Sentences with phrase «about everyone in the film»

Just about everyone in the film takes a turn speaking about suicidal thoughts, which happens often enough to make it noticeable and slightly irritating.

Praise has already been heaped on just about everyone in the film's stellar ensemble, from the fiercely - committed Naomie Harris as Chiron's junkie mother to Trevante Rhodes and André Holland, who meticulously telegraph a profound and heart - stopping romance as adult versions of Chiron and his estranged friend / lost love, Kevin.

Not exact matches

Hi everyone, I've been enjoying the comments in reaction to Ellen's post about inclusion and my film Including Samuel.

The best part about this is that because everyone's in their own car, you can feel free to have a little chat with yourselves during the film without having a theatre of angry viewers pester you!

It's really good, deserves respect for its treatment of the subject matter, and is a great example of what I love about 70s cinema, but I just didn't get blown away by it, Maybe I just wasn't quite in the right frame of mind, or maybe I've just seen too many films like this already, but I don't think it's quite as good as everyone else does.

Two performances in Game Night stood out to me, which is an accomplishment, since everyone in the film gave memorable and entertaining performances from Magnussen's look of child - like wonder when he was right about something everyone else doubted to Horgan's quick wit and ability to quickly and naturally go from moments of honest laughter to moments of unforgettable deadpan.

I'm someone who, I think like everyone else when hearing about this, thought that there would never be a good incarnation of Captain America, especially since the colossal failure of a film in the 90s.

And I'll be talking about how wonderful it was there, up in the mountains of Colorado in this charming town where everyone has a dog and it rains every afternoon, where I first saw these outstanding films.

Tangents aside, Big Hero 6, directed by Don Hall and Chris Williams, is an adaptation of a little known Marvel comic, about a 14 - year - old boy called Hiro (spectacularly mispronounced as «Hero» by seemingly everyone, bar one character in the film), a total robotics prodigy, with genius level intellect, who participates in underground robot fighting.

But yet again, that's the great thing about film... not everyone has to like... I, for one, HATED lost in translation and will NEVER see what the fuss about that movie was.

I don't care about how silly it was or how messy the storyline was in places, I genuinely really enjoyed the film and so did everyone else coming out of my showing.

Running alongside this generational misplacement is a bubbling undercurrent about the erosion of «truth» in cinema — a fretfulness about what being a film - maker means in a world where everyone wields a camera.

It's a story I know backward and forward, as does just about everyone, so there was no reason to anticipate that I'd find myself so invested in the proceedings, but Branagh delivered a lovely film that looked gorgeous, had a strong script from Chris Weitz, and featured a wonderful cast, starting with Lily James as Cinderella and including top - notch performances from Cate Blanchett, Stellan Skarsgård, Richard Madden, Hayley Atwell, Ben Chaplin, Rob Brydon, Derek Jacobi, and Helena Bonham Carter as Cinderella's Fairy Godmother.

Clocking in at barely more than a minute in length, it features brief, eerie looks at the film, spliced together with famous quotes from everyone from Aristotle to Charles Manson about the overlap between paranoia, love, fear, and pain.

He isn't ever really mean about it, and besides, it goes both ways, and involves everyone in the film.

We can also include this short film, titled Dawn of the Deaf, about a few deaf people who must band together to survive in a zombie apocalypse - though it's much more about the relationship the main girl has with everyone in her life.

I laughed at the wordplay in the film but wasn't expecting the widespread tautological eruptions that followed the film's premiere as everyone bent themselves into self - affirming pretzels to debate its portrayal of torture in the film's opening scenes as if there were only one way to look at the damn movie... as if torture were the only thing worth discussing about the film!

As enlightening as it is about Refn's process and how he freewheels at times because of the freeing nature of shooting in chronological order, My Life Directed is a film that really nails his relationship with Corfixen and how that bond needs attention even when everyone else needs it as well.

The various behind - the - scenes documentaries are outstanding, with in - depth discussions from everyone concerned about the development of the film's groundbreaking effects and the ways they stretched Michael Crichton's source material into a trio of feature - length films.

