Whether it is the way in which their lips and mouths transfer, the way in which their hair appears to be like, or the eerie deadness of their eyes, one thing
about human characters all the time feels a bit off.
Bay's focus has always been first and foremost
about his human characters.
It is more
about human characters doing whatever it takes under extreme circumstances to stay alive in terms of «action film» techniques.
Bay's focus has always been first and foremost
about the human character - shaped stereotypes the likes of which populate all of his other films, from the wisecracking, fast - talking protagonist to the various grumbling, dorky comic - relief characters to the inevitable no - nonsense Special Forces guys.
The massive cast blends together and the plotlines messily overlap, per usual Altman style, but the small character moments revealed here are rich and reveal a lot of insight
about human character.
Not exact matches
In the end, understanding the world is
about understanding people, and fiction gives you the best, most nuanced, most varied
human stories and
character portrayals.
You might agree with the Times
about how a wizard of Dumbledore's moral superiority should be immune to the weaknesses of
human sexuality or you may side with some of Rowling's fans who think a strong gay
character is leap for gay rights.
But neither can politics, particularly liberal democratic politics, function for long without reference to sustaining roots, and especially to assumptions
about the inviolable sources of
human dignity that can rightly be called religious in
character.
The saga showcases elements of truth — truth
about the
human experience, the cosmos, the
character of a hero, and the nature of life itself.
That faith, plus other perceptions
about our personal lives and the course of
human history, provided a dimension to our stories that I call their setting: the world the story sets in which story's plot can credibly unfold and its
character develop.
For example, since skin color has no demonstrable relation to intellectual ability, esthetic sensitivity, or
character, it follows that no significant conclusions
about a person's characteristically
human behavior can be drawn from the nature of his pigmentation.
Now meditation as an exercise in prayer is no different from this sort of natural and normal
human experience, except that it is thought
about God,
about God's
character and his activity in the world.
And back then, wasn't it the fans wrapped up in «theories» who were ultimately disappointed when they found out that Lost wasn't really concerned with answering the thousands of questions it had raised — that it was less a heady show
about theology and science and more an emotional show
about its
characters and the
human experience?
In the early modern period, political thinkers formulated a new conception of natural law, whose distinctive
character has defined a distinctively modern tradition of thought
about natural or
human rights.
The Holocaust was, in largest part, the consequence of ideas
about human nature,
human rights, the imperatives of history and scientific progress, the
character of law, the bonds and obligations of political community.
Niebuhr's optimism is not optimism
about human achievements but
about divine achievements that can transform the destructive
character of our
human achievements.
In Chinese the
character for «trouble» is two women in the same house, which says something
about the Chinese view of
human relations.
Atheist and believer will disagree too
about the definition of the
human person,
about the sources and
character of power,
about definitions of success and materialism, the power and place of reason in the struggle for bread.
The Corporeal Nature of Freedom and its Sphere Before speaking of the existence of freedom and in freedom something will have to be said
about the specifically
human creatureliness of freedom which will clarify the dialectical
character of our relation to our own and other people's freedom.
That testing includes a continuing attention to whatever the special sciences tell us
about the conditions and the
character of
human motivations.
In the Joseph story in Genesis, God brings
about his purposes by working within the network of
human causes; God never becomes a
character within the story with whom other
characters interact.
It is an opera
about the fundamental duplicity of the
human character; to depict this, Wagner puts the tenor's voice under the utmost stress to portray Tannhäuser's disjointed psychology.
When my new acquaintance discovered that I was a theologian and that I was particularly interested in studying how Romanesque art and architecture illustrated the Augustinian - Anselmian
character of the faith of the early Middle Ages — with its profound pessimism
about the
human condition apart from grace — the conversation sent him into a mood of self - reproach and even to consideration of abandoning his dissertation topic.
But this sets off a titanic tug - of - war in several
characters» souls
about the relative claims of
human and divine love.
@Godpot... (God — pot... I'll have to try that... seems Dad has been holding back...) and that Moses
character... I'll wager there was more than just a bush burnin» up there... (wouldn't know... me and that bird were trying to figure out the physics of stuffing «God» into a
human womb right
about that time... I'm thinking all these
characters, not just me, were a bit «touched» as my child «Reality» likes to say...: 0)
This may be true with some people
about some things, but overall, the Bible has grown organically, is very close to
human experiences of people over centuries and millennia, speaks the truth
about our frailty, draws
characters that are complex, raw, and authentic, warts and all.
