Sentences with phrase «about everything in this film»

To be honest, just about everything in this film feels contrived.

Not exact matches

Although it is entertaining to see whether the restaurant manager will try to dodge the reporter — yes, a manager was caught on film running away and hiding behind a wall — or lie about what happened, it's everything Van Warner says to avoid doing in a crisis.

In Uptown Kingston, where Departures has been shooting for the past several weeks, filming has been accompanied by some low - level grumbling about everything from parking to pushy production assistants.

«Secondly, don't believe everything that you read about movie stars because some of the women who've had kids in their late 40s, such as film stars, have used donor eggs, but they don't tell you that in the article because it's their own private business,» warns Prof Ledger.

UK / US About Blog Vintage Life Magazine is full of vintage style, from style and fashion, hair and beauty, house and home, to music and film, everything great about the 20s, 30s, 40s, 50s, 60s through to the 70s — all in one great magaAbout Blog Vintage Life Magazine is full of vintage style, from style and fashion, hair and beauty, house and home, to music and film, everything great about the 20s, 30s, 40s, 50s, 60s through to the 70s — all in one great magaabout the 20s, 30s, 40s, 50s, 60s through to the 70s — all in one great magazine.

Since I became a little obsessed about editing video lately, this time around a vlog comes before photo diary Rome is obviously such a beautiful city that I couldn't stop myself from filming everything around me, and the result is this little vlog of me hanging around the city with my family, eating a lot of pizza, posing in front of Trevi Fountain and admiring this incredibly beautiful city.

Everything about the film and the characters in it is a throwback, and purposefully so: From their clothes (can anyone please direct us to where we can buy Stone's below - the - knee backless dresses?!

UK / US About Blog Vintage Life Magazine is full of vintage style, from style and fashion, hair and beauty, house and home, to music and film, everything great about the 20s, 30s, 40s, 50s, 60s through to the 70s — all in one great magaAbout Blog Vintage Life Magazine is full of vintage style, from style and fashion, hair and beauty, house and home, to music and film, everything great about the 20s, 30s, 40s, 50s, 60s through to the 70s — all in one great magaabout the 20s, 30s, 40s, 50s, 60s through to the 70s — all in one great magazine.

Sugar's story takes some unexpected shifts in the last third of the film, but what's wonderful about Boden and Fleck's movie is that it never tries to psychoanalyze its protagonist, never inserts a helpful voice - over or an Anglo girlfriend to explain everything.

Gamble fuck what Thomas Edison might have said, holy shit man, the average filmgoer to the average film blogger, show me this barrage of complaints about frame rates, show me in the span of Row Three, and all the shit that has been parsed over in 100 + threads about everything film related or otherwise, where this great wealth of historical proof exists where people, the masses, film fans, have been complaining about film rates.

Everything about this film moves at a very solid pace and you feel like it is giving you a slice of life at this moment in their lives.

Two years later, he could be seen in another high - profile, politically tinged thriller, this time opposite Denzel Washington in director Jonathan Demme's remake of The Manchurian Candidate.In 2005 he made his directorial and screenwriting debut with Everything Is Illuminated, and appeared in the critically acclaimed, Golden Globe - winning HBO movie Lackawanna Blues, a life - affirming film about a selfless black woman (played by S. Epatha Merkerson) in 1950s segregated New York who provides a home and a guiding hand to the youths who come to live at her boarding house.

McEwan's understandable dedication to the source material also leads to some pushy, unnecessary inclusions, from a scene that dramatizes Edward's apparent «coarseness» in a way that's in direct opposition to everything else we've learned about the character, to a heartbreaking insight into Florence's family life that should either be much bigger or totally excised from the film.

Some may disagree, but it's one of the better Bond films not just because of Craig, and a great female lead — but because it combines everything that is good about Bond in the first place without the need of just gadgets to progress what happens in the storyline.

The unit's work was top secret, its members» experiences, recounted in this film, fascinating above all for what they tell about the determined inventiveness, the all - out ambition to try everything, characteristic of that war effort.

The second act of the film finds Petit and his allies casing the twin towers, making sure that they know everything about the tower that's still under construction — the workers» schedules, which areas give access to staircases, which elevators are best to use... Essentially, The Walk becomes a heist flick in the middle — and like all good heist flicks, everything goes like clockwork until it doesn't.

While most films these days are about nothing, this film seems to be about everything that's plaguing the human spirit in a relentlessly globalizing world.

Ridley Scott «s 2012 prequel remains divisive and the public details about the new film paint the picture of a production that keeps everything that worked in that first film while quietly throwing away everything that did not.

Even in San Francisco, which gets just about everything New York and Los Angeles get, there's been a dearth of Italian films.

After setting the screen alight in films like Kingsman and Legend, he had to change everything about his appearance to play Eddie: adopting an underbite and wearing glasses that were so thick that he had...

The Houses October Built Blu - ray — A group of friends films a documentary about the most extreme Halloween haunts in the country, soon discovering an underground organization called the Blue Skulls that gives them everything they have been looking for and more.

BE: You mentioned that you've been in more cult films than just about anybody, but you've also got such a diverse group of films to call your own, everything from «Super Troopers» to «X2.»

Sure it had Sigourney Weaver reprising her role as Ripley, but just about everything else in this film is different.