Nearly 10 years to the day after the release of «Iron Man», the film that started it all, just about everyone who's part of the Marvel Cinematic Universe characters come together in «Infinity War».

Lady Bird is a film about learning who you are and trying not to hurt everyone you love in the process.

James Mangold for caring about all the right things in his work and blessing us with Logan and Copland, Refn for Drive alone, Stallone for giving us Rocky and THE «Just keep going» monologue that everyone in the arts needs when they have that inevitable bad day, Joe Carnahan for being able to blend heart stopping action with character drama and Phil Joanou for making my favorite film of all time with State of Grace (1990)(I'd love a Cinephilia and Beyond piece on it someday...)

Within six months, the film was premiering at Cannes, beginning a year - long whirlwind that culminated in the film's immediate cult status on its release back in the spring, and has put Saulnier (who also served as the movie's stellar DP) on just about everyone's one - to - watch lists.

So, while everyone else continues to moan about Oscar racial bias while simultaneously butchering Alejandro González Iñárritu's name, join us as we look forward to what should be a spectacular year in film.

A few weeks ago, I had a chance to talk to Joe and Anthony Russo about Avengers: Infinity War and how they were able to achieve everything that they did with the film including how they kept everything that happened in the film a secret from everyone including the actors.

But in the mid-credits scene of the film, we saw that Thanos was about to board the Asgardian ship, making everyone wonder what type of carnage would follow.

Extras: Audio commentary from writer - director John DeBello, writer / co-star Steve Peace and «creator» Costa Dillon; deleted scenes; six exclusive featurettes: «Legacy of a Legend,» a collection of interviews, including comments from John DeBello, Costa Dillon, film critic Kevin Thomas, fans Kevin Sharp and Bruce Vilanch, future «Tomatoes» mainstay John Astin and actors Steve Peace, Jack Riley, and D.J. Sullivan, «Crash and Burn,» a discussion about the famous helicopter crash that could have killed everyone because the pilot was late on his cue, «Famous Foul,» about the San Diego Chicken and his role in the climatic tomato stomping ending, «Killer Tomatomania,» a smattering of interviews with random people on the streets of Hollywood about the movie, «Where Are They Now?»

Although there are several major contenders — from the likes of Quentin Tarantino, David O. Russell and Alejandro González Iñárritu — scheduled for release at the end of the month, the highly anticipated seventh installment in the «Star Wars» film series is what everyone will be talking about during the holidays.

Certainly when dealing with a subject who is not only alive but still serving in office (unlike Stone's earlier films about Nixon and Kennedy), it would be impossible to create a political piece that passes everyone's test of objectivity.

As with another film about tolerance in the Adam Sandler / Dennis Dugan (The Benchwarmers, National Security) oeuvre, I Now Pronounce You Chuck and Larry, the object is to perpetually insult and poke fun at its subjects as much as possible before showing that deep down, they really are just kidding and want everyone to get along.

While there is something to be said about the film's truly madcap and increasingly absurd multilingual clusterfucks - and they are perhaps the most potent and precise of any Palme d'Or nominee in years - those that know Ade's previous films (The Forest for the Trees, Everyone Else) should also expect a work that is achingly human and nuanced, working marvelously as both an intimate and awkward study of a father - daughter relationship and as an immersive look into the corporate landscapes of post-wall Europe.

Everyone seems to be wearing a heap of makeup in this film, and I'm not just talking about the women.

Almost everyone is talking about Cooper getting an Oscar Nomination for his role as Pat, however, I feel that if anyone in this film deserves an award it's Jennifer Lawrence.

For the entire fest everyone spends pretty much all day at the Drafthouse (which was re-opened this year with nine screens after a complete renovation), discussing / chatting about films when not in one, and enjoying indie video games, libations aplenty, and tasty food the rest of the time.

About Photo # 3840124: Aaron Taylor - Johnson strips down for his Golden Globe - winning performance in the movie Nocturnal Animals and everyone on set saw a lot more than we saw in the film!

