Sentences with phrase «about filmmaking between»

Colombian filmmakers Laura Huertas Millán and Lina Rodriguez talk about filmmaking between cultures, the visible and invisible, and how to cook on film

Not exact matches

feels like an excuse to laugh at the personality and foolishness of Tommy Wiseau in brand - new ways, but it also humanizes him, establishing a strong central story about a lopsided and perplexing friendship between Tommy and his longtime best friend and filmmaking partner Greg Sestero (played by Franco's real - life brother, Dave Franco).

«The Disaster Artist» is an entertaining movie, not just about filmmaking but about brotherhood — metaphorically speaking in terms of Wiseau and Sestero — and literally, in the relationship between Dave and James Franco.

Splitting the difference between Michael Mann and Brian De Palma, it's a sequence that could teach any number of big - budget Hollywood movies a thing or four about action filmmaking.

Prior to the digital and Blu - ray releases of Doctor Strange on February 14, The A.V. Club spoke with Derrickson about the differences between these two filmmaking experiences, the profound changes in CGI technology, and being starstruck by Tilda Swinton even after bonding with her during filming.

The Blu - ray is as attentive to image and audio detail as the filmmaking is observant about the intersection between art and everyday life.

Between Becca saying cheesy one - liners about the art of filmmaking and her brother trying to do his best at making a mockery out of rap music, I didn't know if I should laugh or cry.

During a conference at the film's press day, voice actors Andy Samberg, Katie Crown, Kelsey Grammer («Hunter») and Stephen Kramer Glickman («Pigeon Toady»), along with producer Brad Lewis and co-directors Nicholas Stoller and Doug Sweetland, talked about how animation is «filmmaking by army,» the film's universal metaphor, what attracted the voice cast to the material, learning about the birds and the bees, the evolution of the Wolf Pack (led by voice actors Keegan - Michael Key and Jordan Peele), and the difference between directing live - action and animation.

In a creative free - fall, he received a scholarship to the University of Tokyo, wrote a PhD dissertation about the love affair between cinema and architecture, earned an MFA in Directing from UCLA, taught college - level filmmaking in Dubai, got his first novel published, and is adapting it into a film.

Joe Fatheree and Craig Lindvahl, two teachers who have made seven films between them and who teach filmmaking workshops to educators, say that even when teachers are comfortable with the technology, they don't often feel confident about teaching the art of storytelling.

«Lucas and Spielberg also spoke of vast differences between filmmaking and video games because the latter hasn't been able to tell stories and make consumers care about the characters.»