For this follow - up, recorded at the 2012 Toronto Film Festival where I saw the film for a second time (reviewed here), I decided to go all out and talk in - depth about the movie, with spoilers and everything.

Much of the talk at Sundance this year, where, despite everything, sales and attendance were up, was as much about the ways in which movies will be «consumed» in the future — with all the various digital platforms on the horizon — as on the films themselves.

Everything about this film oozes class; the 60's setting is beautifully captured with it's attention to detail and strikingly rich photography by Eduard Grau; the slow motion scenes with overbearing sound effects; the subtle changes of colour saturation providing an excellent technique in developing the mood and feeling of Firth's character and a fitting soundtrack to accompany the lush imagery.

A film without significant highs or lows, everything about The Martian feels in - between, like a narrative waiting for its spark.

At about 3/4 of the way through, I was ready to declare the film one of the best of this subgenre of films in recent years until it finally became everything it had been avoiding so well — a pat, artificially rousing, cliché - ridden sports drama.

In other film news, here's everything you need to know about cult film The Room and disaster artist Tommy Wiseau.

In true Anderson fashion, everything about this film feels organic, from the production design to the use of colors and costumes.

While cult films range from campy science fiction to highly graphic horror movies and just about everything in between, there are a few characteristics that most cult films share:

There is so much money on the line with this film — especially considering that parent studio Lionsgate bid a reluctant farewell to the «Saw» franchise only a little over a year ago, and could use another cash cow — and yet nearly everything about its execution flies in the face of standard Hollywood protocol.

But everything about this part of the film is beautifully done, from the gritty realism of the gladiatorial school, to the touch of bitter irony in the gladiators catering to the crowd's thirst for blood, to the build - up as the story takes us all the way to Rome and the Colosseum.

Likewise Disorder, my first film, was a sort of matrix, an intimate self - portrait of that time in my life: it represented everything I knew about the world up to that point.»

I thought about simply explaining what happens in this film to allow people to understand how overwhelmingly ridiculous it all is, but the truth is that if I wrote down everything that happens in this movie scene for scene, you genuinely would not believe me.

Everything else about Behind Enemy Lines, after all, is basically a retread: the third Gene Hackman «not leaving a man behind» film after Bat 21 and Uncommon Valor, and the umpteenth time the veteran actor has been asked to play a snarling iconoclast, spitting in the face of an unfeeling establishment.

But every time your eyes are about to roll back into your head at the film's slovenly direction and editing, it'll throw in moments of pathos or images of eerie beauty (everything involving gold or water is aces).

FILM COMMENT met with the self - deprecating director at Sundance, where The Forbidden Room premiered in the New Frontier section, to talk about everything from fetishism to color timing.

itself, Kameron, you wrote that it was «the kind of movie that makes me want to avoid the internet for a century,» which makes me curious about how you and the rest of the gang have approached writing about tricky films in a moment where everything feels polarized between «this movie will save mankind!»

The boisterousness of the film's finale, with its sieges and rescues, its lightning bolts and flash floods, relieves what would otherwise be an almost unbearably sad evocation of what is least preservable about youthful experience: not so much the loss of that «innocence» that is such a hackneyed motif of modern American culture (and for which summer camps have always been a favored location) but the awakening of the first radiance of mature intelligence in a world liable to be indifferent or hostile to it, an intelligence that can conceive everything and realize only the tiniest fragment of it.

«Touchy Feely» Lynn Shelton's latest isn't perfect, but damn if its highs don't exceed just about everything else I've seen this year, packing more emotional wallop into a single scene than most films do in their entire running time.

I didn't make this film, but I will say that the internet has changed everything in terms of distribution and because of iTunes and other outlets like that, length is no longer something you really think about, in my opinion.

We're doing 10 episodes and I think the interesting part about it is exactly what you said, everything's changed so much; the line between film and TV has blurred so much over the years, I think Jack Ryan is a product of that blurring so much that I think that they're not even really considering it a TV show, they're calling it a movie that's being told in 10 parts; and that's not just an argument of semantics, it's actually true.

One reason it's hard to find much critical guidance about Hong Kong movies is that most of what's written about them in English comes from within the Hong Kong film industry, which monotonously emphasizes box - office grosses over everything else, and is in a form of English that borders on gibberish.

He's not shy about shooting anyone in their way, even a troublesome girlfriend, and he's so tough that the film has to throw everything at him (starting with one of the great urban car crash stunts of its time) in the third act just to slow him down.

But everything in this movie is tame: the affair is about as passionless as it can get, even for the English; the guy is pretty boring — more traveling salesman than transgressive cad; and the film itself is written and shot so tastefully as to be pretty much inert.

This movie takes everything that was fantastic about the first and expands upon it making one of the best films of 2014, as well as one of the best sequels in cinema history.

There are those people who read everything they can about the films going in and those who decide to enter as blindly as possible.

Writer - director Mike Mills («Beginners») creates feelings and moments, and in turn, he and his cast conjure a film that's as much about nothing as it is about everything.

A few weeks ago, I had a chance to talk to Joe and Anthony Russo about Avengers: Infinity War and how they were able to achieve everything that they did with the film including how they kept everything that happened in the film a secret from everyone including the actors.