As William Rowe points out, when a fawn burns to death in a forest fire and no
human being ever knows
about it, this apparently unnecessary evil does nothing to build the
character of
human beings.
It is abhorrent to my soul to talk inhumanly
about greatness, to let it loom darkly at a distance in an indefinite form, to make out that it is great without making the
human character of it evident — wherewith it ceases to be great.
Suffice it to say that the conceptuality which I accept — and accept because it seems to do justice to deep analysis of
human experience and observation, as well as to the knowledge we now have of the way «things go» in the world — lays stress on the dynamic «event»
character of that world; on the inter-relationships which exist in what is a societal universe, on the inadequacy of «substance» thinking to describe such a universe of «becoming» and «belonging», on the place of decisions in freedom by the creatures with the consequences which such decisions bring
about, and on the central importance of persuasion rather than coercive force as a clue to the «going» of things in that universe.
I think he's a strong
character too, seeing as a weaker
human will turn to putty reading what «fans» write / think
about him?
It's a wonderful story for a start, with some of the most perceptive
characters ever created, but it's also full of wisdom
about the nature of
human relationships.
One thing that struck me
about WeiWei was his ability to tell the
human story and shine a light on individual
characters abused by the Chinese state.
On a test of children's willingness to share any of 10 stickers with a child described as unable to participate in the experiment, listeners to the tale with
human characters forked over an average of nearly three stickers,
about one more than the kids had donated before the experiment.
The contest involves writing a 500 - word essay in English, or 1,500
characters in Japanese,
about translational medicine, which is a relatively new scientific field where
human health is promoted by facilitating communication among those dedicated to basic and clinical research and its application.
Although it's clear that participants are purposely placed in coercive situations, we nonetheless think we are seeing something real and noteworthy
about the
character and the psychology of fellow
humans.
Such a strong reaction persuaded Pixar to avoid making uncannily realistic
human characters — it has since focused its efforts on films
about living toys, curious robots and talking cars to win Academy Awards and moviegoers» hearts.
Random House, 2011 New York Times columnist David Brooks invents two
characters, Harold and Erica, to illustrate recent scientific discoveries
about human nature and the quest for success, following their paths from birth to old age.
There were zero
human characters I cared
about.
Other films
about miniature
characters interacting with the
human world can be found in Toy Story and Stuart Little.
While this is definitely
about animals and right around the world, this is also a very touching
human story that cares
about relationships and
characters.
Forget the lack of deep
character development and insight into the
human condition, that's not what this film ever promised to be
about.
It would seem foolish to complain
about shallow characterization in a film like this, though in my opinion it should have either actually developed compelling
human characters or dwelt less on them.
About two - thirds of the way through Jonathan Glazer's Under The Skin, Scarlett Johansson's
character - an alien masquerading as a
human named «Laura» - decides to go rogue.
Predators is well paced with a good build up and the right degree of
character development you need to care
about the fate of the
human characters.
Aside from these momentary lapses and some third - act stuff that wants us to take the
characters far more seriously as
human beings than we're capable of doing, «The Campaign» is an effective vulgar comedy
about two idiots competing with each other.
There's little that's
human about such a
character, who becomes entirely defined by the crime perpetrated against her.
A documentary
about trans women in Puerto Rico, Mala Mala offers viewers both the glitz and the humdrum from a variety of colorful yet
human characters, from Ivana Fred, a politically - minded woman who spends her evenings passing out condoms to sex workers, to Sandy Rivera, a sex worker with a loving cisgender boyfriend.
The
character designs are nothing to write home
about, and the
humans are a little clunky, but the environments look pretty good, and there are some relatively impressive sequences.
Which other Marvel
character would openly (and happily) talk
about the 2009 Dutch horror film «The
Human Centipede» mid-conversation?
None of these monsters — and I've cited only a fraction of the full repertory — ever comes within hailing distance of a recognizable
human; this caricaturing gives John Turturro an enjoyable turn as a vain Mexican bowler (who has practically nothing to do with the plot), but it shortchanges Steve Buscemi, who plays another bowling buddy of the Dude's, a relatively important
character we're supposed to care
about but mainly don't.