Sentences with phrase «about female identity»

The structure of the new medium itself played an important role in addressing questions about female identity in relation to art, pop culture, and dominant feminism movements at the time.

Housewife, on view at Sargent's Daughters in Lower East Side, includes a series of participatory sculptures that invites the audience to engage in performances that reenact house work, while questioning the presumptions about female identity and womanhood in society.

There are obvious nods here to artists like Louise Bourgeois and Eva Hesse, both of whom utilized alternative materials including fabric and textiles to speak to a larger context about female identity and sexuality as well as women's invisibility in the greater world at large.

«When I read the piece, what I was most proud of and most interested in was this very nuanced and deep discussion about female identity,» she explains, «especially how female identity gets skewed by history in terms of its interpretation and its understanding.»

Not exact matches

We must ensure that our Catholic schools teach Catholic doctrine, and uphold Catholic values — including the values that might clash with current trends in British society: marriage as the lifelong union of a man and a woman, the need for human life to be cherished from conception to natural death, the truth about our sexual identity as male or female.

The bill's primary goal is to prevent colleges that receive state funds from enforcing codes of student conduct that reflect the college's religious beliefs about sexual identity and the confining of marriage to male - female relationships.

In her review of the film for the BFI, my good friend and collaborator Sophie Mayer astutely links Stories We Tell to the feminist classic Daughter Rite (1978) by Michelle Citron, and what I love about this connection is the fact that it perfectly crystallizes how experimental and powerful Polley's examination of female identity — both hers and that of her elusive mother — is.

From Facebook beauty - contests for the character she plays to big New Yorker profiles to a hilarious case of mistaken Twitter identity, we've been talking a lot about Mass Effect 3's female lead Jennifer Hale lately.

In one episode, Masters presents his research about the female orgasm to his male, sexually - orthodox colleagues by exhibiting a clip of Virginia, filmed without showing her face or revealing her identity, masturbating (voyeurism to the max).

Their lack of success with women is spectacular until they meet a hard, manipulative female shrink (Amanda Peet), who sets about destroying the trio's morale and undermining their identities.

She's a strong, female hero in a day and age when such a concept appears to have never had its time, and the film is a rich, tense thriller about corruption, manipulation, and identity.

A brilliant, provocative novel about an artist who, after years of being ignored by the art world, conducts an experiment: she conceals her female identity behind three male fronts.

But all these works come from a place of deep personal perspective and wildly messy emotion, and, as a newcomer to Goodman's works, this strikes me as relevant to a contemporary conversation about women artists and female identity writ large.»

Female models at the Pennsylvania Academy of the Fine Arts wore masks to hide their identity as late as about 1866 — as attested to in a charcoal drawing by Thomas Eakins — if not later.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Female artists today are more likely to be able to say things out loud, but perhaps still run similar risks in the media and popular conceptions — being pinned down by categorical thinking about gender and identity.

Analyzing the changing nature of female identity and artistic practice as mediated by digital technology, Meier asks tough questions about the future of the art world and whether or not art will be successful if it does not receive a lot of attention on social media.

The questions of assumptions about male heroes and female heroines, about the issues of identity politics and gender studies, coinciding with deconstructivist views of art history and more, are tackled in Kass's wide repertoire of silkscreened and painted imagery.

In Carroll's case, these truths could be about women's relationships with their own female identity, and that ascribed to them as the keeper's of a neat and tidy home.

Ann Hirsch is a contemporary artist who uses video and performance art to communicate ideas about women's sexual self expression and female identity.

Past artists who have created work for Rivington Place's window include Philomena Francis who used piped black treacle in her artwork mo» lasses III to raise questions about identity and viewing the black female body, and most recently Nilbar Güres» Beekeeper, a photographic composition examining representations of femininity and cultural identity.

Wangechi Mutu's work boldly explores the contradictions of female and cultural identity, drawing the viewer into conversations about beauty, consumerism, colonialism, race, and gender...

Jeff Sterne's film is a story about sexual identity told by a man in love with the voluptuous female figure.