Sentences with phrase «about gallery spaces»

Now I keep thinking about gallery spaces, studio spaces, and domestic spaces.

Thinking in advance (about gallery space), the artist predicted that some spaces wouldn't be tall enough to support the piece in whole — in that scenario, a number of units featured in the work can be reduced in order to overcome the difficulties.

More information about the gallery space, including dimensions and basic equipment list, can be found here.

The drawings are scattered about the gallery space to create the effect of perambulating a cell.

Not exact matches

We talk to Judith about the anecdotes of everyday life she captures in her artwork, her studio / gallery space and why she believes mistakes are an inevitable and important part of the creative process.

It's early days yet, but we're optimistic about the future for our little The BlackSheep gallery space.

Upcoming events: On Jan. 23, you and your significant other can learn all about the Great Chicago Fire with themed activities and 15 - minute flash tours of gallery spaces.

5) In our profiles I'd love to have space to put a couple of pictures — to show ourselves or our workspaces / materials etc and perhaps a space for a gallery — for people to put examples of work for commissions, or to use as a portfolio space so our profiles become somewhere to direct people to in themselves instead of just being an «about» page for our shop.

I originally had our gallery wall on a larger wall above our entryway table, but I decided to change it up (You can read more about my changes and plans for this space HERE).

Today I will be hosting an event with Gallery Furniture at their I45 location from 6 - 8 pm talking about how I style a kid friendly living space and I will have to examples side by side so you all can see.

A gallery of pictures and information about military and space - related wristwatches / pocket watches Our maritime traditions Dating back as far as the Bible, marine pilotage is one of the world's oldest trades.

Story and Background Art Gallery features about two dozen stills on the three programs from Disc 1: Man in Space (27 stills), Mars and Beyond (52 stills), Man and the Moon (20 stills).

Not having gallery space for such a prolonged period raised questions about how to exhibit art and educate the public without a traditional programmable space.

There are some underground galleries that include portraits of royal children and a particularly thought - provoking exhibition in the Socrates gallery about Space and Time.

Delve into the narrow alleyways and overhanging galleries to get a sense of what the crowded space would have felt like centuries ago, and then explore the Bryggen Museum to learn more about the iconic area's history.

For more information about the Art Walk, please contact Camille Dupuis at wall space gallery at 805.637.3898, or via email at [email protected]

Hi Doreen, you can reach out to Crista Dix at wall space gallery for more information about Funk Zone happenings.

For more information about the Art Walk, please contact Camille Dupuis at wall space gallery at 805.637.3898, via email at [email protected]

Indeed, Mollusk isn't only about the sport of surfing, but also about the art of surfing: The shop has books, a gallery space for art shows, and live music events (don't miss the second - floor space that looks like a weird wooden submarine).

We're planning artists cohousing in Boulder County Colorado with 36 residences and about 5 or 6 shared studio / work spaces in a common space with galleries, teaching, and casual performance spaces.

If you start out by asking about your gallery publicity, wall space, shows, framing, marketing materials and so on, it's not going to sit well.

I think critics like Cotter (in this instance) and Saltz (in many) spend too much time and ink bemoaning the vacuity of the art and artists presented in Blue Chip spaces and too little time outside the borough of Manhattan writing about artists and galleries that make and show sincere, good, and genuine work because they have to.

Money-wise I think I did better on my own... Education-wise, possibly I learned more from working with others... Although much of what I learned from others were negative lessons I could have avoided by not putting my work in jeopardy in the first place... By jeopardy, I mean leaving valuable things in a rental space where the gallery owner failed to pay rent - causing me to learn about lawyers & bailiffs & landlords seizing contents to try to sell my work to get their rent money... (you can't sell consignment work to recoup rent money but that doesn't stop them from trying)...

I accepted an invitation to speak about my work at a packed public event in the gallery space, which was intimidating but felt like an opportunity I couldn't pass up.

This is not the case for all the work, and two pieces, radically different in form and composition, move beyond the intricacies of internal formal dialogue to effectively engage with the viewer, the gallery space, and larger questions about art's transformational power.

