artist in the age of Watergate, after painting had been declared dead, the object superfluous and originality a privilege of the past — at a time when just about everything that used to define what great art could be now provoked distrust for the artist and many of his generation.

Also a very good point about drawing from reality — the artist needs to catch the breath of life in their subject — proof of the experience itself — where photos are static, dead and frozen.