Sentences with phrase «about gallery walls»

What I love most about gallery walls are the way they make people feel when they walk into your home: welcomed.

For example, the subtitles of this book...» Dirty Tricks Rich Stylists Use and No One Else Knows» and «OK Fine, We Can Talk About Gallery Walls But I'm Gon na Hate It» — I mean, who wouldn't want to read on?!

You need to share a post specifically about Gallery Walls.

What I love about gallery walls is that every one is totally unique.

The great thing about gallery walls is that they extend as far as your imagination.

It's not about gallery walls or walled gardens.

But the great thing about gallery walls is the display is supposed to be random.

What I love about gallery walls is that every one is totally unique.

This is the first wall art up - do in a series I am doing about a Gallery Wall I am creating in my living room.

This is perhaps the epitome of Professor Jones» important concern about the gallery wall's whitewashing of the «possibilities of hybrid interaction» inherent in The Agent Ruby Files.

I'm all about the gallery wall — and yours rocks.

I had a question about your gallery wall.

-LSB-...] From my last post about my gallery wall canvas, you will remember I told you I have been inspired to create a gallery wall in my entryway thanks to Jen from Tatertots and Jello.

I'll share the entire room reveal next week, but today, we talk about the gallery wall.

So much to love about this gallery wall: 1) all your favorite people are on it 2) eclectic framing 3) no specific layout... if I were doing this, I'd think about it so long, it would never get done 4) it looks great!

Not exact matches

If you are interested in reading more about artwork for gallery walls, make sure to sign up for my newsletter at the bottom of this post.

Tips on stopping comparisons, the types of people you'll see on Halloween (hilarious), Hallmark's 22 new Christmas movies for 2016, on God giving you more than you can handle, the dirty truth of buying Instagram likes, how to use your iPhone photos to create beautiful gallery walls, how to get jobs that aren't advertised yet, and 10 awesome things about Diane Von Furstenberg.

Gallery walls, if you remember, are one of my ways to spruce up your entry hall on a budget, but they work just about anywhere!

And, don't you even think about changing that fabulous gallery wall in your dining room!!!

They look fabulous framed and then hung on a Gallery Wall... part of a Vignette or how about making a banner / bunting with the 5X7's (or you can resize them yourself to any size:)... great for Personalized Gift Tags... you can also use them to make cards... thank you's and so many other creations that your imagination dreams up.

Would you mind if I give you a shout out in the post I'm working on about grouping pictures (gallery walls).

I thought about doing a state one for our gallery wall, but decided to do something a little different.

I'm about to finalize my gallery wall and the print titled «tulum» is exactly what I need to go with my blue and grey theme.

I originally had our gallery wall on a larger wall above our entryway table, but I decided to change it up (You can read more about my changes and plans for this space HERE).

Talk about an Instagrammer's heaven... This adorable shop is filled with gallery walls, neon signs, & the most incredible wall of the tastiest treats ever.

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I had my gallery wall sitting on the floor for about 2 weeks prior to... [Read more...]

SUBJECT: The first thing to think about is the subject of the art in your gallery wall.

My favorite thing about my home is the gallery wall above the fireplace.

What a great feature — one of the scariest parts about putting together a gallery wall is figuring out the layout!

For more information about the Art Walk, please contact Camille Dupuis at wall space gallery at 805.637.3898, or via email at [e-mail]

Hi Doreen, you can reach out to Crista Dix at wall space gallery for more information about Funk Zone happenings.

For more information about the Art Walk, please contact Camille Dupuis at wall space gallery at 805.637.3898, via email at [e-mail]

It can be seen and felt in New York galleries, on the walls of major art institutions like the Museum of Modern Art and the New Museum, watching a Trisha Brown performance on Chelsea's High Line, and even viewed on TV — take the HBO production Cinema Verite, about the world's first reality show, An American Family.

If you start out by asking about your gallery publicity, wall space, shows, framing, marketing materials and so on, it's not going to sit well.

Her performative methodology and resulting salon - style hanging of the 48 works, sprinkled like neon - emitting raindrops about the front gallery's four walls, indeed induces a celebratory vibe.

site specific installation directly on the gallery walls; a further three large scale works and a number of smaller scale works, enjoy learning more about the collaboration between artist, curator, and institution as well as the artist's vision, process, and creativity.

Installed in the old Domino Sugar Factory in Brooklyn, the much - talked - about monumental sugar sphinx draws more than 130,000 visitors; inspires praise, countless opinions and selfies, and a porcelain pitcher; earns her recognition from Wall Street Journal Magazine as its 2014 Art Innovator and a spot on Foreign Policy magazine's list of leading 2014 Global Thinkers; and is currently being explored in «Afterword,» an exhibition at Sikkema Jenkins Gallery in New York.

Al Freeman will revisit the gallery's expansive exterior wall with a series of small repetitive murals borrowed from children's artwork about water preservation.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

As her Whitechapel Gallery review show throws open its doors, Gillian will be here every day telling Guardian readers what makes her tick, and letting you into her world of confessions and obsessions, from cross-dressing photographer Claude Cahun (the subject of a new work by Wearing) to a notorious 1960s Frederick Wiseman fly - on - the - wall film about a mental institution, Titicut Follies.

Rituals Since 1851», Triennale di Milano, Italy (2015); «Visual Deception II: Into the Future», The Bunkamura Museum of Art, Shibuya - ku, Japan; touring to Hyogo Prefectural Museum of Art, Kobe, Japan; Nagoya City Art Museum, Nagoya, Japan (2015); «Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections», The Warehouse, Dallas, Texas, USA (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Lifelike», Museum of Contemporary Art San Diego, San Diego, USA (2013); «Invisible Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London, England (2012); «Paper», Musée d'Art Moderne et d'Art Contemporain, Nice, France (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Floor Corner Wall», Fort Worth Contemporary Arts, Fort Worth, Texas, USA (2010); and «Chasing Napoleon», Palais de Tokyo, Paris, France (2009).

«The loosely coordinated events — including gallery closings, the temporary removal of artworks from gallery walls, memorial services, performances and educational programs about AIDS — were organized by a group of arts professionals called Visual AIDS.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Secondly, we needed to remove about 40 linear feet of interior wall, and lastly, we were required to build approximately 350 linear feet of wall 12 foot tall throughout the galleries.

The gallery will be installed with images of color photographs of great lushness and black & white photographs of frozen desolation, while the center of the space will be occupied by a wall - mounted aluminum plaque with the original Russian text of Brodsky's A Part of Speech, a poem about the memory of his lost homeland.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

1992 Doubletake: Collective Memory and Current Art, Hayward Gallery, London, England, essays by Lynne Cooke, Bice Curiger and Greg Hilty, London: South Bank Centre / Parkett Stephan Balkenhol: Uber Menschen und Skulpturen / About Men and Sculpture, texts by Stephan Balkenhol, James Lingwood and Jeff Wall; interviews by Ulrich Ruckriem and Thomas Schutte, Stuttgart: Edition Cantz Witte de With Center for Contemporary Art, Rotterdam, The Netherlands

Situated in a hexagonal space built into the gallery, the artist projects his film about cellphone inventor Martin Cooper projected onto three mirrored walls, reflecting the piece's hypnotic imagery in a continuous, disorienting loop.

Specifically, I am thinking about a plaster wall piece by Anthony Pearson that I recently saw at Marianne Boesky Gallery.