About MetLiveArts: The groundbreaking live arts series at The Metropolitan Museum of Art explores contemporary performance through the lens of the Museum's exhibitions and unparalleled gallery spaces with singular performances.

Michael Armitage: I was thinking about the South London Gallery's main space having proportions that are similar to a chapel.

A case in point is the current exhibition of painting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about the space.

While I was knee - deep in the planning stages of «What I Like About You» (for Parallel Art Space, Bushwick Open Studios 2013) Garry mentioned that I should visit Imogen Holloway Gallery in Saugerties, NY to take in the current show, and to meet the energetic Diane Dwyer.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

2017 Abstract / Not Abstract, Moore Building, Miami, FL The Trick Brain, Curated by Massimiliano Gioni, Aishti Foundation, Beirut, Lebanon Trip of the Tongue, Simon Lee Gallery, Hong Kong, China Living Apart Together: Recent Acquisitions from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, CA Horror Vacui, or The Annihilation of Space, Misako & Rosen, Tokyo, Japan Whitney Biennial 2017, Whitney Museum of American Art, New York, NY Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, Birmingham, AL

ABOUT CURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitions.

SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Bspace between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, BSpace, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin

In partnership with Lost & Found, artist collective Black Dogs have transformed MK Gallery into a space for speculation on and discussion about Milton Keynes» past, present and future.

«Martial arts heroes, swordplay and fantasy: artist susan pui san lok speaks to Linda Pittwood about translating arguably Hong Kong's most beloved epic into the gallery space...» The Double Negative, June 2016 / / LAST FEW DAYS 30 Years of CFCCA: susan pui san lok RoCH Fans & Legends Exhibition: 3 June — 3 July 2016 CFCCA, Market Buildings,... Continue reading →

As part of the abstract art takeover at the Whitechapel Gallery, Lodewijks» new commission for London draws from workshops with local young people, where he found out about their relationships to the spaces around them.

Think about the production and the exhibition of an artwork outside of a studio or gallery space (outside of conventional art spaces).

An art review on Friday about the contemporary art museum MASS MoCA, which recently expanded its gallery space, misstated the frequency of a residency by the band Wilco at the museum, where popular music events are also held.

But Team was a poorhouse, a gallery in a grotesque space about four feet below street level, so you actually had to walk down a ramp to get into it.

As the gallery notes of the current show, «MOLESTIA is about a series of artworks with a minimalistic approach and a strong dialogue with the exhibiting space.

On October 22nd, Artists Space, Chinatown Art Brigade and Decolonize This Place held a town hall discussion that brought together over 215 local residents, activists, gallery owners and artists together for a candid dialogue about the growing impact of art galleries in Chinatown.

Both Smack Mellon and Exit Art celebrated their new spaces with shows about urban design and «The Reconstruction» of a gallery itself.

Deitch sat down with Artspace's Karen Rosenberg at his Grand Street space to talk about the resurgence of figurative art, the evolving downtown art scene, and what's next for him and his gallery.

BLACKLEY: I'm interested in asking you about your situation at Participant now, with commercial galleries or other more institutionalized or long - standing nonprofits, such as White Columns or Artists Space, and this kind of peer group or any sort of commonality or common practice that you may share.

But the third space in the former printing press is avant - fashion purveyor Andreas Murkudis's 1,000 m2 store, which opened about the same time as Judin's gallery.

Caitlin Haskell: For me, it has also been interesting to think about how the closing of SFMOMA's building allows you to see its works in new contexts — in other gallery spaces, or as parts of other stories.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

The gallery will be installed with images of color photographs of great lushness and black & white photographs of frozen desolation, while the center of the space will be occupied by a wall - mounted aluminum plaque with the original Russian text of Brodsky's A Part of Speech, a poem about the memory of his lost homeland.

The museum's curatorial team will gain about 20,000 square feet of gallery space in the renovation and installation projects, leaving only one significant building in the 26 - building complex left to develop.

2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY MIDTOWN, Salon 94 at Lever House, New York, NY