The sequence, fittingly titled «Belle,» features Watson as the titular character, fleshed out by the townspeople, made up of the film's chorus, who — like the townspeople in the animated version — don't understand why Belle is all about the books, and not about acting like everyone else.

It's easy to forgive the cast of «American Reunion» for having some hesitations about returning for another installment of the comedy franchise (especially after that terrible line of direct - to - video spin - offs didn't do much for its reputation), but credit to co - writers / directors Jon Hurwitz and Hayden Schlossberg for not only getting everyone on board, but delivering one of the better films in the series.

We're increasingly in a world of film criticism that often feels like it's built around consensus, in which everyone has to agree that something is fantastic or awful, but Roger never cared about that.

The real drawing interest of the film comes through the intricate nuances caused by the conflicted loyalties for everyone in the know about what's going on, and the constant peril that the protagonist and antagonist are in during nearly every scene.

With echoes of Gus Van Sant's «Drugstore Cowboy,» «Animals» is a breakout film for everyone involved, a riveting drama about codependence in the life of two junkies who may love each other so much that they're dragging each other down into their addictions.

«We walked, we shared the stories of our lives, and we put the film together for everyone who has ever felt lost in their life,» Reese Witherspoon said about working with «Wild» co-star Laura Dern

Every Thing Will Be Fine is a critic's worst nightmare, which is to say that it's really goddamn boring — the kind of boring that is tough to write about, and which inevitably threatens to bring out everyone's inner hack, cycling through synonyms to keep the prose lively («dull,» «tedious,» «stultifying,» etc.), all the while fighting the urge to just start nitpicking things that might be endearing in a better film.

Forget about the excitement brewing because Matthew McConaughey (Ghosts of Girlfriends Past) is actually starring in a film that doesn't require him to remove his shirt or offer up his rugged good looks for an insulting rom com role opposite Kate Hudson or Sarah Jessica Parker — as much as everyone would like it to be, this is not a sequel to 1996's A Time to Kill.

One such film is Joe Lynch's Mayhem, a hilariously berserk horror - comedy about a virus that gets released in an office building, one that makes everyone act on their wildest impulses.

The comeback was short - lived, however, After Last Tango in Paris — for my money the most emotionally lacerating performance in film history — sent just about everyone involved off the deep end.

The characters in his films — Emily Watson in «Breaking the Waves,» Björk in «Dancer in the Dark,» just about everyone in «Dogville» — have often ended up dying in what feels like the director's ritualized acts of execution.

My list of didn't - see - yet shame includes: Eskil Vogt's Blind that everyone raved about, Brendan Gleeson's Calvary which Fox Searchlight picked up, German drama Wetlands, Jake Paltrow's sci - fi western Young Ones, Jim Mickle's Cold in July, bedtime horror The Babadook that some said is the best of the fest, Mark Duplass & Elisabeth Moss in The One I Love, Jenny Slate in Obvious Child, A.J. Edwards» Lincoln film The Better Angels, plus the highly praised closing night film They Came Together, not to mention the Audience Award winning doc Alive Inside: A Story of Music & Memory.

Everyone Else writer - director Maren Ade is underway on Toni Erdmann, another film about a strained relationship, this time focusing on woman whose father believes she has lost her sense of humor and proceeds to bombard her with jokes... John Travolta and Ethan Hawke will team with Ti West on In a Valley of Violence, «a revenge Western film set in the 1890s.&raquIn a Valley of Violence, «a revenge Western film set in the 1890s.&raquin the 1890s.»

It's not about looks, though, as Mockingjay 1 takes a moment to remind when some old guy says they shouldn't put Katniss in makeup because it makes her «look 35,» handily identifying exactly the demographic assembled for this film: tweens and everyone else pretending they didn't glance at J - Law's naughty selfies.

But he's got plenty to say about everyone involved in this film, which he explains was inspired by both the Jackson riot and Wanger's own Billy Wilder - inspiring run - in with the law that saw him serve four months in prison.