Even though I was looking at them, I was thinking again mostly
about figure ground and romantic landscapes.
Not exact matches
Asked
about figures suggesting a higher toll, he said it could be people killed on the
ground but said he had no indication
about any such deaths.
Tarfia please do not make assumptions
about my knowledge base and, if possible, try and base your statements with evidence rather than opinion and what you think — take a leaf out of John Ps responses — he gives us some
figures to back up his claims — for example — how do you know how many people occupy the centre
ground — what evidence have you got.
And what else is interesting
about that is that there are other animals that have
figured out, as human worm charmers [have], that if they set up vibrations on top of the
ground, worms will rise to meet them.
Using data on the rate at which water flows in the creek and official
figures on how much salt is spread on the roads, he calculated that even by November only
about 45 per cent of the previous winter's salt had been washed down the creek; the rest remained in the
ground water.
Consequently, the strains of decreased purchasing power coupled with the responsibility for maintaining the national U.S.
ground - based effort in radio, optical, and solar astronomy have led to a division of the NSF AST budget such that, through the decade of the 1990s,
about 65 percent of the NSF allocation to AST was assigned to facilities operated by national astronomy organizations, with only
about 22 percent made available to support individual investigators (
Figure 6.2); the rest went to instrumentation and the university radio observatories.
Then at the end... just when someone is
about to get killed... the last victim
figures it out and shuts off the air and the air stalker crumples to the
ground, looking like some sorry heap of old plastic garbage bags.
So I
figured out how to fix smashed powder makeup using alcohol... the best part
about this method is that it doesn't leave any water, which can be a breeding
ground for bacteria.
Mature dating is all
about figuring out where your middle
ground is and what makes you both happy.
The third season of United States of Tara found Tara and her family breaking new
ground: Tara's situation with her alters took a huge swing in unexpected directions; Max had a major realization
about his job; Kate had to
figure out the first step in forging her own life; Marshall had love and life issues to deal with while trying to get a start in serious filmmaking; Charmaine had to put aside her issues with Tara to accept her help in dealing with her daughter, wheels [you'll have to watch to understand — I'm not even going to try to explain], and even Dr. Hattaras had a life - altering experience [though not one he particularly wanted].
Dumont always surprises, as does his new film
about a familiar histrical
figure which breaks new
ground with a surprising musical score by «Baroquecore» artist Igorrr.
As we tumble through space in Her Royal Majesty's SkyShip Publishicanus that center of gravity keeps leaping from bulkhead to bulkhead tossing us
about like a bunch of Mexican Jumping Beans on a July Guadalajara sidewalk, trying to
figure out which side to be standing on when the ship finally slams into terra firma and hoping that we'll be landing feet first on the part that becomes the bottom instead of learning too late we're standing on the wrong surface and finding ourselves proiecisset faciem primus into the newly declared
ground floor.
It wasn't until Allison
figured out how to structure things financially and organizationally that we were finally able to get it off the
ground, but as optimistic as we were
about the idea, we weren't sure when we launched last summer if we could actually make it fly.
In reality, the list tells you as much
about the biases of investors themselves — such objections aren't necessarily correct, or even
grounded in facts /
figures.
With today's «Travel Made Easy» post you will get a summary of all you need to know
about Philippine Airlines — the facts &
figures of their fleet, destinations, the experience on the
ground and in the air and their reward program, Mabuhay Miles!
Another has abstract
figures lying
about on a field much as in early Joan Miró or Arshile Gorky, in colors much like theirs, and yet another includes sand and coffee
grinds — like a blend of everyday life, Jean Dubuffet, and an underground cave.
In 2018, The
Figure and the Ground sets the stage by thinking about representation through the formal dichotomy of figure and g
Figure and the
Ground sets the stage by thinking about representation through the formal dichotomy of figure and g
Ground sets the stage by thinking
about representation through the formal dichotomy of
figure and g
figure and
groundground.
They're
about painting — the
figure -
ground relationship, structure and organization.
About lines and strokes, about painting paint strokes, telling a story, using the grid, moving from figure and landscape space, making the work narrative, isolating strokes, thinking about the anatomy of a painting... being able to see the process the painting went through, the ground, pencil lines, paste, gel, p
About lines and strokes,
about painting paint strokes, telling a story, using the grid, moving from figure and landscape space, making the work narrative, isolating strokes, thinking about the anatomy of a painting... being able to see the process the painting went through, the ground, pencil lines, paste, gel, p
about painting paint strokes, telling a story, using the grid, moving from
figure and landscape space, making the work narrative, isolating strokes, thinking
about the anatomy of a painting... being able to see the process the painting went through, the ground, pencil lines, paste, gel, p
about the anatomy of a painting... being able to see the process the painting went through, the
ground, pencil lines, paste, gel, paint.
