Sentences with phrase «about hybrid authors»

There's been a lot of talk about hybrid authors in the last few years, and I've noticed that a number of authors who've had real success with their traditionally published works have also chosen that option, as well as writers who are just starting out.

That said, when I talk about hybrid publishing, I am not talking about hybrid authors, who are quickly making up a larger subset of the author population than ever before.

This article has broadened my knowledge about Hybrid authors.

And what about hybrid authors that go the other way, start self - publishing and then go traditional?

Not exact matches

The authors suggest that every location where hybrid and natural approaches are being implemented provide opportunities for monitoring so we can learn as much as possible about each approach, including longer - term cost effectiveness.

In an article to appear in the journal Energy Policy, the authors find that urban drivers who can frequently charge their vehicles (every 20 miles) can reduce gas consumption, greenhouse gas emissions, and expenses with a plug - in hybrid with a battery pack sized for about seven miles of electric travel.

About Blog I'm technically a hybrid author, with one traditionally published book releasing June 26, 2015 (The Rancher Takes a Cook from Prism Book Group).

A note about my bias: I have been self - publishing exclusively since late 2011, although I'm technically a hybrid author.

Today, we're talking to YA science fiction author, Beth Revis, about being a hybrid author, the differences in traditional publishing and self - publishing, and marketing from both sides of the fence.

One author in particular — Elle James — taught me a lot about her highly successful career being a hybrid author, working with traditional houses as well as being a driven indy author with a great track record.

Jon Reed asks bestselling hybrid author Nick Spalding about the pros and cons of traditional v. indie publishing.

These can include, but are not limited to, an author panel featuring traditional, hybrid and self - published authors from the community; presentations from local indie authors about writing, marketing and more; book readings and / or signings from local authors; presentations from local industry leaders; writing workshops and informative presentations and workshops about tools available to the writing community through the library.

We feel stronger and are excited about continuing to explore the fusion possibilities of hybrid authors.»

See additional considerations below for more information about how hybrid publishers differ from other author - subsidized models.

Writers» conferences provide ideal environments for learning about the various modes of publishing: the traditional model of the big publishing house, self publishing, independent presses, vanity presses, and the new «hybrid» author - publisher partnership model, which offers much higher royalties and transparency about the process for writers.

At Digitial Book World only a few months before, Howey was interviewed about the newly coined term «hybrid author,» and made the important announcement that fans want instant access to new content from their favorite authors.

Following Sexton's presentation and a interview with author Hugh Howey and his agent Kristin Nelson about his decision to sign a print - only deal with Simon & Schuster after earning an average of $ 50,000 per month on his own, Laura Owen of GigaOm moderated a panel of agents to discuss this hybrid author status.

Just a clarification about Beneath the Ink, while we LOVE indie and self published authors, we also work with hybrid and traditionally published authors.

The Starry Skies package also includes a discussion on the various ways of publication (self - publishing, traditional publishing, hybrid, etc.), and a 25 - minute one - on - one phone call to discuss the critique and any other questions the author may have about the publication process.

Legitimate hybrid publishers are always up front about the nature of the arrangement and the fact that the author isn't being offered a «traditional deal.»

Posted by Victoria Strauss for Writer BewareEarlier this week, I ran across a blog post by best - selling author Claire Cook about the process by which she decided to become a hybrid author, ditching her high - powered agency in the process.

What I've learned (through my own experience and by watching other indie authors) is that they use being a «hybrid» author (as first coined by Bob Mayer and has a post about income here that you should read) to their advantage.

When asked about income, self - published authors report about $ 7,600, traditionally published $ 27k, and hybrid authors about $ 38k.

In most cases, traditionally published authors seem to feel pretty positive about publishing houses, but hybrid authors feel publishers move too slowly, don't understand digital publishing, and don't offer enough money.

Marion will talk about his experience in publishing as one of the newly - dubbed hybrid authors, as well as give readers insight into the beguiling characters of R and Julie.

«I believe that one of the best things about Alli is the emphasis on the idea that what makes an Indie author is someone who is in control of their career, whether they follow traditional, DIY, or hybrid routes to publication or not.»

Most have no idea that they could earn more being independent on even relatively modest sales... Being a hybrid continues to give any author the greatest chance of building that all - important fan base without which none of us would make a living, and that's what any author should consider when thinking about adding independent titles to their backlist: can you afford not to reach more readers?»