These are just a few of the things that struck me
about work in the exhibition: Feeley was intensely interested in a confounded
figure -
ground relationship; he was able to economically synthesize the formal and the comic; he was attentive to the erotic; his work clearly stands apart from Color Field painting.»
The gallery is a pitched battle
about painting versus drawing,
figure -
ground versus all - over composition; stained versus impastoed surfaces; mythic versus biomorphic forms; and who dripped first.
In her first year, Ms. Crosby's studio practice saw a lot of experimentation, mostly
grounded in drawing and painting the
figure, along with a heavy dose of information
about the sprawling world of Contemporary art, courtesy of her renowned teachers Catherine Murphy and Peter Halley.
In contemporary reviews of that exhibition, the curator and art historian Andrew Wilson claimed that Rae's paintings upset «the traditional
figure -
ground relationship» (Wilson 1996 — 7, p. 9), while the critic Andrew Graham - Dixon described Untitled (emergency room) as «a picture of something
about to take shape before it has actually done so» (Andrew Graham - Dixon, «On the Surface», Independent, 19 November 2006, http://www.independent.co.uk/arts-entertainment/on-the-surface-1353083.html, accessed 15 June 2015).
Many of the «sculptures» included often operated with or within more - two dimensional components — I am thinking here of Jon Kessler's Exodus (2016) and Evolution (2017), configurations far more
about the transmutation of object into digital image than it is
about the materiality of things; Rafa Esparaza's
Figure Ground: Beyond the White Field (2017), a weighty and timely installation on labor, colonialization and identity read through adobe bricks; or Raúl de Nieves» beginning & the end neither & the otherwise betwixt & between the end is the beginning & the end (2016), an installation of five ornate, grotesque, and vibrantly hued sculptures set against a backdrop of eighteen colorful acetate sheets made to resemble stained glass windows.
Brodie and the Flemish painter Eugene Leroy share some of the same productive anxieties
about the porous relationship between
figure and
ground.
It is what Mira Schor talks
about in «
Figure /
Ground» (1989), which is an essay you have cited as an influence.
And in them we see the recognizable and intact trace of his teacher Hans Hofmann, whose life drawing classes he attended in Provincetown, MA and whose ideas
about form and
figure /
ground he absorbed before discarding.
Of these connections, I note an interest in paintings of modest scale (a stated interest which is not consistently reflected by the paintings chosen for Reinventing), in «low - key» or unassuming compositions, and a fixation on the artists» renewed «curiosity
about paint's material possibilities» («Provisional») and their «rediscover [y][of] the possibilities of painting on stretched canvas, and working with oil paint,
figure /
ground relationships, [and] applying paint with a brush instead of spraying or folding or pouring or staining» (Reinventing).
I'll let Bart R, but I don't believe that you have any
ground to believe that I have anything to say
about the Met office
figures.
Temperatures at the surface, in the troposphere (the active weather layer extending up to
about 5 to 10 miles above the
ground), and in the oceans have all increased over recent decades (
Figure 2.2).
With rooflite, landscape architects don't have to worry
about figuring out the weights for their green roof systems, and they can enjoy the fun part of creating compelling and dynamic green spaces way above natural
ground.
Natural gas produces
about 50 % to 70 % less CO2 than coal for a given amount of energy produced (the higher
figure is compared to the less efficient coal plants, which are probably those being closed right now), and while fracking and moving natural gas around isn't a free lunch by any mean, it compares favorably to mountaintop removal and all the energy that this requires (moving a whole mountain and
grinding rock down to powder, can you imagine how energy intensive that is?).
But you wrote in this post
about Figure 7, «The problem of «extra heat» in land temperatures (likely to be UHI and more) is escalated by GISS because they extrapolate the
ground based land temperature measurements over the oceans in stead of using real ocean data.»
Presumably
figuring the experience would have its players in an adventurous mood, Capcom has decided there would be no better way to promote the game than sending them on a wild goose chase to find old wives tales and boogie monsters
grounded in as
about as much reality as its own fantastical game.
I measured
about how high I wanted it from the
ground and
figured that using 5 rows was
about the right height.