Whether you are a reader thinking about writing a book, a writer ready to get paid for writing, a self - published author, traditionally published author, Print on Demand author (CreateSpace / IngramSpark), an author published through a vanity press / publishing assistance company, or a hybrid author (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foauthor, traditionally published author, Print on Demand author (CreateSpace / IngramSpark), an author published through a vanity press / publishing assistance company, or a hybrid author (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foauthor, Print on Demand author (CreateSpace / IngramSpark), an author published through a vanity press / publishing assistance company, or a hybrid author (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foauthor (CreateSpace / IngramSpark), an author published through a vanity press / publishing assistance company, or a hybrid author (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foauthor published through a vanity press / publishing assistance company, or a hybrid author (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foauthor (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foAuthor, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is for you!

We chatted with author Dean Crawford, an author who began his career writing for a publishing house and is now hybrid, about his experiences.

Picking up from Tucker in that last bit about embracing differences — and knowing that the IndieReCon team is now going into a period of evaluation to map out the way forward — I might offer this, too: at our Author (R) evolution Day conference (#ARDay) in New York, debuted by O'Reilly Tools of Change for Publishing on February 12, it became evident that the concept of an «entrepreneurial author» may be more germane to what we're seeing now than that of an «indie» or independent or self - publishing or traditionally publishing or hybrid aAuthor (R) evolution Day conference (#ARDay) in New York, debuted by O'Reilly Tools of Change for Publishing on February 12, it became evident that the concept of an «entrepreneurial author» may be more germane to what we're seeing now than that of an «indie» or independent or self - publishing or traditionally publishing or hybrid aauthor» may be more germane to what we're seeing now than that of an «indie» or independent or self - publishing or traditionally publishing or hybrid authorauthor.

11:30 — 12:30 Writers Track Cover Art 101 for the Indie & Hybrid Author — Taria Reed — Sapphire A The cover is the first opportunity a writer has to tell the reader what the story is about.

Bestselling author Michelle Jackson writes about the two sides of publishing and why she thinks there is room for both: I am a hybrid author; someone who is traditionally published...

Great post about being a hybrid author, its pros and cons.

There was some understandable rejoicing in the UK's self - publishing camp this week, as word was put about that the Bristol CrimeFest next May will include a «self - publishing / hybrid crime fiction author» on one of its panel discussions, «Emerging Indie Voices: Crime Fiction From the Edge.»

At the same time, the author should be learning about the other options (DIY, publishing service companies, hybrid publishers, etc.) and even making connections and obtaining the financial data for those options.

Today, new author - friend Rhiannon Frater graciously agreed to chat about what it means to be a hybrid author.

As we wrote about earlier this year, hybrid publishing gives authors the perks of both paths: access to the support that a publishing house provides while also earning higher royalties per book on the sales of their independent titles.

Join in to learn all the ropes about being a hybrid author!

What you see in these events is a gradual move at trade shows toward programming for and / or about authors — self - publishing, traditionally publishing, or «hybrid.»

Hybrid publishing is very much about taking the best of several worlds to create a brand new publishing model that involve an agent and a publisher working with an author (and illustrator) to take a non-traditional route to get a book published.

One of the most exciting things about the publishing industry today is the ability to become a hybrid author!

Well, much in the same way the hybrid author doesn't limit herself to one sort of publishing platform or program, and thinks strategically about when and where it makes sense to publish digitally for one project, publish traditionally for another project, self - publish another project, and so on, all with the same level of professionalism and personal branding.

Hybrid - publishing superstar Hugh Howey, working with an anonymous «data guru,» has just mined the bestseller lists of Amazon to compile stunning statistics about what kind of books are selling there, how well, which authors are doing best, and much more.

I keep thinking that after the initial conversation you have lined out, I would have a lot of questions about where an agent saw my book going and how they might help me navigate the question of whether I want to be a full - on traditionally published author or a hybrid, both because I don't want to get stuck with low royalties at a publisher that isn't promoting my work and because I work very quickly and I'm not sure if one publisher could keep up with me.

-LSB-...] traditionally - published authors, and hybrid - authors, and about digital author - publisher Hugh Howey's response to that survey (along with a link to a rundown of this discussion by Porter Anderson).

You are a hybrid author who has published a number of different ways, could you tell us a bit more about that?

The Hybrid Author by Dianne Sagan A publishing industry in constant change, authors find themselves trying to make decisions about whether or not to self - publish or traditionally publish.

We talk about his work as a hybrid author, his marketing techniques, and Italian book covers...

In my article yesterday, I wrote about being a hybrid author (one who publishes both traditionally and independently) and how my first two books are traditionally published in India as I'm an expat living in America.

We've been hearing for a while now about trade - published authors who go «hybrid» and self - publishing some of their titles.